The psyche of those in the ego-driven hip-hop world is that having a plethora of women on your side, especially black women, is equivalent to success. In hip-hop women are treated as human beings whom are not worthy of respect and are instead treated like sexual objects and prizes. In Jay-Z’s song, “Money, Cash, and Hoes”, he raps “If you get close enough you can read the scripture: it reads: money, cash, hoes”. This line alone is a perfect example of what rappers truly define as
“Hip-Hop’s Betrayal of Black Women” by Jennifer Mclune, tells the reader in the title alone, that Hip-Hop has bashed black women. The African American author is an activist, librarian, and writer. She is currently living in Washington, D.C. This article was featured in Z Magazine Online during July and August in 2006. This particular column is targeted toward the entire Hip-Hop community, especially black women, entirely for anyone who listens to the vulgar music style.
Men and women play a significant role in the production of lyricism and visual content in the vibrant and vocal genre that is Hip Hop. Due to this, sexuality plays a major part in creating the role of men and women within the hip hop industry. Sexuality has become a focal point for many male artist that use the image of women and their bodies, through lyricism and music videos. Men in the commercial hip hop industry have yet to stop this social issue, fame and wealth has been produced from the exploiting image of women since the early years of hip hop.
“U.N.I.T.Y” addresses the social issue in the hip-hop culture and other cultures of violence and disrespect towards women, making it an important piece in the hip-hop as literature movement. Although Latifah is specifically speaking to black women, most women can relate to the oppression of women. Women and men need to have unity, support each other; not disrespect one another.
Rap and hip-hop first started to come together in the 1970 's, but didn 't really materialize and become popular until the 1990 's. With a huge surge in popularity and growth in the 1990 's, it seemed that rap and hip-hop had started a cultural phenomenon that still has noticeable effects easily seen today in music and also in pop culture. A cultural phenomenon is an idea, trend, or movement that shapes and defines that time period. During the 1990 's, rap and hip-hop spread like wild fire across the nation, from the inner cities to the suburbs to anywhere where you can find a radio. Rap and hip-hop brought a different kind of lyrical rhythms and upbeat, energetic music that most people weren’t too familiar with. This cultural
Hip-hop’s Betrayal of Black Women written by Jennifer McLune is an article that utilizes many different literary devices, such as quotes, to further educate readers about the cruel tactics that are used in Hip-hop culture to dehumanize black women. McLune mentions how the musically inclined artists who choose not to describe women in such distasteful ways have to put in a lot more work in the music industry in order to become successful. The materialistic and sexist components of rap music are what McLune describes as the future demise of Hip-hop. She elaborates on how rap is very male-dominated culture and often times very biased. McLune’s thesis is the failure to realize the scarring effects that the sexism showcased in most rap music
I will be using Bell Hook’s book Feminism is for Everybody which is about the movement to end sexism to help understand why men feel the need to degraded women in their music. Hook’s talks about patriarchal power which is general structure in which men have power over women (male domination). “Males as a group have and do benefit the most from patriarchy, from the assumption that they are superior to females and should rule over us. But those benefits have come with a price. In return for all the goodies men receive from patriarchy, they are required to dominate women, to exploit and oppress us, using violence if they must to keep patriarchy intact.”(Hooks xi). Males today are still part of this patriarchal culture, Many rap and hip hop songs are about men using women and having control over them.
In “Hip Hop’s Betrayal of Black Women”, McLune addresses the influence of hip hop’s choice of words towards African American women and females. McLune’s article is written in response to Powell’s opinions in “Notes of a Hip Hop Head”, along with various other hip hop artists, that black females are the leading cause of poverty and racism why black men undertake racism and poverty, as if women do not face these struggles from day to day. McLune disagrees with this remark and states that this is just one of many excuses that men use. McLune addresses an audience that is well educated along with informed with the
There’s a powerful source brainwashing young minority women today, specifically the language expressed in Rap lyrics which is often embraced by the Hip Hop Culture recently. These young gems are being conditioned to value their worth centered around hollow, vain, and degrading measures. The lead directors of these measures are strong, empowered, talented men who come across as if they detest woman. They disclose and describe detail stories of lifestyles involving “model chicks” who degrade themselves for acceptance, money, and opportunity. Consequently, this behavior leaves impressions for young ladies to follow after; because most young ladies of minority tap into the hip hop culture as a guide for social behavior. Although, the Hip Hop culture allows a window into the challenges faced by the black community it has also been the lead contributor to the desensitization of exploitation towards women due to the negative messages and images portrayed in music lyrics and music videos today.
In an article called ‘ladies first’: Queen Latifah’s Afrocentric feminist music, it talks about issues raised by feminist rap; rap that focuses on women’s importance, and the demand for equal treatment, and for the need to encourage each other. “Queen Latifah's feminism draws on the patterns of rap to assert the importance of women promoting themselves and other women. Rap, like all other forms of popular music, is not inherently feminist, but in this genre, as in other popular genres, female performers use specific generic qualities to promote a feminist message. Rap is noted for its emphasis on lyrics, and through the lyrics, female rappers make explicit assertions of female strength and autonomy.” Women talk about how they need to be seen as equal to a man through their lyrics and for women to encourage other women. That will push back the negativity from the male rappers toward the female rappers. For an example in a song called U.N.I.T.Y by Queen Latifah she said “Every time I hear a brother call a girl a b*** or a h*, trying to make a sister feel low, you know all of that got to go” Throughout her song she is letting male rappers know that they can’t be calling women those types of names, no matter what. Through time, the hip hop community is and will keep pushing back the misogyny and violence that rap
Hip-hop feminists are using feminism to draw a critique from the social, political, economic structures that shape their lives and give rise to the mainstream violent misogynist music. In the DVD we watched in class, Say My Name, they are aware that being a woman in hip-hop culture that they are at an extreme disadvantage when it comes to be respected at lyrists. Women in hip-hop are seen as sexual objects and it is rare when you see a rapper talking about respecting a woman in his music. These women believe that hip-hop is a tool for social change and these hip-hop feminists can spread their message of critical analysis and empowerment through their lyrics. They want to stay true to themselves by not rapping about what the media wants to hear or what sells, but rather an intersection of class, race, and gender that has a special meaning to them. Another example of hip hop feminism in the film is when the females that were
Misogyny in Hip Hop culture refers to lyrics, videos, or other aspects of hip hop culture that support, glorify, justify or normalize the objectification, exploitation or victimization of women. Misogyny in hip hop music instills and perpetuates negative stereotypes about women. It can range from innuendos to stereotypical characterizations and defamations. Overt misogyny in rap and hip hop music emerged in the late 1980’s, and has since then been a feature of the music of numerous hip hop artists.
In the world of Hip-hop, artists have the ability to shape the image and status of women in our society. Over time, these music videos have misrepresented women and portray them as sex symbols or material objects. In these music videos, women wear provocative clothing to pacify the desires of males further
During the documentary a scene was shot at BET’s Spring Bling and a young male pointed out that women are determined to be b****** or women by the way they dress. Sexism is an issue that to society is not seen as important compared to the large number of black males incarcerated. The issue should be just as important if not more because one in four African American women is raped after the age eighteen. Most women who are called a b**** or another demeaning name think that it wasn’t referred to them, and either way is still unacceptable. Hip Hop is not being represented by men, which is why the decision of their lyrics is said the way that they