Theatre and its Double

Theatre has always been my passion. Nobody told me to pursue theatre, it was a choice that I made my freshman year. I knew I had a fondness for singing, so I figured theatre would be a good opportunity for me to participate at a new school. After being one of two Freshmen chosen to be in the musical, I knew I had something special. I continued pursuing performing, and I became infatuated with getting up on stage and performing for crowds. I plan on pursuing a BFA in Theatre Performance to further

Realism is broadly described, and is often compared closely with naturalism as a form of theatre. There are differences in the theatrical style and realism is defined differently in many scholarly titles. Realism would be more scrupulously described as a number of artistic movements that transpired through outstanding points in our cultural history. Realism is seen as the opposite of authoritive elements in theatre for example: political, scientific and philosophical discourse is present. The expatiated

“One day in 1896, six theatre businessmen met for lunch at the Holland House Hotel.” The gentlemen gathered that day where in a consensus about a few things, but the greatest of which being the state of the American theatre and its institutional need for centralization. (Mroczka) The aim of the following discussion is to contextualize this organization within American theatre history while illustrating the positive and negative impacts of The Theatrical Syndicate on the theatre community. For much

Topic 3 – Describe the appropriate hairstyle and makeup for a classical ballerina and a musical theatre character. Discuss the differences – Thomas Haag Hair and make-up is highly important to visual impact of dance; whether it be classical ballet or musical theatre. Most professional ballerinas and musical theatre performers have their own hair and makeup routines they have perfected over the years and fine-tuned for the specific role they are performing at the time. Professional productions

Antonin Artaud and the Intermediality of le théâtre de la cruauté In “Le théâtre de la cruauté,” Antonin Artaud writes that “on ne peut comparer une image de cinéma qui, si poètique soit-elle, est limitée par la pellicule, à une image de théâtre qui obéit à touts les exigences de la vie” (“Premier Manifeste,” 1932, 150). In this way, cinema is supposedly incommensurable with the values of the theatre of cruelty, which places importance upon the theatre’s connection to real life and the impact

The Great Canadian Theatre Company Throughout Canada, there are many theatre companies who incorporate not only Canadian playwrights into their productions, as well as other playwrights throughout the world. The Great Canadian Theatre Company in Ottawa, is one of few that envisioned and produces only Canadian plays. The founders of the company are professors and graduate students from Carleton University. During 1975 when the company first opened it was completely volunteer-run. Unlike other

When talking about Quentin Tarantino Grindhouse isn’t the first film that comes to mind.This tends to be the case since it was a double feature style film that was co directed with Robert Rodriguez. The film Grindhouse is actually a double feature film that puts Rodriquez’s Planet Terror and Tarantino’s Death Proof together.Caetlin Benson-Allott looks at the films and focuses on the cultural studies aspect of the films, analyzing the culture of grindhouse theaters and exploitations films. Grindhouse

Antonin Artaud and the theatre he created "There is in every madman a misunderstood genius whose idea, shining in his head, frightened people, and for whom delirium was the only solution to the strangulation that life had prepared for him." Antonin Artaud is not known for his many famous and interesting quotes. He was known for his experiments with Theatre and the creations of a sub- Surrealist theatre known as Theatre of Cruelty. The above quote, though, embodies who Artaud was; A genius, a madman

At first glance, one would not expect the Technology Center to provide a place of study for some of the most creative students at USI: the art and theatre majors. The cold, hard concrete building does not seem to assist in providing any type of creative inspiration for aspiring artists. The name alone seems to imply that the building is used to train computer engineers; this is far from the truth. As an art major, the basement of this building has unwillingly become known as a second home to me.

of Mary Kom has also inspired and influenced a lot which was played by actor Prastuti Parasar along with another emotional double role in a family drama name Moi maa’r suwali. But presence of such influential role cannot be said to be absent totally from the yesteryears of the history of Mobile Theatre. To mention, Alankar can be named which was staged by Kohinoor Theatre in 1976-77. It was based on the heartbreaking story of a village girl named Tagar. She spent her childhood as a maid-servant