2.) To What Extent Did The Coming Of The Harlem Renaissance

The Harlem Renaissance was an event that started during World War One and lasted until the 1930’s. The Harlem Renaissance reshaped art, music, literature and theatre in the African American community. One debated during the Harlem Renaissance was whether folk art or high art best represented racial pride. Folk art best represents racial pride because it does not imitate other people’s art it shows the lives of everyday people, and people could relate to it.

The Harlem Renaissance was a time of great change for the African American community in America that brought many good things. It occurred in a neighborhood in New York after a large population of African Americans immigrated there. The Harlem Renaissance was a literary, artistic, and intellectual movement that created a new black cultural identity in America. During the Harlem Renaissance there were 2 conflicting ideas; the idea of High art and Folk art. High art was the idea that blacks should show their equal to whites to prove that they are intellectual equals and folk art which was the idea that showed more traditional art. During Harlem african cultural rebirth many still questioned which best expresses racial pride, highly educated and trained high art or raw traditional folk art. High Art during the Harlem Renaissance best expressed racial pride by using old educated techniques, showing positive celebration and advanced vocabulary.

There were many notable events taking place in the years 1900-1940, some being Pablo Picasso painting one of the first cubist paintings is 1907 , the sinking of the Titanic in 1912 , the 18th Amendment being added to the Constitution (prohibiting the use of intoxicating liquors) and then being repealed in 1933 , the 19th Amendment guaranteeing women the right to vote in 1920 , Amelia Earhart becoming the first woman to fly across the Atlantic in 1928 , and the list continues. Undoubtedly one of the most influential of events during this time was the Harlem Renaissance. Even with its many leaders and innovators, it wouldn’t have been nearly as effective had it not been for Alain LeRoy Locke: black writer, philosopher, and teacher who influenced black artists to look to African sources for pride and inspiration. Without Locke’s contribution, the Renaissance would not have flourished as much as it did, and black pride would have taken longer to develop and accept.

The Harlem Renaissance was an intellectual and literary period of growth promoting a new African American cultural identity in the United States. The years of 1920 and 1990 and “were clear peak periods of African American cultural production.” During these years blacks were able to come together and form a united group that expressed a desire for enlightenment. “It is difficult not to recognize the signs that African Americans are in the midst of a cultural renaissance” (English 807). This renaissance allowed Blacks to have a uniform voice in a society based upon intellectual growth. The front-runners of this revival were extremely focused on cultural growth through means of intellect, literature, art and music. By using these means

Second, there was an event that occurred from the Roaring Twenties or the Jazz Age, which was called the Harlem Renaissance. During the Harlem Renaissance, a numerous amount of African American put forth their talents and intellect. This is a prime example of a form of expression or cultural expression because a trend was set for more African Americans to start “Expanding their horizons and embracing the concept of the “new Negro” movement (P. Scott Corbett, et al). Even though discrimination was still around, this progressive movement helped African Americans contribute to literature, music, politics and more. In which helped shape and form a path for African-Americans to rediscover their black culture, for African American artists, writers, and other famous leaders to “formulated an independent black culture and encouraged racial pride, rejecting any emulation of white American culture” (P. Scott Corbett, et al).

History.com (2009) describes the Harlem Renaissance movement as “a literary, artistic, and intellectual movement that kindled a new black cultural identity.” The 1920s and 1930s emcompass a time in history where blacks found themselves ostracized from mainstream society. It was uncommon to see the expressions of black artistry in everyday life, especially on a literary level.

One of the many revolutionary eras in history was the Harlem renaissance. This was a sudden cultural revolution that was realized in the 1920s and it became popularly known as the “Harlem Renaissance” or “The New Negro movement”. This is a particular era that the African American people draw pride in. the era saw a cultural, social, music and art explosion of epic proportions This was aimed at shifting the stereotypical view of black people as uneducated, intellectually deprived farmers to one of a complex, organized and intellectually equal to the whites. The Harlem renaissance took place in 1920s thru 1930s. This era saw a phenomenon rise in famous black writers and marked the onset of blues, musical theatre, blues, dance and poetry. The new art caught on an appealed to the whites as well. Harlem became a cultural and literature center. The African Americans artists and writers were gaining recognition from the white. [2]

The Harlem Renaissance was the name given to the cultural, social, and artistic explosion that took place in Harlem, New York between the conclusion of World War I and the middle of the 1930s. During this period, Harlem was a cultural center, drawing black writers, artists, musicians, photographers, poets, and scholars. Many had come from the South, fleeing its oppressive caste system in order to find a place where they could freely express their talents; this became known as The Great Migration. Among those artists whose works achieved recognition were Langston Hughes, Claude McKay, Countee Cullen, Arna Bontemps, Zora Neale Hurston, and Jean Toomer. The Renaissance involved racial pride, fueled in part by the violence of the "New Negro" demanding civil and political rights. The Renaissance incorporated jazz and the blues, attracting whites to Harlem speakeasies, where interracial couples danced. However, the Renaissance had little impact on breaking down the rigid barriers of Jim Crow that separated the races; while it may have contributed to a certain slackening of racial attitudes among young whites, perhaps its greatest impact was to reinforce race pride among blacks. The importance of the social movement we refer to as the Harlem Renaissance cannot afford to be overlooked. Like the musicians of their day, Harlem Renaissance poets advocated for an equal society, and incorporated personal anecdotes and historical snippets into their compositions to make the

The harlem renaissance was a cultural, social, and artistic event that took place in Harlem, New York, in the early 1900’s.

The Harlem Renaissance was a time period of innovative and hard-won artistic,cultural, and social freedom for african americans. It began about 1914 and continued into the early 1930s. There were some that embraced their people’s folk history and african roots and a few even exploited white america’s ideas of the black culture. While others set out to change the misconception of views about the lives of african americans. There were many prominent people during the Harlem Renaissance that helped to break barriers against african americans (Harlem Renaissance.Gale.)

“The Harlem Renaissance coincided with the Jazz Age, a time of innovative ideas and modernism with rapid cultural and social changes.” (www.american-historama.org) The new music that was created during this time ranged from classical music all the way to blues, and it was also the birth era for the musical genre of Jazz. A popular area for musical artists to hang out and perform together was at the Cotton Club. A majority of the most influential artists that played in the Cotton Club during the Harlem Renaissance Era are listed as follows: Chick Webb, Billie Holiday, Ella Fitzgerald, Adelaide Hall, Lottie Gee, Cab Calloway, Ethel Waters, Avon Long, Aida Ward, Edith Wilson, Ma Rainey, Bessie Smith, Louis Armstrong, Paul Robeson, Bill "Bo jangles" Robinson, Josephine Baker, Fats Waller, and Lena Horne. Some of these artists created a whole new way of creating and manipulating music. For example, Billie Holiday “pioneered a new way of manipulating phrasing and tempo”. “She was one of the first black women to work with a white orchestra” which was a huge deal in her day and time as well. (historyoftheharlemrenaissance.weebly.com) So many other artists contributed new styles and musical techniques that helped shape the music that we as a society still listen to and create

This Renaissance was led by a variety of people including writers, musicians, artists, and composers and encouraged and enabled by black publishers and supporters. All of these artists began realistically expressing what it was like to be black in America. Each contributed in their own way. Zora Neal Hurston collected black folklore for publication (Phillipson 145). Langston Hughes broke from tradition and began using a rhythmic meter similar to jazz and blues music in his poetry. Authors such as Claude McKay encouraged blacks to stand up for their political rights (“The Harlem”). And jazz musicians Louis Armstrong and Joe Oliver popularized a new style of music. One of their unique contributions was the two coronet lead (Slovey 85)). During this same time, prohibition became law. Therefore, speakeasies which served illegal alcohol became popular with both blacks and whites (“Harlem Renaissance”). Many speakeasies were located in Harlem which introduced jazz music and other elements of black culture to white Americans. The most popular club was the Cotton Club which first opened in 1927. It had black performers for whites-only customers as well as an integrated ballroom that had two bands playing at the same time (“Harlem Renaissance”). Many factors joining together created a significant cultural movement that spread beyond the black

The Harlem Renaissance represents the rebirth and flowering of African-American culture. Although the Harlem Renaissance was concentrated in the Harlem district of New York City, its legacy reverberated throughout the United States and even abroad, to regions with large numbers of former slaves or blacks needing to construct ethnic identities amid a dominant white culture. The primary means of cultural expression during the Harlem Renaissance were literature and poetry, although visual art, drama, and music also played a role in the development of the new, urban African-American identity. Urbanization and population migration prompted large numbers of blacks to move away from the Jim Crow south, where slavery had only transformed into institutionalized racism and political disenfranchisement. The urban enclave of Harlem enabled blacks from different parts of the south to coalescence, share experiences, and most importantly, share ideas, visions, and dreams. Therefore, the Harlem Renaissance had a huge impact in framing African-American politics, social life, and public institutions.

I always found the 1920’s a very interesting decade as it went from a lively moment to a depressing and struggling one within a split second. Therefore, I believe that I learned all of the concepts pretty well. For instance, I learned about the Harlem Renaissance, the cause and effect of The Dust Bowl, and the lasting political argument of the New Deal in the United States. First of all, the Harlem Renaissance was a time period where African Americans began to embrace their roots and create art/works to reflect their experience living in US society. However, during the Great Depression many Americans were left unemployed. In addition to drastic unemployment rates, the environmental disaster, also known as the Dust Bowl, contributed to many

This judgment began unexpectedly to spread as African American music, especially the blues and jazz, became a worldwide sensation. Black music provided the pulse of the Harlem Renaissance and of the Jazz Age more generally. The rise of the “race records” industry, beginning with OKeh’s recording of Mamie Smith’s