Act 3 Scene 1 of William Shakespeare's Romeo and Juliet Essay

something make it a word and a blow’. Here we can see that he is

The violent scene at the beginning of Act 3 has several cases of dramatic irony. When Tybalt asks Romeo to draw Romeo claims he has reason to love him. The audience knows what Tybalt does not; that Romeo and Juliet are married therefore Romeo and Tybalt are family. Had Tybalt known this he might not have fought and killed Mercutio. As Mercutio is dying he yells “A plague o' both your houses!” and the audience knows that there is truth in Mercutio’s exclamation. His death sets off a chain of adverse events. Romeo avenges Mercutio’s death by killing Tybalt, and is consequently banished from the city.

Romeo’s speech identifies to the audience for the first time, how Romeo feels about Juliet. That Juliet’s beauty is unmatched by those in the room and that Romeo has never loved before but he now thinks he has found her, Juliet the one. At this point the audience realises just what type of love and passion Romeo feels for Juliet. This event adds much more dramatic effect and intensifies the scene. At this instant a height of drama is achieved, but Shakespeare lifts it higher with a stronger and more hating speech, that of Tybalt’s.

However, Juliet soon stumbles upon her fate when she finally meets Romeo and instantly falls in love with him, despite him being the son of her family's enemy. Shakespeare's text structure depicts Juliet as someone who is reckless, and does not stop long enough to evaluate the full consequences of her actions. "Farewell!—God knows when we shall meet again. I have a faint cold fear thrills through my veins. That almost freezes up the heat of life. I’ll call them back again to comfort me. — Nurse!—what should she do here" (4:3:14-18). Shakespeare uses paradox, hyperbole, apostrophe and oxymoron to convey the violence of emotions in Romeo and Juliet as also the 'sweet lyricism of young passionate love' (Albertan A, 2003). His clever use of dramatic structure enables the audience to switch between comedy and tragedy to heighten the tension, leading up to the heartrending climax. "O, look! Methinks I see my cousin's ghost Seeking out Romeo that did spit his body, upon a rapier's point: — stay, Tybalt, stay!" (4:3:19-21). This apostrophe is a solitary example of the establishment of tragedy within the play, showing how two star-crossed lovers have a destiny with death.

His impulsive behavior is displayed when he seeks vengeance that built after his friend was killed by his new cousin, Tybalt. In the story Romeo states, “Either thou or I, or both, must go with him”(3.1.191). In this statement to Tybalt, Romeo is implying that he intends to ensure that Tybalt is slain even if it means that he himself must perish. He succeeds in defeating Tybalt in a one on one confrontation. Once Tybalt is dead, the young lover is banished, and a domino effect ensues on the rest of the characters. His banishment leads to the end of both Juliet and his mother’s life as a result of being separated from his mother and a plot concocted between Juliet and the Friar. In addition, Romeo hastefully goes from loving one beauty to loving another. Despite the two being complete strangers they both wish to marry each other. When he informs Friar Lawrence of his change in heart the Friar states, “These violent delights have violent ends”(2.6.9). Friar Lawrence's says this to warn Romeo of the consequences of his wish to conduct the marriage so quickly. To prevent a cease in the relationship due to no real bond between the two ‘lovers’, the Friar tries to use language to prevent him from being rushed into love. This impulsive behavior Romeo indulged caused things to escalate quickly leading to the demise of himself and Juliet’s star-crossed love for each

As Benvolio attempts to pacify situations, Tybalt becomes increasingly hostile. Likewise, as Tybalt attempts to instigate a fight, Benvolio tries to reconcile the problem. These contrasts help showcase the character’s traits. The opening scene of conflict displays their differences. Benvolio implores Tybalt for peace, “I do but keep the peace”, however Tybalt instigates a fight saying, “Have at thee coward!”, and attacking (Act I, Scene I). This confrontation displays the stark contrast between the two, with the hostility of Tybalt being matched with the attempt of Benvolio to placate the anger. One critical review elaborates on the benevolence of Benvolio saying, “Benvolio is a caring individual accentuated by Tybalt’s inhospitable and discourteous manner towards others.” (Long, 121). This can be proven with Benvolio’s compassion towards Romeo, saying “Soft! I will go along. And if you leave me so, you do me wrong.” (Act I Scene I). Likewise, Tybalt is shown to be consistently hostile even after Lord Capulet agrees Romeo could stay at the party, “It fits when such a villain is a guest. I’ll not endure him.” (Act I, Scene 5). Benvolio and Tybalt are foils due to their extremely different characteristics, accentuating each

In Act 3, Scene 1 of Romeo and Juliet, Romeo is seen to be upset at

One of Romeo’s main traits in Romeo and Juliet was impulsiveness. For example, when Tybalt confronted Romeo for attending the Capulet party, a fight broke out and Romeo’s best friend, Mercutio, was killed by Tybalt. Romeo was furious and screamed, “Away to heaven, respective lenity, and fire-eyed fury be my conduct now” (Act 3, Scene 1). When Romeo said this, he showed how he acts based simply on emotions

Shakespeare manipulates Tybalt in many different ways to advance the plot. One such way is revealing aspects of the personality of the characters. Nevertheless, we had always seen Romeo as a calm and peaceful character until his best-friend was brutally murdered by Tybalt and this unleashed the inner Romeo is seeking revenge by exclaiming ¨Either thou, or I, or both, must go with him¨ Line 126. This quote means Romeo says bluntly me and you are fighting to the death. However, this also shows us Romeo can only keep his tranquility to a certain extent as to he will seek revenge when his calm is fragmented. Even so, Shakespeare advances the plot as this places punishment on Romeo forcing him out of Verona. The prince proclaims on line 186-187

Act 3 Scene 1 in Shakespeare's play explores the idea the conflict leads to tragedy. In this scene members of the Capulet and Montague met and their tensions lead to violence. This conflict leads to the death of Mercutio. Through this scene, Benvolio hopes to avoid a brewing fight with the Capulets, but Mercutio, however, is antagonising and provoking Tybalt to withdraw his sword to fight with him. As the newly married Romeo appears Tybalt insults him with the hope that Romeo will draw his sword, in spite of the Princes warnings. Romeo refuses this challenge as he is now related to Tybalt form marriage to Juliet. As a result, Mercutio draws and responds to Tybalt's challenge on behalf of Romeo. The tragic result of this is that Romeo is now drawn into the centre of the conflict. An example of this conflict is clearly seen through the lines of Benvolio, 'I pray thee, good Mercutio, let's retire: The day is hot, the Capels are abroad and if we meet we shall not scape a brawl, For now, these hot days, is the mad blood stirring '. The use of the foreshadowing and high modality add to the intensity of the situation. The foreshadowing of the sweltering heat, raging tempers, choleric characteristics and sudden violence of this scene, that contrast sharply with the romantic, peaceful previous scene. This conflict leads to the travesty of Mercutio's death as Mercutio relies with angry of what had happened, 'Ask me tomorrow and you will find me a grave man ... A plague a'both your houses! 'Zounds, a dog, a rat, a mouse, a cat, to scratch a man to death!'. This quote uses the language techniques of repetition, "A plague a'both you houses" to convey the anger of

In Act Three, Romeo shows that he is sensitive which is an important personality trait. It’s blazing outside and being the good friend he is, Benvolio is begging Mercutio to go indoor before they encounter a furious Capulet men, however Mercutio refuses. Not long after, Tybalt, Juliet’s cousin, joins bringing along his friends and see Romeo and everything goes wrong. Tybalt calls Romeo a villain because he secretly married Juliet and shortly Romeo and Tybalt draw out their swords and start fighting. In the play, Romeo says, “This day’s a black fate on more days doth depend. This but begins the woe others must end”. (3.1.115) He got extremely emotional and sensitive when Tybalt calls him a villain and ends up killing him for such a small matter.

Benvolio, Romeo’s best friend, however tries to make peace between the families. For instance, he goes to the public square and tries to break up the fight by telling them to “Part fools” (Shakespeare 1.1. 57). As Benvolio is speaking to the crowd Tybalt walks in and interrupts him, when Benvolio explains and tries to get Tybalt to join him on the road to peace. Tybalt lashes out, ‘“What, drawn, and talk of peace? I hate the word. As I hate hell, all Montagues, and thee. Have at thee, coward!”’ (Shakespeare 1.1. 63-65). Tybalt’s hatred for the Montagues, especially Benvolio triggered him into to fight Benvolio and eventually kill him, if the fight had not stopped. Luhrmann’s film captures Tybalt’s hatred for Benvolio better because by zooming the camera on his face when he says “...and thee” (Luhrmann). Makes the scene more intense and through Tybalt’s facial expression the audience can see how much hate he has for the Montagues. In the play and in Luhrmann's film, Tybalt’s hatred for the Montagues is what motivated him to fight Benvolio, Luhrmann’s film demonstrates this hatred

His love for her allows him to easily climb the walls of her garden to get to her. Metaphorically, the “wings” of love have allowed him to cross social boundaries. This suggests that Romeo’s love for Juliet allowed him to break beyond the limits of his guarded world. Through Romeo’s engaging words, Shakespeare presents the forcefulness of

William Shakespeare, the famous man throughout history invented many words, wrote plays and lived in the Elizabethan times. One of his plays, Romeo and Juliet, is extremely significant and well-known story of two people who fall in love and end up dying. In revising Romeo and Juliet in a new film rendition it is imperative that Act 5 Scene 3, the final scene is included. This is because it is the most important scene in the whole play, if it is not included the new film will not be good. This scene displays themes such as love, fate/destiny and tragedy, as well as plot and characterisation.