A Good Man Is Hard To Find By Joyce Carol Oates

Throughout the entire story, there is death imagery. At the beginning, as the Grandmother gets ready to go on the trip, she dresses in a way that is foreshadowing of her own death. She says she dresses so that "anyone seeing her dead on the highway would know at once that she was a lady (O’Connor)." While on the highway, they pass five or six graves fenced in on the side of the road indicative of the deaths of the six passengers in the car. Finally, as they see the Misfit's car, it is described as a hearse - a vehicle in which the dead are carried. These images all foreshadow the death of the grandmother and her

James Joyce’s short story, “The Dead” depicts characters that all are seemingly alive, yet, on the inside, are very much dead. The main character, Gabriel Conroy, is more concerned with himself and how he is perceived than anyone else. His conceited nature plays a major role in his epiphany at the end of the story. After his wife, Gretta, divulges her childhood to Gabriel and the first young man who ever loved her, Gabriel come to the realization that “he had never felt like that himself towards any woman but he knew that feeling must be love (p. 628). With Gabriel’s sudden epiphany, the issue the readers knew, but he did not, surfaced. Gabriel was dead inside and only cared about himself. Any form of love he ever gave was to himself to boost his own egotistical personality.

The idea of death can be, and is an enormously disturbing, unknown issue in which many people can have many different opinions. To some individuals, the process of life can progress painstakingly slow, while for others life moves too fast. In the excerpt We Were the Mulvaneys, by Joyce Carol Oates, a innocent farm boy named Judd Mulvaney has an eye-opening encounter by a brook near his driveway. During this encounter, Judd faces a chain of feelings and emotions that lead to his change of opinion of the issues of life and death, and change as a character. This emblematic imagery of life and death, as well as jumpy, and retrospective tones benefit the development of Judd as an innocent child as he begins to change into a more conscious and aware adult.

Most people in the world have had a hard time admitting that someone has died that they care about. In the world this happens a lot because it is a hard thing to excepted. Lucille Fletcher, the author of “The Hitchhiker” shows the fear of death through the eyes of the main character that can not escape that he is dead. He is being followed by a Hitchhiker that is representing death because the main character is dead which goes back to not admitting that someone is dead. In the story “The Hitchhiker,” Lucille Fletcher uses flashback, foreshadowing,and symbolism to build a mood.

For example, the first time death is symbolized in this story is when the family passes a graveyard. “They passed a large cotton field with five or six graves fenced in the middle of it, like a small island. ‘Look at the graveyard!’ the grandmother said, pointing it out. ‘That was the old FAMILY burying grounds.’” (99). O’Connor purposely mentions the specific number of graves, one grave for each person in the car. She also mentions that it was a “family” burying ground. This symbolism foreshadows that the family will soon face death. When the family is driving through the town, the grandmother remembers the old plantation is called “Toombsboro”. This plantation’s name is brought up to remind the reader of death. Toombsboro sounds like the tomb, symbolizing the family will soon face their tombs. Another description that is given to symbolize the deaths is that of the Misfits car. “It was a big black battered hearse-like automobile” (103). A hearse is a vehicle designed to carry coffins for funerals. This description also foreshadows the death of the family before the Misfit arrives. Lastly, the “woods, tall and dark and deep” (105) represent the family’s death. The woods symbolize the unknown and fear we have for death, which is considered dark and deep. The Grandmother stood in front of the woods reminding us that death is always near and behind us. Just like the woods, death can be a scary thing

This much is true with no one more than the title character, as his actions reveal more about the time’s ‘concept’ of death during his friend’s execution and burial rather than going too deep into his own personal feelings about this particular death. Tennessee’s Partner quickly compares his friend’s burial to all the other drunken trips his shouldered with Tennessee in the past and seemingly moves on from the finality of the situation with ease.

Foreshadowing is another main element. One example appears when the grandmother is talking to Bailey stating that she would not take her kids anywhere that there is such a deranged killer on the loose (O 'Connor 276). Later as the grandmother is talking to John Wesley, she asks what he would do if he ever did run into the Misfit. He replies, ‘I’d smack his face” (O’Connor 277). As the family is riding, they see a large cotton field with five or six graves fenced in the middle of it “like a small island” (O’Connor 278). This simile represents a sense of foretold death.

The author also uses symbolism through the name of the characters. For example, Mr. Summers; the name “Summers” suggests that he is a cheerful man and to support this, he is described as a “round-faced, jovial man” with “time and energy to devote to civic activities” ; however, the true personality lying behind the name is the total opposite. On the other hand, the name Graves is the most obvious of all, the name relates to the place where corpses are buried, a strong indication of the participation of death in the story.

In today’s society, several individuals have come across a point where they were on the verge of the death. Murder is constantly being thrown across headlines, news reports, and social media throughout America. It has become a disastrous factor throughout many individual’ lives. Viewing families suffer from their lost loved ones, as well as the murder of innocent lives have been tremendously relevant in today’s society. What many individuals fail to understand, is what actually happens during their last seconds on earth. Throughout the short story, “A Good Man Is Hard To Find,” O’Connor uses a Grandmother to convey to the readers the actually value of goodness an individual tends to gain when confronted with death. Just as revealed in the short story, violence frequently triggers an individual’s actions when presented with death. In “A Good Man Is Hard To Find,” Flannery O’Connor uses theme, conflict, and religion in order to portray the false acts of goodness projected by the grandmother.

     In the short story, 'A Good Man is Hard to Find', the main character is the grandmother. Flannery O'Connor, the author, lets the reader find out who the grandmother is by her conversations and reactions to the other characters in the story. The grandmother is the most important character in the story because she has a main role in the stories principal action. This little old lady is the protagonist in this piece. We learn more about her from her direct conversation with the son, Bailey, her grandchildren, June Star and John Wesley, and the Misfit killer. Through these conversations, we know that she is a lady raised from a traditional background. In the story, her attitude changes

Flannery O’Connor, undoubtedly one of the most well-read authors of the early 20th Century, had many strong themes deeply embedded within all her writings. Two of her most prominent and poignant themes were Christianity and racism. By analyzing, “A Good Man is Hard to Find” and “Everything that Rises Must Converge,” these two themes jump out at the reader. Growing up in the mid-1920’s in Georgia was a huge influence on O’Connor. Less than a decade before her birth, Georgia was much different than it was at her birth. Slaves labored tirelessly on their master’s plantations and were indeed a facet of everyday life. However, as the Civil War ended and Reconstruction began, slaves were not easily assimilated into Southern culture. Thus, O’Connor grew up in a highly racist area that mourned the fact that slaves were now to be treated as “equals.” In her everyday life in Georgia, O’Connor encountered countless citizens who were not shy in expressing their discontent toward the black race. This indeed was a guiding influence and inspiration in her fiction writing. The other guiding influence in her life that became a major theme in her writing was religion. Flannery O 'Connor was born in Savannah, Georgia, the only child of a Catholic family. The region was part of the 'Christ-haunted ' Bible belt of the Southern States. The spiritual heritage of the region profoundly shaped O 'Connor 's writing as described in her essay "The Catholic Novelist in the Protestant South" (1969). Many

Flannery O'Connor remained a devout Catholic throughout, and this fact, coupled with the constant awareness of her own impending death, both filtered through an acute literary sensibility, gives us valuable insight into just what went into those thirty-two short stories and the two novels: cathartic bitterness, a belief in grace as something devastating to the recipient, a gelid concept of salvation, and violence as a force for good. At first it might seem that these aspects of her writing would detract from,

O'Connor's typical use of violence and humor in her literary work broadens the characterization of the grandmother and the misfit throughout her story. She uses these elements in an effort to establish the characterization of her two main characters through the many

Ambrose uses realism in his writings by giving vivid details of the thoughts of this civilian who is caught by the Union soldiers and is about to be hanged. “Death is a dignitary who when he comes announced is to be received with formal manifestations of respect, even by those most familiar with him” (457). This shows us how a man’s loyalties can affect him greatly, especially when he chooses a path that can ultimately lead to death.

Throughout Shakespeare’s Hamlet, the theme of death is thoroughly expressed through symbolism. Death, a primary element in Hamlet, taunts and dances around the characters preceding the death of Hamlet’s father. The symbols representing death become increasingly more prominent as the play progresses, they appear in both ironic and bold forms. The enigma that death poses drives key points in the plot of the play. Collectively, the symbols of death in Hamlet provoke and foreshadow this essential tragic theme.