90's Rap Music

The purpose of the essay, “From Fly-Girls to Bitches and Hos,” by Joan Morgan, is to not just address the issue of sexism in hip-hop, but to understand and dissect it. Jean Kilbourne’s major claim in “Two Ways a Woman Can Get Hurt” is that advertising has gained a spot where bodies are depicted as objects thereby normalizing attitudes that contribute to sexual aggression. Both these authors use rhetorical strategies effectively such as ethos, pathos, and logos as well as using key language and tone to target their specific audiences.

Many of the lyrics stand out, because they use some type of slang, or have figurative language. Here's one,’’Yo so I continued to a1a Beachfront Avenue girls were hot wearing less than bikinis’’, in this part of the video Vanilla Ice is referring to women as hot, and a woman is standing licking an ice cream cone. This clearly shows us that women have no power to speak out and say it's not ok, and are only used to spice things up in a certain way. One clear thing that women are being used as a social group in the song, is that none of the women are saying or really doing anything.

In “Hip Hop’s Betrayal of Black Women”, McLune addresses the influence of hip hop’s choice of words towards African American women and females. McLune’s article is written in response to Powell’s opinions in “Notes of a Hip Hop Head”, along with various other hip hop artists, that black females are the leading cause of poverty and racism why black men undertake racism and poverty, as if women do not face these struggles from day to day. McLune disagrees with this remark and states that this is just one of many excuses that men use. McLune addresses an audience that is well educated along with informed with the

The misogynistic treatment of women in commercialized rap has become a widespread phenomenon which as a result has become commonly accepted by majority of the individuals in society. Rappers, in general, nowadays use women in their videos in a way which is both derogatory and exploiting. Black men in today’s society, especially in the entertainment industry, do not see women as their equals; rather they objectify them as being nothing more than sex objects. People in the Hip Hop industry do not believe that sexism and misogyny is as big of a deal as racism, thus they push this issue to the side by simply ignoring it and learning to accept it. This misogynistic portrayal of women is ruining the image if Hip Hop as both an industry and a form of expressive art. However, instead of taking action against this atrocity, many women simply believe that the images of women and their portrayal in rap videos does not represent nor refer to them as an individual and the type of woman they truly are. By being silent these women are allowing themselves to be victimized by the men of not only the Hip Hop industry but also general society. By not having a say in this matter of the false classification and portrayal of women, they are voluntarily allowing men to do whatever they please to do so, in any given time and with any approach they feel is necessary. They do not

McLune also believes,“many hip-hop rappers are sexist and materialistic singers”(222), and not many rappers sing about equality and respect between the sexes. Even female rapper’s follow in the male rappers footsteps of disrespecting black women. Female rappers follow this path to keep from being “targeted, slandered, and ignored”(223). Female rappers who take a stance against the norm risk being called “bitch, a ho-or worse, a dyke.” McLune states that she wants the sexism to stop and until it does hip-hop will fail. According to McLune, Kevin Powell excuses sexism because of poverty. Experience has shown us that any man, rich or poor, can be sexist regarding women. By allowing the behavior to continue black women will always be the victim.

“U.N.I.T.Y” addresses the social issue in the hip-hop culture and other cultures of violence and disrespect towards women, making it an important piece in the hip-hop as literature movement. Although Latifah is specifically speaking to black women, most women can relate to the oppression of women. Women and men need to have unity, support each other; not disrespect one another.

Jay-Z’s 2001 song Girls, Girls, Girls wasn’t about third-wave feminism, it was Jay-Z boasting about all the women he’s been with. Kanye’s music career seeped into his personal life, shaping his desires and priorities. And that caused him no harm, until his mother passed due to body beautifying surgery he financed. Only through loss did he realize his priorities were being altered by his community and no longer his.

Misogyny in Hip Hop culture refers to lyrics, videos, or other aspects of hip hop culture that support, glorify, justify or normalize the objectification, exploitation or victimization of women. Misogyny in hip hop music instills and perpetuates negative stereotypes about women. It can range from innuendos to stereotypical characterizations and defamations. Overt misogyny in rap and hip hop music emerged in the late 1980’s, and has since then been a feature of the music of numerous hip hop artists.

During the documentary a scene was shot at BET’s Spring Bling and a young male pointed out that women are determined to be b****** or women by the way they dress. Sexism is an issue that to society is not seen as important compared to the large number of black males incarcerated. The issue should be just as important if not more because one in four African American women is raped after the age eighteen. Most women who are called a b**** or another demeaning name think that it wasn’t referred to them, and either way is still unacceptable. Hip Hop is not being represented by men, which is why the decision of their lyrics is said the way that they

Rap and hip-hop first started to come together in the 1970 's, but didn 't really materialize and become popular until the 1990 's. With a huge surge in popularity and growth in the 1990 's, it seemed that rap and hip-hop had started a cultural phenomenon that still has noticeable effects easily seen today in music and also in pop culture. A cultural phenomenon is an idea, trend, or movement that shapes and defines that time period. During the 1990 's, rap and hip-hop spread like wild fire across the nation, from the inner cities to the suburbs to anywhere where you can find a radio. Rap and hip-hop brought a different kind of lyrical rhythms and upbeat, energetic music that most people weren’t too familiar with. This cultural

There’s a powerful source brainwashing young minority women today, specifically the language expressed in Rap lyrics which is often embraced by the Hip Hop Culture recently. These young gems are being conditioned to value their worth centered around hollow, vain, and degrading measures. The lead directors of these measures are strong, empowered, talented men who come across as if they detest woman. They disclose and describe detail stories of lifestyles involving “model chicks” who degrade themselves for acceptance, money, and opportunity. Consequently, this behavior leaves impressions for young ladies to follow after; because most young ladies of minority tap into the hip hop culture as a guide for social behavior. Although, the Hip Hop culture allows a window into the challenges faced by the black community it has also been the lead contributor to the desensitization of exploitation towards women due to the negative messages and images portrayed in music lyrics and music videos today.

In the world of Hip-hop, artists have the ability to shape the image and status of women in our society. Over time, these music videos have misrepresented women and portray them as sex symbols or material objects. In these music videos, women wear provocative clothing to pacify the desires of males further

After viewing the video a couple of times, it portrays three points that represent men on a prominent level than women. Examples such as men are more successful than women, men are high class and women are low class. In this analysis, over-consumerism,hyper-masculinity, and sexual dominance will be demonstrated throughout the entire video. “Candy Shop” by 50 Cent is a song that influences in the hip-hop culture that portrays males deserve to me on a pedestal than women. This music video consistently shows stereotypes of every hip-hop video when the man is the center of attention.

Rap music is filled with imagery that degrades women. Women are continually referred to inappropriately in many songs, while men refer to themselves and other as pimps or players. Women are not only referred to by derogatory names, they are frequently lowered to sex objects for entertainment. The common idea of a woman in a rap video is one who is half naked while dancing flirtatiously and seductively behind, or in front of the rapper. Many female rappers make public appearances dressed inappropriately, their clothing is always revealing and skin tight, they have unfortunately accepted and entertained this idea. Young girls see these women as role models. As female rappers conform and accept their roles as sex objects they are making it socially acceptable and the young girls who see them as role models and look up to them think

I will be using Bell Hook’s book Feminism is for Everybody which is about the movement to end sexism to help understand why men feel the need to degraded women in their music. Hook’s talks about patriarchal power which is general structure in which men have power over women (male domination). “Males as a group have and do benefit the most from patriarchy, from the assumption that they are superior to females and should rule over us. But those benefits have come with a price. In return for all the goodies men receive from patriarchy, they are required to dominate women, to exploit and oppress us, using violence if they must to keep patriarchy intact.”(Hooks xi). Males today are still part of this patriarchal culture, Many rap and hip hop songs are about men using women and having control over them.