A Poetic Analysis Of Hip Hop

The opening lines of Logic's most successful song to date are, quite literally, a cry for help. The title of the track, "1-800-273-8255," is the phone number for the National Suicide Prevention Lifeline.

Hip Hop: Beyond Beats & Rhymes is a documentary created and produced by Bryon Hurt. The documentary challenges the dominant discourses of hyper masculinity and the misogynist treatment of women in commercialized rap. Of the many mainstream phenomenons that are discussed by Bryon in the documentary, the issue of hyper masculinity in Hip Hop is questioned greatly. Throughout the film, the producer was able to show the wide acceptance of hyper masculinity not only in Hip Hop but also American culture as well. He defined America as a hyper masculine and hyper violent nation for the reason that using a gun to defend one’s family became a metaphor for masculinity and a tool for widespread violence. The issue of issue of hyper masculinity can be

According to Wikipedia, Hip-hop music, also called rap music, is a musical genre consisting of a stylized rhythmic music that commonly accompanies rapping, a rhythmic and rhyming speech that is chanted. It developed as part of hip hop culture, a subculture defined by four key stylistic elements: MCing/rapping, DJing/scratching, breaking/dancing, and graffiti writing. Hip hop is also characterized by these other elements: sampling (or synthesis), and beatboxing.

“Rap is poetry” (xii). To any avid fan of the genre, it is a statement that seems obvious. The words could easily be the musings of a listener first introduced to the art form, not the focal point of an entire work of contemporary criticism. Yet in Book of Rhymes: The Poetics of Hip Hop, Adam Bradley’s primary focus is this very point, the recognition of traditional poetic elements within rap music. With the global cultural and economic phenomenon that hip hop has become, it is easy to forget that the style of music is barely thirty years old, that scholarly criticism of it has existed for only half of that time. When viewed within this relatively new arena of scholarship, the importance of Bradley’s text is

American Writer James McBride, who wrote the essay "Hip Hop Planet", spent most of his life disliking the culture of hip hop, but after some research and personal experience, he had a change of heart. The purpose of his essay is to shine a positive light on hip hop culture and move his audience-- people who think it is all bad-- to have a change of heart like him, and to achieve his purpose, he uses rhetorical strategies including appeals, specific diction, and meticulous sentence structure.

stuff, so I don't listen to that genre all that much, but there are many

1. Keyes points out that rap music derives from what she refers to as the “West African bardic tradition.” What is this tradition? What is the role of the griot in this tradition? What parallels do you see between the groit and a hip hop MC (the rapper, often the main writer of lyrics for a group)?

In Logic’s album, he creates a universal theme of peace, love, and positivity that flows throughout the songs and lyrics he writes, and this universal theme encourages listeners to be the best version of themselves. As listeners listen to the lyrics that Logic has created, they are immediately touched with an overwhelming fear of sadness and excitement. This sadness stems from the personal and universal problems of racism and discrimination, while the excitement stems from the

Hip-Hop is a complex cultural movement formed during the early 1970s by African Americans in the slums of South Bronx, New York (Dyson 6), it propagated outside of the African American community in late 1980s, and by the opening of the 21th century it became the most spread culture in the world. Hip-Hop consists of four elements: Deejay, Break-Dancing, Rapping, and Graffiti. (Kenon 112)

You’re standing in a crowd amongst thousands of fans at an Eminem concert, people from all over, shoulder to shoulder in a massive stadium, singing along every word of their favorite song for hours. People from all over are connected to each other through the power of music. When it comes to music, the life experiences, inspiration, and current events play a tremendously significant role. Hip hop is a form of art which can be expressed through rap songs, break-dancing, and graffiti art. The culture has become so popular that it has entered today’s fashion and modern language. Hip hop music is an extremely large part of today’s generation and a global genre, which influences the generation all over the world.

Authenticity has been connected to hip-hop since the genre’s inception in the late 1970s. Claims to authenticity are widespread to an unparalleled degree throughout all types of hip-hop music, from “gangsta”, lyrical, and party. Why is hip-hop preoccupied to such a large extent with the notion of authenticity? What qualities creates authentic hip-hop? Despite the previous absence of scholarly attention given to hip-hop, there has been a recent growth in hip-hop academia as the genre has solidated its position as a major market and cultural force within not only the United States, but also all over the world.

The hip-hop culture began in the streets of New York City during the 1970’s and has gone through tremendous changes up until now. Hip-Hop consists of four elements: rap, graffiti, break-dancing, and the disc jockey. In this paper, I intend to fully explain the evolution of rap music, from its infancy to the giant industry it is today.

1.) In this class we have examined the sociological forces that created the social conditions from which Hip-Hop emerged in the Bronx. Drawing upon Chang, as well as videos (Bronx is Burning, Flying Cut Sleeves etc.), discuss the sociological roots of rap. Specifically, what social forces (for example: state policies, global economic trends, technological advancements, community characteristics as well as race, class, gender politics) were present and facilitated the development of Hip-Hop?

The film “Hip-Hop: Beyond Beats & Rhymes” is a film that was directed by Byron Hurt that covers Hip Hop and all the things that are prominent, yet unworthy to be prominent within the genre as a whole when it comes to composing Hip Hop. One of the first thing that is brought up in the film is the violence that is always portrayed within Hip Hop. As Byron went around talking to random fans of Hip Hop, he would ask all of them if they wouldn’t mind spitting a freestyle for him on the spot. Every single person he asked to freestyle that did freestyle, rapped about violence, and guns, and gangs, and everything that Hip Hop was not founded upon. The fact is then listed that homicide is the leading cause of death for men 15-35 years old.

An ode can be defined as a "ceremonious lyric poem on an occasion of dignity in which personal emotion and universal themes are united" (Ode, 2012). While hip-hop is known for its violent, masculine, and often, misogynistic lyrics, "Dear Mama" (1995), the first single from Tupac Shakur's album, Me Against the World (1995), can be considered to be a modern ode. Tupac Shakur, also known as 2Pac, one of hip-hop's most influential rappers, intended to pay homage to his mother through this song and frequently referenced it in many of his later songs. "Dear Mama" (1995) contains many elements that allow its lyrics to be analyzed from a literary perspective including tone, theme, and lyrical style.