The Killer Within Within each individual, there is a sliver of a killer living deep inside. The most evident of these is expressed through the action of abortion. In comparison to abortion, Grendel’s attacks in Beowulf blindsides the faultless people of Herot demolishing the town where they reside. Grendel unremorsefully targets the helpless citizens of Herot while abortion also quarries on innocent victims leaving emotional, physical, and psychological devastations in its’ wake. In comparison with the emotional baggage that comes along with the attacks on the hall of Herot, abortion similarly impacts the lives of Americans today. The aftermath of the attacks played out by Grendel can easily be compared to the lasting effects an abortion can have on numerous lives. The theme of innocence is best displayed when the author portrays Grendel coming upon sleeping citizens of Herot. As any vicious monster does, Grendel takes advantage of the individuals who are asleep and strips the life away from their souls. Likewise, abortion essentially commits the same crime as Grendel. However, abortion can be delineated as the monster of the real world. To elaborate, abortion permits the legal act of murder while tacking on distress to those around them as a result. One key difference among many is the simple point that abortion grants permission by law to legally seize the life of a child who never even got the chance to take a breath of fresh air. In addition, some Americans even view
In the Epic Poems Beowulf, by an anonymous Anglo-Saxon poet, and Grendel written by John Gardner, Grendel, regardless of what he does, has been seen as unsafe to man. Grendel, perceived as treacherous, is just misunderstood and an outcast to society. The back story of Grendel is crucial to the reader’s understanding of Grendel becoming a monster. Grendel’s life experiences of his environment, men and meeting a dragon contribute to the drastic change.
In Beowulf, the clash between good and evil is the poem's main and most significant focal point. Although the epic poem Beowulf utilizes many characteristics of Christian themes, the violence in the poem relates to paganism. By exploring the characteristics of “good vs. evil” such as Cain, Grendel and Beowulf, this paper will explore the elements of Beowulf in such a light.
Thesis: In Beowulf, cruelty is used as a motivator, but also as a symbol of humanity, or the lack thereof. Cruelty, and the intent behind it, is what makes the heroes and the villains one and the same in Seamus Heaney’s translation of Beowulf.
Whether you are arguing with your siblings, with a stranger at a baseball game, during a debate, with your parents or children, you are fighting for what you believe is right. You perceive yourself as the “victim” in the situation by trying to justify your reasoning behind the argument. Some people may perceive you as the good or as the evil because they believe that you have done nothing wrong, you were being perverse or fighting for the wrong reason. The epic poem Beowulf, is a super-eminent literary example that represents the good and evil in the characters and what they are fighting for. In this fictional poem, in which the author is unknown, the protagonist Beowulf encounters three major battles with a monster named Grendel, Grendel’s Mother, and a dragon. Each character is fighting for a certain reason and believe their reason is more dominant. The two audiences that view the characters as good or evil is the Danes and the narrator. Since the characters in the poem believe they're justified in their actions, they prove to not be all evil or all good. In fact, they should be judged based on the rationale behind their actions to fight.
The story of Beowulf is a heroic epic, chronicling the distinguished deeds of the great Geatish warrior, Beowulf, who travels across the seas to rid the Danes of the evil monster Grendel, who has been inflicting destruction and terrorizing the kingdom. Beowulf is glorified for his heroic deeds of ridding the land fiendish monsters and stopping the scourge of evil, while the monster, Grendel, is portrayed as a repugnant creature who deserves death for its evil actions. However, many have disagreed with such a simplistic and biased representation of Grendel and his role in the epic poem. John Gardner in his book, Grendel, sets out to change the reader’s perception of Grendel and his role in Beowulf by narrating the story through Grendel’s point of view. John Gardner transforms Grendel, once perceived as an evil fiend in Beowulf, into a lonely but intelligent outcast who is actually quite similar to humans, due to his intelligence capacity for rational thought and his real, and at times irrational emotions. Gardner portrays Grendel as a hurt individual and as a victim of oppression, ostracized from civilization. Although the two works revolve around the same basic plot,, the themes and characters in Beowulf and Grendel are often different and sometimes contradictory.
Abortion is an issue that can go both ways and a topic that is very controversial. Is a fetus a human? Does its life matter? Or it wasn’t supposed to happen to me or I was raped. Many people can think of abortion as a good and bad thing, it just depends on what the person’s intuition about abortion is. I decided to go with the topic over abortion because I feel it is a broad topic and can go two ways as in being defensive or immortal. During this topic over abortion I will be including two articles, “A Defense of Abortion” and “Why Abortion Is Immoral”. These articles will explain the difference in how they think abortion can be taken. For instance, the first article will talk about why Judith argues why abortion is not too bad to be allowed
John Gardner’s Grendel is the retelling of the heroic epic poem Beowulf; however, the viewpoint has shifted. Grendel is told from the viewpoint of one of Beowulf’s antagonists and the titular character of Gardner’s work—Grendel. In Grendel, Gardner humanizes Grendel by emphasizing parallels between Grendel’s life and human life. Through Gardner’s reflection of human feelings, human development, and human flaws in Grendel, this seemingly antagonistic, monstrous character becomes understood and made “human.”
“[Grendel’s] mother had sallied forth on a savage journey,/ grief-racked and ravenous, desperate for revenge” (Beowulf, 1276-1278). Her desire to avenge her son is carried out, but it ultimately leads to her death. Beowulf’s desire to garner fame and respect overpowers all of the raw emotion and anger felt by Grendel’s mother. She serves the purpose of showing the purest form of revenge, and how its blindness can lead to one’s demise.
“No better king had ever lived, no prince so mild, no man so open to his people, so deserving of praise.” This is an ultimate description of the heroic events of Beowulf, an old Anglo-Saxon poem about a warrior who battles and destroys three horrifying monsters. Although written long ago, the emotions expressed within this work, emotions of bravery, valor, and ethics still speak to us centuries later. The anonymous author of the poem convinces us through the masterful use of various literary elements that emphasize its meaning and message. Conflict, imagery and setting are three literary elements that contribute to the effectiveness of the poem.
Grendel’s invasion of Herot symbolizes the destruction of peace and safety, and the imperfections within the society. The twelve years Grendel had haunted Herot, “Herot stood empty, and stayed deserted for years” (145-146) were also the twelve years Hrothgar and his kingdom suffered. Nevertheless, when Beowulf finally eliminated Grendel, readers see a different side of Herot, “Golden tapestries were lined along the walls, for a host of visitors to see and take pleasure in” (995-996), the glory and grandeur was restored, all with the slaying of Grendel – an outcast of society.
Beowulf is one of the greatest epics from early British literature history we have managed to salvage, and amidst the tales of brave heroes and mighty battles, there lies an interwoven theme of isolation and death. These two plagues to the human mind and body walk together in a correlated marriage within Beowulf’s many episodes. Death is an obvious theme; the alpha and omega of the poem are grandeur funerals (Beowulf, l. 26-52, 3114-3155) and loss is littered throughout Beowulf’s journey. Isolation, however, is a theme that is directly related to the death inside of Beowulf’s world, and needs further examination as to how and why. It seems that the evil creatures that fall to the hands of our mighty hero indulge this theory, but this thematic duo take more than just the lives of the monsters. Isolation followed by death sweeps up innocent characters as well, including Beowulf himself.
In any classic story about heroes and villains, the monsters involved are often characterized as the evil ones and, consequently, receive no justice under the law. Throughout the epic story Beowulf, the hero of the story encounters three monsters that are threats to society: Grendel, Grendel’s mother, and the dragon. The monsters in Beowulf are quickly targeted and destroyed because of the harm they cause to society. However, upon further examination of the monsters and the motives for their actions, the reader can view the monsters not as the cutthroat villains they may initially appear to be, but perhaps as victims of society. In today’s society, murderers and robbers are also portrayed as “monsters” because of the atrocious
As an epic tale of heroes and monsters, Beowulf gives its readers much excitement and adventure, but Beowulf's importance is more than just literary. It offers many insights into the beliefs and customs of seventh-century Anglo-Saxon culture. Among these insights is the Anglo-Saxon view of women and their role in society. Good Anglo-Saxon women are peaceful and unassertive, greeting guests and serving drinks to the warriors and other men in the meadhall. Wealhtheow, the queen of the Danes, represents a typical subservient Anglo-Saxon woman. As a foil to Wealhtheow, Grendel's mother is a strong and combative monster whom Beowulf must kill. By analyzing these two characters in Beowulf, we can understand the
In the poem, Beowulf, by an unknown poet, as translated by Seamus Heaney, we see many monstrous behaviors. A few of the examples stand out more than the rest: wanton destruction, a woman acting as a man, and the act of killing one’s kin.
The epic tale of Beowulf was written sometime after his death. In other words, a long time ago during the Anglo-Saxon period. Today, directors in Hollywood did not keep from creating their own rendition of this epic poem As a result, plenty of modern interpretations of Beowulf, such as Sturla Gunnarsson’s Beowulf and Grendel, have been released. Naturally, the cultural values that might be reflected in modern Beowulf renditions will demonstrate a clash with those of the original fifth century Beowulf literature. One reason for this is that in the modern age we value characters with profound characteristics, characters that change due to the challenges they experience; characters that we as the audience can attach to. Flat characters like those of the original Beowulf text are difficult to empathize with since they are not realistic enough for our standards. Due to these differences in culture and values, the Beowulf and Grendel from the original Beowulf text possess definite contrasts when compared with their Beowulf and Grendel counterparts.