Abstract Expressionism In The Cia

Artists in the early 1900s commonly utilized techniques of distortion and exaggeration, characteristics of expressionism, to establish the element of emotion. According to Wolf (2017), expressionist artists often incorporate “swirling, swaying, and exaggeratedly executed brushstrokes to convey the turgid emotional state of the artist reacting to the anxieties of the modern world” (p. 1). Amplification of the human figure often evokes strong emotions for audiences of many different cultures. Additionally, the style reflects the consequences of urbanization, such as the alienation of individuals in society (Wolf, 2017). Expressionism allows artists to surpass realism and reflect the tribulations of living in a modern society.

Though, throughout this time period, “the great majority of Americans disliked or even despised modern art,” it was an essential art movement in the 1950s and 1960s, and the “CIA fostered and promoted American Abstract Expressionist painting around the world for more than 20 years,” creating a meaningful impact on the outcome of the Cold War (Saunders). “Abstract Expressionism stood for, above all else,

German Expressionism is a kind of art that is supposed to make you feel something. When you look at a painting such as “The Scream” by Edvard Munch (1863-1944), you ask yourself what kind of emotions does this painting give you. A group of early 20th century German artists used the term “expressionism” to desribe the way they produced art. The title later turned into “German Expressionism”. This art movement was prominent during 1905-1925. In German it is known as “Die Brucke” and “Der Blaue Reiter”. Unlike Impressionism, its goals were not to reproduce the impression by the surrounding world, but to express the artists feelings on the surrounding world. Expressionism comes from the route word “expression” which

The irony he pointed out, was that American truly can not be as truly virtuous as we claim to be, if we are truly as innocent as we pretend to be (Niebuhr, Pg. 19). After World War II, both the US and the Soviet Union emerged as the world’s two “superpowers” which would lead them into a fierce competition for political control over Europe and their resources. During the Cold War in the 1950s, the United States and the Soviet Union were involved in many covert conflicts that eventually shaped foreign policy during this war. Because decolonization was becoming popular in the 1950’s and 60’s, the US and Soviet Union directly competed for influence in many third world countries, such as in Guatemala, Iran, and Indochina. The US government use of the CIA to disrupt many governments with ties to communists in the 50s was their primary tactic in an aim to support the allied countries. With conflicts going over ideological territories, both countries undermined their own political ideologies in order to undermine their each

During the Cold War, America and the Soviet Union were competing to develop more sophisticated weaponry than each other. Because of this, Americans dreaded the Soviet Union. They also feared communism– which according to Achieve 3000’s passage,“Case Against Rosenberg Falls Apart”,“It is the political theory that the Soviet’s lived by” (1). Also according to Achieve 3000, “The Americans thought that the Soviet Union had spies that were in the midst of the American people” (1). This fear lead to many precautions that the government made to prevent the American people from fearing the Soviet Union which was called the “Red Scare”.

The study of George Tenet’s actions leading up to the invasion of Iraq and Afghanistan leaves little doubt about the dysfunction within our government from the appointment of officials to the decision making process itself. Tenet was appointed by President Clinton as Director of the Intelligence (DCI) in 1997, just 19 months after becoming deputy to DCI. It was noted that Tenet had never managed a large organization, worked as an intelligence officer or serviced in the military, all of which would have provided the experience and expertise needed

Propaganda used to induce terror included posters, political statements, and comics. One such comic was Is This Tomorrow?, a popular dramatization of the Soviets and of communism(Document 7). By depicting the Soviets in such a violent, authoritarian light, it spread anti-communist feeling among Americans, and attempted to prevent any Soviet sympathizers. In the Soviet Union, a secret speech made by Nikita Khrushchev to the closed session of the Twentieth Party of Congress denounces capitalism and fights against the anti-communist campaign(Document 6). The Secret Speech was a counter to recently made anti-communist organizations, and reinforced the Soviet Union’s own ideals, while countering the US’s arguments for capitalism. Through the use of past faults and militaristic policies, Khrushchev argues that the US’s attempts at peace were false, and only a front for their true intentions. This effectively promoted terror and anti-capitalist feeling among Soviet Congress. It gave strong reasoning to fight back against Americans, as it instilled fears of a capitalist overtake, and the need for preservation of the

The above quote, by Richard Nixon, best captures the mass hysteria and paranoia that dominated the American people during the Cold War Era. It would only be 15 years till an article by a New York Times reporter by the name of Seymour Hersh accusing the CIA of targeting antiwar protestors as well as many others whom they believed where foreign agents and had conducted everything from break-ins to wiretaps and even placement of informants within groups to monitor their actions. Later in the article Hesrh would state that the concept of the program was developed by a presidential aid and was in fact encouraged by members of the executive branch. He also revealed heavy involvement by the FBI on the behest of CIA director Helms who had been known to believe that the KGB had infiltrated the United States government.

The innovative and passionate presence in both Jackson Pollock’s and Wassily Kandinsky avant-garde paintings exemplifies the redefinition of boundaries throughout their art making practices. Both artists challenged traditions both materially and conceptually using innovative and diverse approaches to materials and techniques when painting. Wassily Kandinsky goes against traditions and academies to create vivid, sensual and symbolic large-scale semi abstract expressionist oil paintings in a heightened state of mind. Many artworks of his convey bright and cheerful spontaneous colours that make the audience fully consumed within his works due to hypnotic and distorted semi realist shapes. Consequently, Jackson Pollock also goes against

The author then directs our attention to the Eisenhower and Truman years, in the work of Walter L. Hixson, Parting the Curtains: Propaganda, Culture, and the Cold War, 1945-1961, in which Washington, D.C. officials sought to weaken countries controlled by the Communist Party through the execution of psychological warfare and measured cultural intervention through American propaganda.

Art has evolved and regenerated itself many times during our human existence. These differences are defined through changes in styles under various theories. During the nineteenth and early twentieth century, a style known as Expressionism became popular. During this movement the artists were trying to use their artwork as a tool of expression toward life. It was mainly dominant in the nonrepresentational arts, such as abstract visual arts and music. It also was probably one of the most difficult movements to understand because the whole point of the piece lay within the artist. Not only was it a movement, it defined the act of art as a whole. From the beginning of time, each work of art, excluding replicas, show a way of expressing

Similar to the way in which the Soviet Union standardized language and education, it similarly standardized art forms and culture. Under Stalin’s directive, Socialist Realism was the only aesthetic and style of painting that was acceptable. Social Realism was a style used to depict home life and the landscape through a “politically-tinted” point of view. It was defined as proletarian, art that was relevant and relatable to workers; typical, scenes of everyday life; realistic in a representational sense; and partisan, supporting the aims of the State and the communist party. As the Soviet Union restricted its art and cultural limitations, the CIA noticed a crucial fact about the polarizing Abstract Expressionism movement: it was the polar opposite of Socialist Realism. Abstract Expressionism was also fundamentally American. Donald Jameson, former CIA agent,

Abstract Expressionism is making its comeback within the art world. Coined as an artist movement in the 1940’s and 1950’s, at the New York School, American Abstract Expressionist began to express many ideas relevant to humanity and the world around human civilization. However, the subject matters, contributing to artists, were not meant to represent the ever-changing world around them. Rather, how the world around them affected the artist themselves. The works swayed by such worldly influences, become an important article within the artists’ pieces. Subjectively, looking inward to express the artist psyche, artists within the Abstract Expressionism movement became a part of their paintings. Making the paintings more of a representation

Each artist of the Dada era had a new way of expressing Freud?s ideas. They also felt that art was a powerful means of self-revelation, and that the images came from ones subconscious mind had a truth of its own. As Marcel Duchamp mocked the Mona Lisa by drawing a Padilla 3 mustache on her, stated that the painting was a lewd message set by the conventional way of thinking. Since the Dada artist did not believe in western culture this made sense, because people only want believe what is told to them, instead of what is true. The Dada movement marked a meeting of people to have ?noise concerts? where they recited poems in a free association verse. In these poetry readings the artist perceived how they felt about the world. As World War I began the Dadaist perceived it as a world gone mad. Not only did they express their work in unconventional ways; they used the subconscious as a way of making their views true. Although the Dada era was short lived it influenced and questioned the traditional concepts of the western world. These techniques set an agenda for a new trial by error art form of this same era. The spirit of Freud in the Dadaist era never really died, it is shown today as ?Pop art? or sometimes known as neo-Dada art forms. Also this revolution of thinking and art paved the way for the Surrealist movement. The Surrealist movement of the 1920?s through 1930?s captivated the world with its bizarre way of thinking. Just as the Dadaist used

Surrealism is not the only movement that influences expressive arts therapy. Other movements have made important contributions to both the philosophical foundations of art in psychology and the development of expressive arts therapy as a formal discipline. Wassaly Kadinsky, a German abstract expressionist, explored color, shape, and form as an expression of spirituality. He developed theories regarding the nature of art and the role of the artist as a “prophet”. His theories are based on inner experiences and art as the soul of nature and humanity. Joseph Beuys explored the role of artist as shaman. In his performance art, like How to Explain Pictures to a Dead Hare, he chose materials and actions for their symbolic value and manipulated them to affect the viewer. Spontaneous creativity is the focus of the beat generation. Writers, like Allen Ginsberg and Jack Kerouac, worked