A Comparison between Madame Bovary and The Awakening Essay

on her objective psychological realism, her stress on character rather than plot, her desire for economy and consensus, and her different principals. Obvious analogies make a connection between this French male author and American female author. Unfortunately, The Awakening, probably a reaction to Flaubert's Madame

body in its soft, close embrace” (Chopin, p.16). However, the danger of the sea is also exiting to her, as Edna is seized with, “a certain ungovernable dread” when she enters the water (Chopin, p.15). However, despite this she experiences her first awakening and takes her first step towards self-discovery and independence, taking the plunge she swims on her own, “as a feeling of dare and recklessness, and a desire to swim far out, where no woman had swam before” (Chopin, p.31). This point in the novel

In Kate Chopin’s The Awakening, the protagonist Edna Pontellier is said to have “that outward existence which conforms, the inward life which questions”. This is accurate when talking about the lives of Janie Crawford and Emma Bovary, the main protagonists of the novels: Their Eyes Were Watching God by Zora Neale Hurston and Madame Bovary by Gustave Flaubert. Each character experienced in their own way the disadvantages women have in a male dominated society

Kate Chopin is best known for her novel, The Awakening, published in 1899. After its publication, The Awakening created such uproar that its author was alienated from certain social circles in St. Louis. The novel also contributed to rejections of Chopin's later stories including, "The Story of An Hour" and "The Storm." The heavy criticism that she endured for the novel hindered her writing. The male dominated world was simply not ready for such an honest exploration of female independence, a frank

another novel or play of comparable literary merit. The Age of Innocence Henry V All the Kings Men The Mayor of Casterbridge Anna Karenina The Merchant of Venice The Autobiography of An Ex-Colored Man Mrs. Warren’s Profession The Awakening Père Goriot Billy Budd The Picture of Dorian Gray Crime and Punishment The Plague Faust Poccho Fences The Scarlet Letter The Glass Menagerie Silas Marner Great Expectations Sister Carrie The Great Gatsby

Truffaut’s treatment of the Nazi regime in comparison to the firemen in his film shows the type of government he desired to depict, one that “succinctly and successfully institutionalized mass schizophrenia,” a government founded on the “murderous ideologies” of “Communism and Nazism” (Gonzalez 1), a totalitarian society mirroring the world in Bradbury’s novel among other dystopian novels of the time. His society fits the idea of totalitarianism in the fact that it is a “form of government that theoretically

FILM LANGUAGE FILM LANGUAGE A Semiotics of the Cinema Christian Metz Translated by Michael Taylor The University of Chicago Press Published by arrangement with Oxford University Press, Inc. The University of Chicago Press, Chicago 60637 © 1974 by Oxford University Press, Inc. All rights reserved. English translation. Originally published 1974 Note on Translation © 1991 by the University of Chicago University of Chicago Press edition 1991 Printed in the United States of America 09 08 07 6