A Doll House : A Play From Different Perspectives

Numerous individuals saw values of feminism within A Doll House, not only because of what the character, Nora, faced as a woman in society, but due to the social era of that time; woman felt they could relate to Nora’s struggles. The play was made during a time period in which women were not allowed to conduct business without the authority of a man, such as controlling money or divorce unless both partners agreed. Many saw that A Doll House presented evidence on Victorian society by displaying hypocrisy and its use of public opinion to suppress individuality, the

The main character, Nora, in Henrik Ibsen’s play “A Doll House” is a character that had been held back and repressed by the patriarchal society she existed in. Throughout the play it can be seen that most of the issues and struggles the character, Nora, faced were created and brought on by the men who were in her life. From the very beginning it is evident that Nora is as an undermined and restrained woman. Nora’s husband, Torvald, is her overseer. Torvald treats Nora like a child. He gives her nicknames like “squirrel” as if she is a little animal that only scurries about. When Nora wants money she must ask Torvald for permission to borrow some. Torvald also calls Nora a “spendthrift” as he does not trust Nora with money and believes she just wastes it on useless things. Torvald’s little nicknames for Nora seem to dehumanize her and make her seem less than her husband. When Nora suggests to Torvald to borrow money until he gets paid, Torvald responds “how like a woman! You know what I think about that. No debts! Never borrow!” (Ibsen 884) as if to indicate all women are incompetent and don’t know how to handle money. Although Nora is a victim of a destructive patriarchal society, she is also an example of what it meant to be a part of the feminist movement. Feminism is a movement and ideology that believes in the establishment of economic, political, and social equality of the sexes. At

Throughout “A Doll House” Isben writes on the way Mr. Helmer treats Nora as if she is a child living under his male power. In the story, men were the higher educated working individuals and the women stayed home outside of the workforce. Victorian women in the 1800’s were known for walking out on their husband and children, and we see at the end of Isben’s play Nora walking out on her husband. As a reader, I was astounded that women would walk out on her children since in our society women commonly fight for the right to take care of their children. This play contains all “the major elements of the ninetieth century,” including family roles, societal roles, and social roles and how they interact with one another (Hornby 91). When exploring these different roles it all comes down to feminism vs.

In the realistic play “A Doll’s House” by Henrick Ibsen’s the cultural conflicts of the nineteenth century are shocking and controversial. The play helps portray the struggles women and men were faced with during that century with their roles. Being a male during this period showed more importance than the female’s role would have been. In the end this theory proves women can be just as responsible as a man.

Commonly, we see female characters in literature completely at the discipline of their male counterparts. However, some females challenge the notion that subservience to the patriarchy is absolutely ‘necessary’. A Doll’s House by Henrik Ibsen and Thomas Hardy’s Far from the Madding Crowd both create interesting female characters in Nora Helmer and Bathsheba Everdene respectively. Whether these women are truly either independent or dependent, is ambiguous in their pieces of literature.

A Doll’s House, by Henrik Ibsen, portrays a young married woman, Nora, who plays a dramatic role of deception and self-indulgence. The author creates a good understanding of a woman’s role by assuming Nora is an average housewife who does not work; her only job is to maintain the house and raise the children like a stereotypical woman that cannot work or help society. In reality, she is not an average housewife in that she has a hired maid who deals with the house and children. Although Ibsen focuses on these “housewife” attributes, Nora’s character is ambitious, naive, and somewhat cunning. She hides a dark secret from her husband that not only includes borrowing money, but also forgery. Nora’s choices were irrational; she handled the

“Here I have been your doll wife, just as at-home I used to be papa’s doll child.” states Nora Helmer (A Doll House, Act 3 pg. 114). The play A Doll House was composed by Henrik Ibsen and is written in first person. It takes place in Norway in the late 1800s. A Doll house focuses on a woman name Nora Helmer who is married with children. After eight years of being married, she decides to end it. Nora ends her relationship to start a new life and discover herself. However; she does commit a selfish act by leaving her children behind with the father. Literary elements such as, plot ,setting, and theme enrich the play and the experience of the reader.

Nora Helmer and Kristine Linde, main character of the play A Doll House by Henrik Ibsen, are strong female leads who are very diverse but eventually become one another.

Nora Helmer and Kristine Linde represent the role of women in Henrik Ibsen’s, A Doll House. Their lives had always been in parallel. In the beginning of the story Nora lives a very happy life and has the role of a loving wife, while Kristine is a lonely widow. As the story develops; Nora Helmer and Kristine Linde emerge as contrasting characters; one goes on to liberate herself, while the other comes to security.

Ibsen’s “A Dolls House” is a story about a wife who forges her father's signature to obtain a loan that can save her authoritative husband from a life-threatening illness. Unfortunately, her husband’s co-worker Krogstad discovers the forged document and threatens to reveal her which would bring shame upon both Nora and her husband. Krogstad’s motivation to blackmail Nora begins when he finds out Mrs. Linde is now an employee at the bank. Believing Mrs. Linde was hired to replace him, Krogstad need’s Nora to influence her husband to retain his position.

Nora tells Torvald, “You and [me] I both would transform ourselves to the point that…I have stopped believing in miracles” (Kirszner and Mandell). Henrik Ibsen’s ending for his play, “A Doll House” must stay the same, or many integral parts of Nora’s story would not have any intrinsic value. Although the description of Nora’s character at the beginning of Act I as an irresponsible spender and her husband calls her “my squirrel” (Ibsen 6). The conclusion of the play showed that people can grow and how the character of Nora Torvald developed through Ibsen’s writing. What eventually bewildered Nora’s friends and family was her abrupt exit from their lives. The play illustrated her personal growth even though others did not understand leaving was the next phase in her maturation process. The ending of the play represents

The Doll House takes place in the late 1800s, in which things were way different than they are now. During this time, men were basically the ones running the place instead of woman. Society expects women to be the ones who will stay home to cook, clean, and take care of the kids. During that, men will be able to do almost anything they want and they basically bring in the income to the house. The play taught us how women are treated and how they can redeem themselves by finding their own virtues and values. Nora was basically treated like the “squirrel” she was by Torvald, in which he didn’t think nothing was wrong at all.

As act I of “A Doll’s House” begins, the scene is set to impress the audience “with vivid descriptions of a room “furnished with taste, but nothing too extravagant”. (Ibsen) The first to enter is Nora. Nora walks in with her arms full of bags after shopping, and her husband, Torvald calls from another room to make sure it is her he hears coming through the door. Torvald sets limits on Nora’s spending; he treats her as both a child and a doll. The way in which the characters in the play treat, and react to one another, shows the selfish intentions in which the expectations of society hold of them.

In “A Doll House” by Henrik Ibsen was created during 1800s time period. This play helps shine a light on the gender roles of the 1800s while also creating a twist that was uncommon for this period. During this time period, women were left home to oversee the domestic duties, while men went to commuted to work (Hughes). Men were seen as physically superior but morally inferior to women; which is also portrayed within this book (Hughes). This play marks the beginning of Henrik Ibsen’s realist period, which he explored the ordinary lives of small-town people (Kirszner and Mandell 881). This “modern tragedy” helped make Ibsen famous internationally because of the real-life story it captured (Kirszner and Mandell 882). Henrik Ibsen uses an array of literary devices to help keep the reader captivated from beginning to end. Three of the most prominent literary devices used by Henrik Ibsen are symbolism, foreshadowing, and an array of themes. These literary devices help transform a basic play into a complex story of lies and deception.

A Doll’s House was published in Norway in 1879 by Henrik Isben. He is known as the father of Modern Theatre. He is also referred as the father of realism. The play is very interesting because of the funny dialogue, the unique characters, and Ibsen 's view of the place of ladies in the public eye. The main characters of the play is Nora Helmer and her husband Torvald Helmer. Imagine what it would be like to live in a doll 's home? It 's a house in which you are controlled and have no energy to settle on any solid choice; It 's a house in which you are a play thing for another person 's amusement. This sounds a ton like an awful marriage, so it 's a house in which your husband holds the satchel strings, in a manner of speaking, and abandons you with no influence over your family 's accounts. In fact, your husband keeps you on a tightrope. Such is the perceived life of Nora Helmer.