'A Woman's Work' Poem Explication

When living with his grandmother, Suina describes his memories during the frigid winter. During those cold months, “a warm fire crackled and danced brightly in the fireplace, and the aroma of delicious stew filled our one room house.” Suina’s description illustrates his grandmother’s house as a nurturing environment. It is a setting in which his grandmother clearly cares for him. He remembers enduring the long freezing winter nights when “the thick adobe walls wrapped around the two of us protectingly.” The characteristics of the house showcase a sense of connectedness between Suina and his grandmother. Living with his grandmother clearly give Suina several reasons to be happy. It is not only a place that cares for and protects him, but it is also a place that “was just right.” Suina’s grandmother’s house provides him with a tremendous amount of self-confidence. Unfortunately, all of that self confidence is lose when he goes to school. School leaves Suina utterly bewildered. He begins to realize how different the two settings are. He starts to lose sight of the essential aspects of life with his grandmother that once made him so

While some objects are evident in all of the rooms, there are other objects that are exclusive to certain rooms for the reason that it provides comfort and contentment to a singular person only. Similar to the example that Kron provided regarding TV sets, each family member in our home has a TV set of their own in order to not be prevented from watching anything that pleases us and to avoid conflicts. In my mother’s room, the first thing that attracts attention is the big vanity with the multiple lights, makeup and expensive perfume bottles that are all set and organized. Correspondingly, it is predictable for Middle Eastern women who are disciplined by the dominant ideologies to not only strive to look beautiful, but to fall in love with that process until it becomes a part of them. According to Michel Foucault’s claims in Panopticism, women in a way become docile bodies that ensure the maintenance of that human order (207). In addition, the bookshelves and the tremendous amount of books are the central theme of my room. The classic design of my room and the fairy lights above my bed creates an almost a safe haven where I could curl myself under the blankets for hours and just read. Moreover, the treadmill in my brother’s bedroom cannot be ignored when entering his room. This depicts his choice of a healthy lifestyle in a country where it is almost

As the narrator, Claire creates an emotional and compassionate tone throughout the story. Her dialogue constantly consists of words such as “honey”, “mommy”, “love”, which constitutes to the overall mood of the text (Carver 363). Additionally, she is constantly catering to her husband and child by cooking, cleaning, and performing tasks of the typical “stay-at-home” mom. Her affectionate personality, want for control, and mother-like performance plays a role in Carver’s explanation of the stereotypical mother and wife.

In “The Ways of Her Household” by Laurel Thatcher Ulrich, Ulrich brings women to the forefront by revealing that their work around the house was important. In the introduction of her

Even though Ree consistently rejects the roles of her gender, her quest to preserve her home proves that she is overall abiding her gender roles. As previously mentioned, a women’s most crucial responsibility is to take care

For the first time in 130 years, more young adults are living with parents until their mid thirties. Part of this could be an emotional attachment keeping them from leaving home because after they leave, everything will change. However, many are losing their real sense of home and are just using it as a place where they can avoid paying bills and many other responsibilities. Many young adults now do not understand the extensive sacrifice it is to leave their one and only home. In “On Going Home,” Joan Didion expounds on her struggle to connect with her current house, in a nostalgic and resigned tone, and vivid imagery, symbolism, and comparison Didion expresses the regret she feels every time she remembers she left her “home”.

She tells of the feeling of shame which emerge from not even having a bed throughout her entire childhood (3). She does reassure that she has the security of her family being the only constant in her life, “Close and sweet and loving. Lucky me on my small pallet on the floor” (4). Travelling every summer “We never knew from one day to the next, from one year to the next, where we would go or live or what we would do” (127), her security of her family seemed always there “Having lived in other people’s houses, barns, and in migrant housing in various stages of decay and repair, it felt as though we could make a home out of anything” (99).

Her unforeseen actions are due to the rest care tradition, which has progressively worsened her mental state and caused her to overlook her role as a caring wife in desperation to escape the imprisonment of the tradition. As witnessed from the two short stories, conflicts arise amidst families due to the events of old traditions, establishing a divide between family members that is difficult to overcome once constructed.

“Prevent yourself from looking like the slut I know you are so bent on becoming”. - (Kincaid 385) What actions define a woman to be considered a “woman”? - (Rose)

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time

Giovanni brilliantly uses the literary devices of imagery, paralleled repetition and symbolism to depict a vivid journey of transformation, concluding with an exquisite moment of self-realization.

“Home is where the heart is.” In The House on Mango Street, Sandra Cisneros develops this famous statement to depict what a “home” really represents. What is a home? Is it a house with four walls and a roof, the neighborhood of kids while growing up, or a unique Cleaver household where everything is perfect and no problems arise? According to Cisneros, we all have our own home with which we identify; however, we cannot always go back to the environment we once considered our dwelling place. The home, which is characterized by who we are, and determined by how we view ourselves, is what makes every individual unique. A home is a personality, a depiction of who we are inside and

As a woman, Mama’s aspirations to get a house was uncommon in those days, but Mama always dreamed of moving out of there small apartment and into a nice house in a safer neighborhood with a small garden.(92). She describes her dream house like it is the most spectacular thing in the world. She is extremely happy for herself, but happier for her family. However, Mama’s goals are more complicated then just wanting a house. With this house she feels that the family now has hope and can accomplish their dreams. On the other hand, without this house Mama predicts that the family will continue with

Style is the special way an author creates his or her work. Gabriela Mistral exploits an informal style in her poem “Ballad”. The poem discusses the poets feelings and is written in first person point of view validating its informality; “My heart’s blood.”-Line17 using ‘my’ and describing her heart confirm this. Diction contributes to style in an extensive way. Repetition is a form of diction that is heavily spread out through the poem. “Saw him pass by.”-Lines 2/6, “He goes loving.../...in bloom”-Lines1-2/11-12, and “He will go.../through eternity.”-Lines 19-20/23-24. The repetition emphasizes the authors style an diction. In this poem diction is displayed through negative connotation. Choosing to describe her emotional state as “,wretched,”-Line 5, instead of sad or unhappy, and by adding a

Unlike her friend, Nora, Mrs. Linde has more freedom to do what she wants, however she is not entirely satisfied. In this culture, a woman’s role is normally to do housework and to raise their children, but Mrs. Linde is exempt from this. She does not have to conform into this picture, but she is not content with her lifestyle until she meets up with her lost love, Krogstad. “I want to be a mother to someone, and your children need a mother. We two need each other.”1 This quote exemplifies that Mrs. Linde is only content with her life when she fits in the role of being a mother and a wife.