Pottery

experiences as a production potter, other midwestern ceramic artists, and my rural/military upbringing. After graduating college, I promptly moved to Minneapolis, MN and started what was meant to be a temporary position making coasters for Dock 6 Pottery owned by Kerry Brooks. Urged by my potter/co-worker Johnne Law McMahan, I began to throw pots after work just to get a sense of what a day in the life of my co-workers (production potters) was like. It turned out I

children have and the level the children are at by a discussion with the children and in this case scenario by using the video as observation for this group’s pottery skills and abilities with concrete materials such as clay. Starting with conversations with children: (Have a physical sample of a piece of handmade pottery).  What do you think pottery could be?  Do you know if you have any at home? Learning Outcome As a professional teacher observing and recording children’s learning requires being

A Gold Lustreware Maiolica Bowl by Galileo Chini (fig.1) Maiolica bowl polychrome gold, grey and bronze colour. Circa 1902-1904.Galileo Chini. L’Arte della Ceramica Fontebuoni, Florence. Museo Galileo Chini, Borgo San lorenzo. The gold lustreware bowl by Galileo Chini is an object which could seem on first glance devoid of special significance: just a beautiful decorative object enjoyed at face value. (Fig.1) But in the seeming void I saw a repository of layered meanings which I attempted to interpret

I saw a terracotta Etruscan vase at the Walters Museum, on November 4, 2015. Created by Micali Painter, it stands 16¾ high and has a circumference of 10¼, excavated between 500-490, BCE in Cerveteri, Italy. The museum provenance for the container states that it was purchased in 1902 by Henry Walters from the Don Marcello Massarenti Collection in Rome (“Black” Walters). A close look at the vase reveals unclothed, energetically running satyrs. Above them, birds face in the opposite direction, closer

1. Satsuma Ware Tea Bowl The Satsuma Ware Tea Bowl is from Hankizan, Japan from the Meiji Period. It is earthenware with low-fire enamel decoration. The fall aesthetic is extremely evident on this piece of pottery. The coloring of the pottery is mostly oranges, browns, and dark greens. There are also a few bright colors like blue and pink, but those are subdued by the other colors. The interior design use of chrysanthemums is pivotal in the fall aesthetic. Chrysanthemums are a flower associated

city should exert such a strong influence on his formative years. This unlovely city, known throughout Britain as The Potteries, exercised a power over all its inhabitants, bending their will to the service of its two enormous industries, Pottery making and Coal Mining. Here talk of diverse pot making activities permeated the daily lives of its inhabitants (Fig 01). The Potteries, so often maligned for its lack significant architecture, the meanness of its worker’s houses; conversely, is capable

Context 3.1 Production 3.2 Judgment of Paris 4 Note 5 Bibliography History The amphora was made around 575-550 BC, during the Archaic Period and the tyranny of Peisistratus at Athens. The amphora is a piece of black figure pottery, deriving from the region of Attica, which is located in Mainland Greece to the south of Boeotia, with Athens

the education and possible apprenticeship of ceramicists. Participant Observation: The participant observation portion was conducted by enrolling in a ceramics class at California State University Channel Islands (CSUCI) and interacting with the pottery students and teacher. During this time, notes were kept about the way students worked together to solve problems and the general discussions and atmosphere in the studio. During the participant observation portion I also recorded my interaction and

This site began its occupation during the Developed Periphrastic Period due to the pottery found in strata 25, 24, 23, and 22. The site was continually used until the Early Pleonastic which is found in strata 18, 17, and 16. The site was abandoned sometime between 1500 BC-800 BC because in stratum 16 there is Early Pleonastic pottery then in stratum 14 there is Late Chiastic pottery. Stratum 14 has Late Chiastic pottery, indicating the site has a population again. However, the stratum is clearly a hole

Comparison Essay CA painter &Amphora with Nike and Youth Myths and monument / LO1 - 232 Fall 2017 Zihan Zhong The greek pottery has a wide range of type and style, especially the vase. The painted vessels show us the greek art’s history and let us know more about the ancient Greeks’ mind and life. CA painter’s bell krater is a large earthenware with painting around its center part. As a bell shape vase, it has a large opening and a round body. The broad body makes it perfect for mixing