There is a moment in A Raisin in the Sun when Beneatha is put in the position to question her identity in a way she has never done before, through her hair. This moment approaches when Asagai, a Nigerian man from the Yoruba tribe that Beneatha originally sought out because she was questioning her identity, teases her about her “mutilated hair” (Hansberry 513). Beneatha is taken aback by the remark and immediately questions her identity. This is shown in Lorraine Hansberry’s stage directions when she wrote “she looks back to the mirror, disturbed” (Hansberry 513). This moment influences Beneatha to cut her hair. In A Raisin in the Sun by Lorraine Hansberry, Beneatha Younger defies hair standards established by American society and becomes her own advocate for discovering her identity as an African American by embracing her natural hair, which creates for herself a sense of empowerment and self-love.
Asagai expresses that he sees Beneatha as a “queen of the Nile” rather than a “Hollywood queen”, but then slights her by calling her an assimilationist because she does not wear her hair natural (Hansberry 514). What Asagai means when he calls Beneatha assimilated is that she is a black woman who is altering her looks in order to look more white, rather than embracing her natural beauty. Lorraine Hansberry, by recognizing Beneatha as a character who “mutilates” her hair in order to assimilate, is making the statement that, in America, black women alter their hair in order
In Lorraine Hansberry’s 1959 play A Raisin in the Sun a number of social issues are both explicitly and subtly exemplified through out the characters experiences and relationships. Living in a cramped Chicago apartment, the Youngers’ display both influential goals and conflicting restraints. Beneatha Youngers is a controversial character; she complicates society’s typical gender roles, introduces the wrestle between assimilation and ancestry of African-Americans, but specifically serves as a paradigm for her generation in the play.
The play “A Raisin in the Sun” by Lorraine Hansberry has many interesting characters. In my opinion, the most fascinating character is Ruth because of her many emotions and captivating personality. She goes through extreme emotions in the play such as happiness, sadness, anger, stress, and confusion. Ruth is very independent, firm, kind, witty, and loving.
The fight for justice is not always unequivocal or favorable, sometimes justice is given by means that do not seem fair at all. William Styron says in a novel that life “is a search for justice.” It is blatant that throughout Khaled Hosseini's novel, A Thousand Splendid Suns, female characters are continuously battered with injustices. Hosseini hones into the oppression of women and the fight for women empowerment through the life of one of his main characters, Mariam. Her journey is shown throughout the novel where she struggles to search for and understand justice.
Asagai, I am looking for my identity!” (Hansberry 49). Thus, by revealing Beneatha’s interest in Africa to be genuine, coupled with her excitement, Hansberry then expresses a sense of pride in returning to one’s roots as well as encourages African Americans to embrace theirs. After all, by portraying an interest and yearning for knowledge involving African heritage in one of her characters, Hansberry transfers this idea to her audience as well.
She goes on dates with George but finds him boring and is offended that he finds her dreams of being a doctor stupid. She is a strong independent woman who is at the brink of being a full thrown feminist and is not at any time giving into the pressures of society to marry the richest man she can find. George is an African-American who shows no interest in his African roots, he does not like talking about Africa or talking to those who advocate it. George has completely assimilated into the American culture to gain the respect of the white people being one of the African-American families who cracked on the pressures of society assimilate. George’s wealth was not something that swayed Beneatha, his wealth sure could assist her in pursuing a medical career but she did not want to be tied by any boundaries. Asagai was different from George because he did not want to marry Beneatha to tie her down, he wants to marry her to set her free.
In A Raisin in the Sun, Beneatha is an African American woman in the 1950’s who is determined to put her education first and one day become a doctor. Ruth tries to convince Beneatha to marry George because he is a rich man; however, Beneatha responds that “[she’s] going to be a doctor. [She’s] not worried about who [she’s] going to marry yet-if [she] ever gets married” (Hansberry, 1959, p. 936). After this discussion, Beneatha’s discipline and mindset is revealed. Beneatha clearly shows that she is more committed to her education than any other aspect of her life.
Beneatha is intrigued by Asagai’s culture and his firm belief in his Nigerian heritage, and she somewhat longs to find this dedication and interest in her own ancestors and native culture. Asagai comes over to the house to give Beneatha authentic Nigerian robes, and the two continue to talk. Asagai helps her put on the robes and then comments saying, “You wear it well… very well… mutilated hair and all” (Lansberry 61). Beneatha is quite shocked when he says this, and responds asking, “My hair- what’s wrong with my hair?” Asagai alludes to the fact that Beneatha straightens her hair, instead of letting it be curly and crinkly as a black woman’s hair should naturally be. Beneatha’s tendency to straighten her hair elaborates on the fact that she is struggling to find her identity and camouflages any indications of her
In A Raisin in the Sun, Lorraine Hansberry shines a spotlight on Beneatha who reinvigorates the belief that freedom is life, and while the Younger family may be free in some ways, society still attempts to confine them in others. Throughout the play Hansberry depicts the restrictions that society has placed on the hopes and dreams of the family, specifically those of Beneatha, Walter, and Mama. Hansberry thus conveys that assimilating into society is negative because by assimilating one is submitting to the limitations society attaches to one’s labels.
Nobody in the play is as influential on Beneatha as the people she dates. George is the first person she goes one a date with. He comes from a very wealthy African-American family he looks and dresses preppy. Her family loves him, but she is not serious about him. Beneatha says,”...I couldn’t ever
In Lorraine's Hansberry A Raisin In The Sun. Walter wants to make money to support his family. He wants money because he thinks it makes him a “man”. How ever when his money is stolen, Walter’s perceptions of manhood shifts from valuing wealth and power to valuing family and pride.
Beneatha Younger, the younger sister of Walter Lee, was considered an assimilationist during Act one Scene two of, “A Raisin in the Sun.” Joseph Asagai, an African student from Nigeria that Beneatha fancied, had several thoughts on assimilation, including how Beneatha was an assimilationist. As said by Asagai, “You wear it well. . . very well. . . mutilated hair and all.” (Page 28) He is referring to her hairstyle with the robes a Nigerian woman would wear that he brought her. Asagai is saying to Beneatha that her hair looks destroyed and unnatural because it
In the play “A Raisin in the Sun” written by Lorraine Hansberry, she is able to take us to place to see what it was like for an African American family to survive in the mid-twentieth century. The play details how the main characters are going through an evolving social and economic position, as well as the evolving gender roles. Hansberry uses the characterization of Beneatha, Ruth, and Walter in order to show the expectations and assigned gender roles for the characters in the story. In short, Beneatha is depicted as a woman who is challenging gender norms and expectations upheld by her family, whereas Ruth is seen as an example of a submissive housewife fulfilling her expected duties. Using “A Raisin in the Sun,” as well as “Marxists
In A Raisin in the Sun by Lorraine Hansberry, Walter Younger wants to be a “real man”. His dream is to become successful in business and make his family rich. However, when all his money is stolen, he becomes very pessimistic, abandoning the ideas of morality and dignity. At the end of the play, his son Travis inspires him to value his family’s pride over materialism. Over the course of the play, Walter’s view of manhood changes from someone wealthy and successful to a person who has pride and believes in human dignity.
What makes a person make a good choice or a bad choice? What influences that person? Is it the people around that person? These are all questions to wonder about, and in the end of the script it is all answered. Walter in “A Raisin in The Sun,” by Lorraine Hansbery, is a character surrounded by women who do not understand him. Over the course of the story, Walter makes many choices that change their lives in the story, because of Ruth, Beneatha, and Mama.
In A Raisin in the Sun, by Lorraine Hansberry, the Younger family is trying to achieve the American Dream, which is “the ideals of freedom, equality, and opportunity traditionally held to be available to every American”(cite dictionary.com). The Youngers are a black family living in a poor part of Chicago. They inherit ten thousand dollars because Mama’s husband died. Mama is the matriarch of the Younger family. Each family member has their own idea about how to use this money to fulfill their dreams, and the play uses the decisions of the family members and other characters to show the reader that people’s actions are not always motivated by what they appear to be. Mama wants to use the money to buy a house in a white neighborhood, because she thinks it is a better environment for her family than their current living conditions and will benefit her family. Although there are a number of people in A Raisin in the Sun who appear too want to help the Younger family, Mama shows through her decision to buy the house that she is the only person that is looking out for the best interests of her family.