moral values and also fill in the time span and action off the stage. It is similar to the role of Sutradhar. In European literary plays both the narrator and the chorus are not unitedly used. They either have a narrator or the chorus. But in Marathi drama originated from the Tamasha, the Sutradhar and the Chorus can appear altogether. When both are used in unison, mostly it serves the purpose of refrain only. It picks up and repeats the last few words spoken by the main character. However the role of
Eugene O’Neill is widely considered the most influential of American playwrights. He is called the “founder of modern drama in the United States”, and holds the title of the first American playwright to earn a Nobel Prize in literature. (O’ Neill 794) His play, The Emperor Jones, is credited as being one that provided” several firsts in American theatre history: the Provincetown Players first major hit, the first major role for an African American actor on the legitimate Broadway stage (in houses
the writer and the chorus would then perform dance movements to compliment those lyrics. In today's day and age, it is the cast members in many musicals who depict the role as the chorus. However, in some cases, the chorus also helps assist the modern reader in interpreting ancient terminology used during that period. I believe that the chorus held a very important role in the play Antigone, by Sophocles. The loyal and religious citizens of Thebes, who are very devoted to their state, represent
famous poet, playwright, and actor. Some may even say he is the greatest writer in the English language. But what Shakespeare is widely known for is his many plays. One of his most recognizable and beloved plays, of love and heartbreak, is the tragic drama Romeo and Juliet. Shakespeare left no stage direction with this play, leading it to be interpreted in many ways. This week an English class watched three different Romeo and Juliet films to find the many ways they can be interpreted. The first film
Essay Prompt: Do you prefer social drama, family drama, or alternative drama? Give an example of the genre you prefer and explain why that genre has contributed so much to twentieth and twenty-first century culture. Of the various and abundant facets of theatrical productions and genres; one could assert that family drama has been a crucial
is one of Shakespeare’s earliest and comedic creations, with inspiration drawn from the Roman comedy Menaechmi. The Royal Shakespeare Company was founded in 1961 with the goal to entertain and educate audiences on Shakespeare’s works, by putting a modern twist on the performances. Their version of The Comedy of Errors, co-produced with Told by an Idiot, manipulates the actor’s movements, language and dramatic tension as well as the elements of theatre in order to convey the comedy and irony of the
successes - or at least, to devote themselves to that activity entirely. I can't." Today Girish Karnad considered one of the most significant Indian dramatists. He has enriched the Indian literary scene by his contribution to art, culture, theatre and drama. It is most befitting that Karnad has been conferred by the President of India, the prestigious awards, Padmasri in 1974 and Padmabhushan in 1992. Also, he received the Gubbi Veeranna Award from the Government of Karnataka in 1997. Karnad is based
In Arthur Miller’s essay “Tragedy and the Common Man”, a picture is painted of a “flaw-full” man, known as the modern hero of tragedies. Miller describes what characteristics the modern tragic hero possesses and how he differs from the heroes depicted by classic Greek playwrights such as Sophocles and Aristotle. In order to understand how drastically the modern hero has evolved, one must first understand the basic characteristics that the heroes created by Sophocles and Aristotle encompass. The Greek
Medieval Morality Plays Throughout time, there have been many books, plays, songs, pamphlets, sermons, lectures, etc. written. These writings were all written with some kind of purpose to either inform, persuade, entertain, or teach their audience. One such form of literature not too widely known about is that of the medieval morality plays. These plays were not aimed to entertain, but to teach morals and religion to the uneducated lower classes of people in medieval Europe. The morality plays
Sardou, Wilde’s drawing-room comedies, symbolism and the farces of Feydeau as depicted in the late works of Henrik Ibsen. Melodrama is a collective name to refer to open group of films that the majority of reviewers refers to as romance, thrillers, and drama. The melodrama as a source of entertainment is believed to have spread rapidly in the nineteenth century due to the growth of industrial revolution and urban development (McHugh 41). It is important to note that this genre is multi-disciplinary in