The Shift From Modernity To Postmodernity

This essay discusses the origins of Postmodernism in art and architecture in terms of Venturi’s critique and explains the meaning of the term “puritanical moral language.” It will define alternatives posed by Venturi and give examples of works by two Australian architects. The first architect is Glenn Murcutt, whose love of the Australian landscape has been the inspiration for many of his buildings. The second is architectural firm McBride Charles Ryan, a partnership of Debbie Ryan (Interior Designer) and Rob McBride (Architect) whose vision is to provide innovative solutions and technical excellence with its unique designs.

Though the start of the modernisation may trace back to the beginning of Industrial Revolution. “Modernism in the design world did not exist in a fully developed form, until well after First World War.” (Wilk, 2006) Causing the great loss of lives and other countless damage to the world, it reshaped many people’s way of thinking the world. With the inspiration of early avant-garde movement, the modernism began to emerge advocating an utopian future and shared certain core principles by various styles of modernists: rejecting the past and applied ornament; forms follow function, a preference for

According to Hugh Helclo, “Postmodern America” was not just ideas in philosophy and the analysis of culture and society, but an expanded importance of critical thinking associated to a departure for works of literature and traditional architecture. Moreover, about combining technology advancement with a marketing/business geared society that had become accustom to interpretation of industrialization and urbanization through a shift in culture.

A worldwide movement encompassing all disciplines, postmodernism arose in response to the dominant idea of modernism, which is described as the social condition of living in an urban, fast-changing progressivist world governed by instrumental reason.

Postmodernism is a style of writing which is still used often today. It is a response to modernism because postmodernism questions the norm. Essentially, postmodernism use is being used because everything else has been taken, so by blending in certain creations together, you can make something new. In postmodernism, authors like Tim O’Brien, who wrote The Things They Carried and A Heartbreaking Work of a Staggering Genius by Dave Eggers, both authors are telling the reader a story in the first person with stream of conscious, just like a modernist writer would do. However, the two authors, similarly, are unreliable at points in the books because they both change the meaning of their own true stories and admit to tricking the reader multiple

The goal of A Primer to Postmodernism, written by Stanley Grenz, is not to justify or disprove postmodernism but to enlighten the audience on the purpose of postmodernism. This book should be recommended to everyone interested in the subject but to all Christians in order to learn the current and potential enemies that they will be facing. As modernity continues to fade and postmodernity’s open truths that welcome those who are no longer interested in having to look towards a Divine Creator as the reason for being, Grenz’s work will be a tool to help bring postmodernism to

Modernism changed the scene of thought and brought advances in the world that has given reason to its distinctive status as a period of intellectual thought. Modernity and its shift in thought has given rise to what we would call modern and this reference point is crucial when evaluating the direction man is heading in intellectual thought and society as a

Marshall Berman’s take on modernity is presented in his book All That Is Solid Melts into Air whereby he focuses on its issues and the cultural attitudes and philosophies towards the modern condition. In doing so he shares his experiences of modernity post WWII in New York in the height of an economic boom and then more specifically of his childhood neighbourhood, the Bronx. In addition to expanded austerity, industrial and architectural development, the end of WWII proved to be a key period in world history and by extension the history of art. A talented group of artists emerged in result that had been influenced by an influx of established European artist who had fled to New York to escape fascist regimes in their homelands. More importantly these artists produced art that was at the heart of maelstrom Berman describes in regards to his experience of modernity. I aim to highlight the correlation between Berman’s experience of modernity and the emergence of a new American modernism. Modernity throughout this period was broken into two different compartments, hermetically sealed off from one another: "modernisation" in economics and politics, "modernism" in art, culture and sensibility. It’s through the lens of this dualism in which we recognise that both Berman and these artists try to make sense of the world around them by making their individual expressions that would re-conceptualise what it is to be modern in the twentieth century.

Postmodernism is an artistic theory and a social mindset that sought to break the shackles of the so called modernist art society. Famous artist kept getting recognition as their pieces were critiqued by famous critics and was deemed ‘High art’, as it was separated and elevated from other art forms. This practice excluded the masses from being a part of the art of that time and reserved it for the high class society. Many artists rose to counteract this movement, one of which was Andy Warhol, who “emerged as specific reactions against the established forms of high modernism… which conquered… the art gallery”. (Jameson 111). Thus the post-modernism movement was in its essence a reaction against modern art ideas. Andy Warhol who gained fame in the 1960’s, characterized his pieces using all the elements from this movement. His work lacked any arbitrary meaning nor any deep ideas about the facets of human life or nature for example, and this exact idea changed the art world and made him a trailblazer of the postmodern art period. His creations embodied post modernistic ideals and illustrated it through his pieces and his use of the media.

To fully appreciate the differences and similarities between Postmodernism and Modernism, it is required to understand exactly what they are. Modernism is the term we give to the accumulated creations and activities of designers in the early 20th century, who had the theory that traditional forms of literature, religion, social organization, and most of all, art and architecture, had become outdated in the new social, political, and economic environment of a fully industrialised world. One of the main characteristics of Modernism is self-consciousness, which typically caused exstensive experimentations of form and function. The creative process of generating work was also explored, forming new techniques in design. Modernism rejected all ideology of realism and prefers to reference and parody works of the past. Postmodernism, on the other hand, is a radical rejection of Modernist design. Taking place in the late 20th century, it is a movement in art, criticism, and architecture that disputes the majority of modernist tendencies. The Postmodernist analysis of society and culture lead to the expansion of critical theory and advanced the works of architecture, literature, and design. This entire re-evaluation of the western value system of popular culture, love, marriage, economy, that took place from the 1950s and 60s, leading to the peak of the Social Revolution in 1968, is commonly referred as Postmodernity which influenced postmodern thought, as opposed to the term

The author of this article is a man named Luke Smythe. He has a degree in philosophy and art history from John Hopkins University. I found the article on the UNT library website so i belive it to be safe and trustworthy. the purpose of this article is to show what happened after post modernism had ended and what had happened that led to that moment. It shows how Post modernism started and how it differed from Modernism. Smythe is writing for the John Hopkins University press so it is for teachers and and other students to read and learn. The author has the feeling that although Post Modernism came from Modernism it is not he the same. he uses artists like Pollock to help his points. He tells the story of postmodenrism starting from the end

However, as the time passes, one can say that international architecture that totally lacks cultural symbols cannot always ensure what an ideal model of the city is striving at - creating the comfortable environment where people can live. The reminiscences of architectural post- modernism became the attempts to bring back the lost symbols into

The European Enlightenment is the well known era in Western society. The Enlightenment was a study conducted by the philosopher Immanuel Kant in 1784. Kant's essay addressed the causes of a lack of enlightenment and the conditions that were necessary to make it possible for people to enlighten themselves. Kant held it necessary that all church and state to be abolished and people be given the freedom to use their own intellect.

Postmodernism is a universal movement, present in every art and discipline. In architecture, postmodernism is precise as well as ambiguous thereby in need of an explorative pursuit for a consensus of what is meant by the movement in this perspective - between the works of Charles Jencks, a primary theorist of this architectural turn; Heinrich Klotz, a leading architectural critic; and William Curtis, an architectural historian. The progression of this paper is highly influenced with Jencks’ studies as his works are often times referenced as well by both Klotz and Curtis in their individual interpretations and further accompanied with either supporting statements or contradictions.

The main difference between these two schools is that the architects point of view to any design as a means of communication (Chan, 1997). Modern architecture, for example, focus on the aesthetics of architectural language, while post-modernity adjust in constant effort to achieve what is more than unity and focus on the traditional concepts, therefore both schools are in competition with each other. Second basic principle of modern school is the production beauty by basic technology (Chan, 1997), and this led to a contradiction on the post-modernism architects being attempted to use primitive technology. Their particular case is to access and change the impact of the traditional architecture through all people. Therefore, to achieve this goal they have addressed the issues of beauty and technology within the general concept of the design.