The Phantom Of The Opera Essay

Stegmeier English 2 9-10* 18 September 2014 Phantom Censorship The movie The Phantom of the Opera is an adaption of the novel, The Phantom of the Opera, written by Gaston Leroux in 1909. It is about an opera house in France, back in 1870, that a man, nicknamed The Phantom, resides in. There is a woman named Christine, whom is an opera singer. The opera house is bought by two people, whom are unaware of the role the Phantom plays in keeping the opera house safe, and was paid by the owners a monthly

1911, the book “The Phantom of the Opera”, written by Gaston Leroux, was published. In April of 1929, Universal Studios premiered a silent, black and white film based on the book (The Phantom of the Opera Website). “The Phantom of the Opera” went through many more stages until it was able to become the Broadway musical that we know today. In 1930, dialogue and music was added to the silent film and later in 1945, it was rewritten and produced in technicolor (The Phantom of the Opera Website). In 1984

Phantom of the Opera is a musical focusing on the career of Christine Dubios (also known as Christine Daae). IMDB summarizes the plot with, “Pit violinist Claudin hopelessly loves rising operatic soprano Christine Dubois (as do baritone Anatole and police inspector Raoul) and secretly aids her career (Phantom of the Opera (1943)). But Claudin loses both his touch and his job, murders a rascally music publisher in a fit of madness, and has his face etched with acid. Soon, mysterious crimes plague

The 2004 version of the Phantom of the Opera is actually in my top 5 favorite movies. I actually grew up watching it with my grandfather because he loved how beautiful the music was. It is filled with great mystery and concentrated scenes that I grew to love every time I watch. Although some people may say that the 1924 and 2004 versions of the Phantom of the Opera are the same I disagree because, one is an actual musical, the other lacks great detail, and the characters are portrayed differently

"Monsieur, who are you"(p. 7)? This is said by Christine to Raoul in the novel The Phantom of the Opera completed in 1910 by Gaston Leroux. Christine talks to Raoul about who is he. It explains that she’s not able to recognize his face because it’s been a long time she hasn’t seen him. The Phantom of the Opera is horror and romantic story about two boys fighting over one girl. The story begins when a ghost sends letters from time to time to notify Madam Giry and the managers about what he wants.

The Phantom of the Opera also issued a similar type of casting method when naming Norm Lewis as the first black actor to play the Phantom. However, the idea of “color blindness” is not a problem on stage so much as it is off stage. The biggest problem that many black playwrights and directors face is not that their work

the hit broadway show Hamilton. The Phantom of the Opera, Wicked, and Hamilton all prove that the arts are an essential aspect in American culture and history. To start off, The Phantom of the Opera, musically composed by Andrew Lloyd Webber, arrived in Broadway in 1988 and preformed on the stage of the Majestic Theatre. The Phantom of the Opera tells a the story of young Christine Daae who takes center stage as leading soprano. The opera's supposed phantom cuts the rope, which connects the stage

Paragraph Vivian Tonight on September 25, come see the dazzling musical that is a classic, The Phantom of the Opera! There is only a limited amount of seats, so hurry and buy some tickets while they are still available. First off all, Phantom of the Opera is a fascinating musical to see with melodramatic acting, jaw-dropping special effects, and heart-thumping music. Don’t worry about pricing, because our tickets start at only $100 compared to the musicals starting at $200. 10% of

Characters and Symbols in The Phantom of the Opera          The story of The Phantom of the Opera appeals to many types of personalities and people of all ages because of its archetypal characters and patterns.  Carl Jung theorized that we are born with innate tendencies to perceive things a certain way:  "a kind of readiness to reproduce over and over again the same or similar mythical ideas . . ."1.  These repeated ideas are archetypes.  The basic legend of The Phantom takes place in 19th century

examining the libretto The Phantom of the Opera, the interactions and attitudes of the characters, and the language used, I will show how the Phantom’s obsession over Christine, although at times destructive, leads to his change from an evil and selfish villain, to a remorseful and compassionate hero. To understand the psyche of the Phantom, one must first have a brief overview of the play. In 1984 Andrew Lloyd Webber, transformed the original The Phantom of the Opera novel (written in 1911 by