While reading Tennessee Williams play, “The Glass Menagerie”, readers are drawn into the drama and disaster that is the Wingfield family. There were several different film and television versions of this play done thru the years from 1950 to 1987. After watching several different adaptations, Paul Newman’s film adaptation in 1987 is extremely faithful to the written version. Focusing on plot, setting, and character development the audience is introduced to a family with an austere future structured around a series of abandonments, difficulty accepting reality and the impossibility of true escape. Both versions begin with a narrator looking back at the past and setting the stage for what memories will follow. The story is told in hindsight by Tom. It begins with Laura and Amanda waiting at the dining table for Tom to join them, so they can say grace and begin the meal, showing the audience, the family is very close and depend on each other. Throughout, readers also see constant conflict between the mother and children, but never conflict between the siblings. For instance, when Williams writes after an argument between Tom and Amanda; “AMANDA: “I won’t speak to you until you apologize!” (25) then the next morning Amanda sending Laura out, so she can talk to Tom privately to discuss Laura’s future. Trying to provide security to Laura and Amanda (at Amanda’s request), Tom invites and friend, Jim, home from work to meet his sister in the hopes that he will assume the
Amanda becomes a woman bent on finding her daughter either a job or a husband and finding out why her son disappears every night. To help her appear strong and willful, Amanda escapes to her own days as a young girl, finding more than seventeen gentlemen callers, and allows herself to believe her life is stable enough that her daughter and her will be financially taken care of. These facades crumble when she realizes her daughter has never been capable enough to find either a job or a husband. While these expectations of Laura hurt her, they allow her mother to escape to her days of being flaunted over and adorned by men. Once she does see her daughter is struggling, Amanda has to face the fact that her daughter will always be dependant upon her mother. These realities continue to affect how her children act and the results of the
In the play “The Glass Menagerie” each of the characters uses different escape mechanisms to avoid real life. Amanda, the mother, consistently tries to live in the past. Laura, the daughter, avoids the real world by using her own escape mechanisms; her glass figures, and her music and taking walks. Tom, the son, is always avoiding the real world by either going to the movies every night, or going to get drunk. Throughout this paper the reader will gain knowledge of how each character escapes from their everyday lives that they are living.
Amanda and Tom share a familial relationship of mother and son. Williams depicts Amanda at first interpretation as overbearing, hypercritical and controlling. However, on further assessment, the audience is able to acknowledge a more admirable facet to her character: her evident persistence in trying to love her children. Through her attempts in perpetuating her youth and past glory, she distorts reality to fit her
Tennessee Williams' play, The Glass Menagerie, describes three separate characters, their dreams, and the harsh realities they face in a modern world. The Glass Menagerie exposes the lost dreams of a southern family and their desperate struggle to escape reality. Williams' use of symbols adds depth to the play. The glass menagerie itself is a symbol Williams uses to represent the broken lives of Amanda, Laura and Tom Wingfield and their inability to live in the present.
For decades, the “lost” and socially alienated characters in Tennessee Williams’ plays have remained some of the theatre’s most memorable characters. Many feel The Glass Menagerie is Williams’ best drama and his characters are the most
Glass Menagerie” is a tragic story of the Wingfield family, a dysfunctional family of dreamers
In The Glass Menagerie, Tennessee Williams beautifully encapsulates man’s desire to escape from uncomfortable emotional and physical situations. Whether he’s showing a young man trapped in a factory job he hates, an aging single mother who mourns for her life as Southern belle, or a young lady who fears that she’ll spend her life alone, he clearly demonstrates these desires and fears for his audience. Williams shows us through the actions of his characters how humans handle a wide variety of uncomfortable situations, and how these situations dramatically influence one’s ability to thrive. The playwright doesn’t seem to believe in the idea of “bloom where you’re planted”, and the desire to escape becomes a major theme of the play, demonstrated across multiple characters in a wide variety of ways. Creative individuals often do not thrive in noncreative, industrial environments. Williams demonstrates this clearly in this “memory play”, which carries many autobiographical element. Tom Wingfield represents his own character, Williams himself, and also serves as a narrator, making him quite the complex character. Williams’s uses Tom to show how an emotionally complex, creative individual can quickly feel trapped and tied down in a factory job, longing to get out, see the world, and pursue a job with more creative elements. Tom’s escapism, drinking, and evening theatrical adventures all reflect the life of the playwright himself, as Williams was known to struggle with alcoholism
Thomas Lanier Williams, born in Columbus, Mississippi to Edwina Dakin and Cornelius Coffin Williams, became one of the nations greatest playwrights. He was born on March 26, 1911 in his grandfather, Reverend Walter E. Dakin's, Episcopal Church. William's mother, Edwina, was a lively and colorful woman. She married a man whom contradicted her lifestyle. That man was Cornelius Williams, a gruff, pistol dueler with a violent temper. He was a lieutenant in the Spanish American War and a descendent from frontiersmen. Cornelius and Edwina married and continued to live in Mississippi. Cornelius had a job as a traveling salesman. Thomas became sick with diphtheria at age five which is how his love for literature bloomed. He lived in Mississippi until
The theme of Tennessee Williams' The Glass Menagerie is conflict. The play contains both internal and external conflict. The absence of Tom's father forces external turmoil and conflict between Tom the protagonist, and his mother the antagonist. The internal conflict is seen within Tom through his constant references to leaving home and his selfishness. The play is about a young aspiring poet named Tom, who works at a shoe warehouse. Tom is unhappy with is life at home mainly because of his overbearing, over protective mother named Amanda. Tom also has a sister within the play named Laura who chooses to isolate herself from the rest of society. During the play Tom's relationship with his mother is filled with very harsh and abrasive
German writer Gertrud von Le Fort once said, "Symbols are the language of something invisible spoken in the visible world." The Glass Menagerie author, Tennessee Williams, does just that by using symbols to show the main themes in the play. Some of the main themes, represented by symbols, Williams uses are memories, living in the past, hope, feeling trapped, insecurity, and adventure and escape. Writers use symbols to help bring meaning and emotion to the story. Symbolism helps the play or story become more powerful and memorable to the viewer or reader.
Have you ever watched a play and been amazed to how real the play appears? Refer to this as realism. Realism tries to create an illusion that makes a certain situation look like that action is actually happening. Realism can also refer to certain social issues. Something that provides to realism is the spectacle. The spectacle is what the audience sees and hears during the play. In the play The Glass Menagerie by Tennessee Williams, there are several different examples of spectacle. These example gives the audience an entertaining value and sets the tone for the plot. During the play, the spectacles that contribute to the realism would be the screen and the music.
Each character in the Glass Menagerie is living in their own fantasy world, which reflects that during the period of World War II and the Great Depression, the U.S. working people in lower middle class worked hard in different ways in face of cruel reality. Whether live in the past, hide themselves from others, walk out bravely, or even completely escape from the result, they all struggled between the real and were unable to escape the tragic fate. The beautiful fantasy is as beautiful and fragile as the glass menagerie.
Tom had a double role in the play as both the narrator and a main character that lived through a recollection of what life was like living with his mother and sister before he abandoned them to seek adventure. Tom’s behavior in the play could lead to question if his memory is truly accurate. SparkNotes comments, “…But at the same time, he demonstrates real and sometimes juvenile emotions as he takes part in the play’s action. This duality can frustrate our understanding of Tom, as it is hard to decide whether he is a character whose assessments should be trusted or one who allows his emotions to affect his judgment” (SparkNotes.com). Through his behavior a person is reminded that memory can be flawed by emotions or time elapsing, this would need to be taken into account when analysis of such a character is done. Tom is full of contradictions as he reads literature, writes poetry, and dreams of an escape; however he also felt bound by duty to his sister and mother. Another contradiction was that while he professed to care about his sister as seen in his ending comments in the play, “…I tried to leave you behind me, but I am more faithful than I intended to be!...” (Williams), Tom never went back to reconnect with his sister. This could be because of the great shame he felt for abandoning his sister or because of another reason. He stated that he had been in several cities over the years but never speaks of going back to St. Louis, making it unclear if he
Written in 1944, Tennessee Williams wrote a play during World War II when people were barely making ends meet. Centering on the Wingfield family, the story consisted of five characters: Amanda Wingfield (the mother), Laura Wingfield (the daughter), Tom Wingfield (son, narrator, Laura’s older brother), Jim Connor (Tom and Laura’s old acquaintance from high school) and Mr. Wingfield (father to Tom and Laura, and Amanda’s husband)- who abandoned the family long before the start of the play. The title, “The Glass Menagerie”, represented a collection of glass animals on display in the Wingfields’ home. At one point or another, these animals then represented each character when they couldn’t accept reality. The theme of this play were about the
Aside from the internal and external conflicts which impact Amanda, Williams's strongly expresses his indictment through his very own character, Tom. Tom is merely a victim of both societal conflicts and his own guilt caused by his decision to seek fulfillment within his own life, rather than surrender to the unsatisfying life which his mother had created for him. One of the greatest factors in Tom’s lifestyle that creates his desire to escape this sense of imprisonment, is society's overall attitude toward homosexuality, specifically within his mother. Amanda stated, “I took that horrible novel back to the library- yes! That hideous book by that insane Mr. Lawrence. I cannot control the output of diseased minds or people who cater to them- but I won’t let such filth brought into my house” (Williams 759). Because 1930’s society does not allow homosexuality to be expressed openly, literature is the closest way which allows him to express himself. The simple fact that his novels are the one way which allows him to gain any sense of satisfaction is taken away by his