Whitney Museum of American Art

different kind of greatness? Or, as the feminist art historian Linda Nochlin suggests in her ground-breaking article Why Have There Been No Great Women Artists?, there are no great women artists; no female version of Picasso or Van Gogh, because they simply haven’t been allowed to be great. Throughout history women have been seen as the exception to the rule that artists are men. While conditions have improved, women are still excluded from galleries, museums, textbooks, and overall are not granted the

lying dead in his coffin. The controversial painting was displayed at the Whitney Museum of American Art. The protest began when an African American Artist, Parker Bright started a peaceful protest in front of the painting wearing a “Black Death Spectacle” shirt. Since then many others have come to protest and block people from seeing the open casket painting. Protesters argue that a white women does not have the right to create art around a “black matter subject”. Dana Schutz has argued that the painting

mother and siblings to New York, settling in Harlem. "He trained as a painter at the Harlem Art Workshop, inside the New York Public Library's 113 5th Street branch. Younger than the artists and writers who took part in the Harlem Renaissance of the 1920s, Lawrence was also at an angle to them: he was not interested in the kind of idealized, fake-primitive images of blacks - the Noble Negroes in Art Deco guise - that tended to be produced as an antidote to the toxic racist stereotypes with which

Andrew Warhola (August 1928-February 1987) was an American artist, photographer and filmmaker who…” was one of the leading artists of the Pop art movement during the 1960s.” (Getlein) Warhola was born, raised and educated in Pittsburgh, PA. After graduating from Carnegie Institute of Technology with Bachelor of Fine Arts (BFA) degree in 1949, Warhola moved to New York City to search for a career as a commercial artist. Upon arriving in New York, an eager Warhola legally changed his last name to Warhol

two years of college, I was busy adjusting to a new city, college classes, and dorm life and working two jobs. But something changed at the beginning of my junior year and I could not deny that it greatly affected me. I had enrolled in an African American Studies class as a humanities

the historical-, philosophical-, and theoretical background of House and Street by Stuart Davis created in 1931. This art is a typical example of the look and feel of the Modern Movement style. The Modern Movement took place between 1870 and 1970, all of the art produced in this period was known as ‘Modern Art’. Davis is well known for his art created in this movement. ‘Modern Art’ is a broad term that covers many categories of this period. Davis was part of the Cubism- and Abstraction Movements

October 16, 1960, in Colgate, Jamaica and later moved with her family to Scarsdale, New York. Renée Cox began studying photography at Syracuse University and received her master’s degree at the School of Visual Arts in New York City. After completing her MFA, Cox participated in a year-long Whitney Independent Study program. From the very beginning, her work showed a deep concern for social issues. In her first show at a New York gallery in 1998, Cox created a superhero named Raje who tried to overturn

With more than 25 years of professional experience in the art field, Judy Hecker has built a career rooted in her appreciation of fine art prints. On a recent 70-degree afternoon, Judy Hecker was putting personal notes on the last few invitation letters for the upcoming Spring Benefit Dinner. More than a hundred envelopes were piled up on a nearby table, ready to be mailed out. When she finished, she looked through the office window, and suggested we do the interview outside. The caged elevator

In chapter six of the literature "Deaf Identities: Exploring New Frontiers," Leigh defines 'identity' as a complex and multifaceted concept that encompasses how individuals perceive themselves and how they are perceived by others. Identity is shaped by various factors, including personal experiences, cultural influences, and social interactions. It is dynamic and can evolve over time as individuals navigate different life experiences and contexts. Deaf identity, on the other hand, refers specifically

avant-garde film, which she took courses at the San Francisco Art Institute. Subsequently, she moved to New York to pursue political theory and media studies at the New School. At thirty-five, Poitras made her feature directorial début in Flag Wars (2003) collaborating with filmmaker Linda Goode Bryant. Flag Wars follows the conflicts in a divided community that arise when gay white professionals move into a traditionally African-American neighborhood of Columbus, Ohio. Poitras and Flag Wars were nominated