John T. Noonan makes the argument that the jump in probability for a fetus’ coming to term, at a specific point in the development of the fetus, has an important implication for the humanity (personhood) of the fetus. He bases this argument on the reasoning that “life itself is a matter of probabilities, and most moral reasoning is an estimate of probabilities.” He goes on to state that his argument in which a fetus has an implication for the humanity of the fetus is strictly an “appeal to probabilities that actually exist.” To demonstrate his point concerning probabilities he uses an analogy. The analogy he uses is of a man who shoots into the bushes because of movement in the bushes. If the chances of this movement in the bushes being a …show more content…
In order for the violinist to be saved, you must remain wired to that person for 9 months. The key point to this analogy is that you were kidnapped and did not have a choice to be wired to the violinist or not. You were forced into it. Analogously, when a female is raped and impregnated, they did not have a choice; they were forced into it. The analogy works well in rape cases, but not in all unwanted pregnancy cases.
A rape is very similar to this hypothetical situation because a rape is forced upon you without your choosing. Similarly, in the hypothetical situation the person did not choose to be wired to the violinist; she was kidnapped and forced to by the Society of Music Lovers. This analogy would not work well, though, with a case in which a female voluntarily has sex and gets pregnant without intending to. The pregnancy was unwanted, but she chose to have sex; she was not forced into it like the case of the person and the violinist. The analogy therefore, does not work well with all unwanted pregnancy cases. Regardless of whether the analogy is reasonable or not, the quality of this comparison is irrelevant for her larger argument.
Thomson makes her large argument real clear by explaining her position clearly, thoroughly, and through the use of analogies. The larger argument she makes is that the mother has certain undeniable rights – such as the right to control
To begin with, Thomson uses a thought experiment about a hypothetical famous violinist, to further her argument that abortion is morally permissible. In this thought experiment, you are kidnapped and unconsciously plugged to a famous violinist so that your kidney can remove toxins from the violinist’s kidney and ultimately save his life. Thomson argues that you are not required to stay plugged to the famous violinist even if unplugging yourself from the violinist would result in his death. Thomson argues that while everyone has the right to life, no one has the right to dictate what happens to another person 's body.
The next issue is, in Thomson’s opinion, the most important question in the abortion debate; that is, what exactly does a right to life bring about? The premise that “everyone has a right to life, so the unborn person has a right to life” suggests that the right to life is “unproblematic,” or straight-forward. We know that isn’t true. Thomson gives an analogy involving Henry Fonda. You are sick and dying and the touch of Henry Fonda’s hand will heal you. Even if his touch with save your life, you have no right to be “given the touch of Henry Fonda’s cool hand.” A stricter view sees the right to life as more of a right to not be killed by anybody. Here too troubles arise. In the case of the violinist, if we are to “refrain from killing the violinist,” then we must basically allow him to kill you. This contradicts the stricter view. The conclusion Thomson draws from this analogy is “that having a right to life does not guarantee having either a right to be given the use of or a right to be allowed continued use of another person’s body—even if one needs it for life itself.” This argument again proves the basic argument wrong. The right to life isn’t as clear of an argument as I’m sure opponents of abortion would like it to be or believe it is.
In the article "A Defense of Abortion" Judith Jarvis Thomson argues that abortion is morally permissible even if the fetus is considered a person. In this paper I will give a fairly detailed description of Thomson main arguments for abortion. In particular I will take a close look at her famous "violinist" argument. Following will be objections to the argumentative story focused on the reasoning that one person's right to life outweighs another person's right to autonomy. Then appropriate responses to these objections. Concluding the paper I will argue that Thomson's "violinist" argument supporting the idea of a mother's right to autonomy outweighing a fetus' right to life does not make abortion permissible.
Second, the author uses her “expanding child” example. “Trapped in a tiny house with a growing child and you are up against a wall, and in a few minutes, you will be crushed, on the other hand the child won’t be crushed. The only thing that will save her life is to kill the child. Is abortion permissible to save the pregnant woman’s life? Because the mother being compared to that of the house, this brings up the idea that the mother should be able to do as she pleases with her body, and that her body carries more significance than the fetus’ right to life. This brings in the argument of a third-party intervention, such as a doctor. If a doctor did not agree to perform an abortion, to save this mother, then the mother would be denied her rights, and the right to decide what is done with her body. If a woman doesn’t have a right to their body, then you should not be unplugged, thus, save the violinists life. This reasoning is concluded with two smart statements, “It seems to me that to treat the matter in this very way (refuse abortion for the mother’s health) is to refuse to grant the very status of person which is so firmly insisted on for the fetus by anti-abortion advocates. (243) and “a fetus who existence is due to rape” has no right to use their mother’s bodies, and aborting them is not depriving them of anything they had a
In Judith A. Thomson’s article, ‘A defense of abortion’ Thomson defends her view that in some cases abortion is morally permissible. She takes this stance even with the premise that fetuses upon the moment of conception are in fact regarded as persons. However one criticism of her argument would be that there is a biological relationship between mother and fetus however there is no biological relationship between you and the violinist. Having this biological relationship therefore entails special responsibility upon the mother however there is no responsibility in the case of the violinist. Thomson argues against those who are opposed to abortion with her violinist thought experiment.
In her article, “The Defense of Abortion”, Judith Jarvis Thomson states an analogy involving a violinist. She first states that you are allowed to unplug yourself in the violinist scenario, second abortion after rape is analogous to the violinist scenario, therefore, you should be allowed to unplug yourself and be allowed to abort after rape (Chwang, Abortion slide 12). In this paper, I will argue that abortion is morally acceptable even if the fetus is considered a person. This paper will criticize premise two from the traditional argument against abortion string that killing innocent persons is wrong (Chwang, Abortion slide 9). Following the violinist analogy will be an objection to this analogy and my respons to them. One of the
In Thomson’s defence of abortion she argues that abortion is permissible when a mother’s life is not at risk. Working on her interpretation of the secular conservative argument, she first assumes that the premise of a foetus being a person is true, then moves onto the second premise, that a person has the right to life. Analysing what the right to life means, she first looks at the idea that the right to life is the right to have the bare minimum a person needs in order to survive. She quickly rebuts this by providing the Henry Fonda analogy and the violinist analogy. Both of these show that just because a person needs something to survive, like Henry Fonda’s cool hand or another person’s kidneys, a person doesn’t have the right to take it. With this in mind she modifies the argument so that the right to life is the right not to be killed. This she rebuffs with the violin analogy, noting that by pulling the plugs you would in effect be killing the violinist. While the violinist didn’t have the right to your kidneys, it could be argued that he does have the right for you not to intervene. However these are your kidneys, and you should not be forced to allow him continued use. Having ascertained that the right to life is not the right to the bare minimum needed to survive, nor the right not to be killed, she concludes that the right to life is the right not to be killed unjustly, or the
In the “Violinist Analogy,” Thomson argues that in cases of rape and other ways in which a woman might become pregnant without making the decision to have sex, it is not immoral to have an abortion. She makes this argument through the analogy that you are hooked up to a “famous unconscious violinist” and if you unplug yourself you are causing the death of that violinist. This point works very well in the argument that it seems as though abortion is allowable in cases of rape.
Now on a different note, Thomson's main argument is set out to undermine the anti-abortionist argument. The anti-abortionist argument states: Every person has a right to life, the fetus is a person and hence has a right to life. The mother has the right to control her own body, but the fetuses' right to life is stronger than her right to control her body. Therefore, abortion is wrong. How Thomson goes about this is through analogies, and her main argument is through her violinist argument. Thomson asks you imagine that you find yourself hooked up to a famous unconscious violinist. If he can't use your kidneys for nine months, he'll die.
1-To begin with, I’m going to state 3 different moral theories in which each one has their own arguments about the permissibility of abortions. In the article by Harvest Thomson, she discusses an analogy comparing a violinist who is connected to a person that was kidnapped. Her kidney can function properly with the blood of the kidnapped person attached to it, but if for any reason the violinist is disconnected, she will die. In this case, the author is using this analogy to compare a woman that has been raped and has gotten pregnant. Furthermore, why is this woman obligated to have a child she was forced to have? In both cases, neither are obligated to do this, which is what the author is trying to point out. The person who was kidnapped
In the article 'A Defense of Abortion' Judith Jarvis Thomson argues that abortion is morally permissible even if the fetus is considered a person. In this paper I will give a fairly detailed description of Thomson main arguments for abortion. In particular I will take a close look at her famous 'violinist' argument. Following will be objections to the argumentative story focused on the reasoning that one person's right to life outweighs another person's right to autonomy. Then appropriate responses to these objections. Concluding the paper I will argue that Thomson's 'violinist' argument supporting the idea of a mother's right to autonomy outweighing a fetus' right to life does not
In this argument it has been established then, that a fetus is a person from the moment of conception. Thompson now introduces her “violinist analogy.” This is a key term in her argument. In this analogy she asks the reader to imagine you wake one morning and find yourself in bed with an unconscious violinist. He has been found to have a fatal kidney ailment, and you alone have the right blood type to save him. You have been kidnapped in the middle of the night, and the violinist’s circulatory system is now plugged into yours. The director of the Hospital is now telling you “Sorry, the Society of Music Lovers did this to you – we would never have permitted it if we had known.” To get unplugged from the violinist will kill him, but in nine months he will be totally recovered from his ailment and you can be safely unplugged from one another. Thompson then asks, “Is it a moral responsibility for the kidnapped person to agree to this situation?” This situation she has concocted is comparable to that of a woman being raped. Pro – lifers say every person has a right to life and that right to life is stronger than the mothers right to decide what happens in her body. Thompson then goes on to say that instead of being plugged to the violinist’s body for nine months – its changed to your whole life. According to the pro –life
The “Violinist” example by Judith Jarvis Thomson is an analogy for an extreme case of abortion. The unconscious violinist is analogous to the unwanted pregnancy, in which case the violinist has no say. The argument she is making is that you (as the stranger) do not need to be plugged into the life support system, just as a mother does not have to be connected to their child. Which basically means that if you make a decision to unplug yourself from the violinist, then a mother has the same right to unplug herself from the child. This example is talking about the morality of abortion in terms of personhood and right to life.
The woman was bound, gagged, and raped. It was more than likely a tragic even that scarred her for life. Rather than helping her heal, hospitals refused to abort the fetus resulting from the rape. The child would have to be in her stomach for nine months, altering the woman’s body and lifestyle for a child that she did not even want. She would be out of work to give birth and recover, which would affect her income. Having a child she hated was unfair because it would always be a reminder of what happened. Just knowing that she had a child in the world that she gave birth to and did not want would be detrimental. In the case of the violinist, it is not her moral obligation to stay connected to the violinist to keep him alive and alter her life as it is not her moral obligation to carry the child to term and give birth to a child she did not assume responsibility for.
In the thought experiment “The Violinist” by Judith J. Thomson, the philosopher uses the example of a man who has been kidnapped to save a violinists life in reference to her opinion on the right woman have to chose to have an abortion or not. In the thought experiment a man who has the exact blood as the famous violinist is kidnapped and hooked up to an IV to save the violinist life. In order for the violinist to live he has to maintain hooked up to the kidnapped for 9 months. The patient has the choice to unhook himself and kill the man before the 9 months or stay connected and save the man's life.