Addie Bundren in Faulker's "As I Lay Dying" Essay

Most works of literature often use events and objects to display a deeper meaning to the current situation. In As I Lay Dying, by William Faulkner, there are many references that connect the Bundren family to mythological, Biblical, and classical allusions. Faulkner’s use of various types of allusions emphasizes the characters’ behavior and relationship to each other.

Nanny Crawford grew up as a slave on a plantation owned by a rich man, who raped her and impregnated her with Janie’s mom. After Nanny escaped slavery, she was very poor. Because of this she wanted to make sure that Janie was married and financially stable before Nanny died. “Me, married? Naw, Nanny, no ma’am! Whut Ah know ‘bout uh husband?” (Hurston 12). This quote represents Janie’s view on getting married. Janie is reluctant to get married because she wants to be free and independent. She is also very young and I think that the thought of becoming tied down to a man she does not even know at such a young age is frightening to her. “Tain’t Logan Killicks Ah wants you to have, baby, it’s protection. Ah ain’t gittin’ ole, honey. Ah’m done ole” (Hurston 15). This quote represents Nanny’s view on Janie getting married. Nanny does not necessarily care about Janie getting married, she just wants Janie to have that financial security and protection that she never had, especially before she dies. Janie and Nanny have a trusting relationship. Janie often goes to Nanny for advice, trusting the advice that Nanny gives her. Though they have a relatively good relationship, they both also have very

However, Jewel has a much different view of their journey. Jewel sees it as a way to make up to his mother for not being there when she passed (Faulkner 48). Therefore, he does everything in his power to get her there . . . including running into a burning barn and nearly drowning to save her coffin (Faulkner 154 and 221). These acts, although seemingly heroic, arise as truly selfish and shallow. These shallow acts can exist through Jewels “pale eyes” which look “like wood” (Faulkner 4). This simile compares Jewel to a simple substance which mirrors how his actions towards his mother are self-absorbed. Wood is two dimensional and shallow. When Jewels refuses to let the past go and continuously holds on to the idea of upsetting his mother, he in turn works for his own benefit. Jewel seeks his mother's approval out of self absorption and not out of love; he acts shallow and hollow like wood. In turn, Jewel ignores his siblings and continues to push towards

William Faulkner’s As I Lay Dying presents a broken family whose members are not all sound of mind. They all present different ways in which their sense of self can be viewed as broken. Even though there is no forefront hero depicted within the novel there is definitely evidence that suggests that some of the heroes are capable of heroic characteristics. Though there is rampant selfishness and immorality some redeeming qualities of the Bundren family shine through.

She becomes a wife and a mother. She loves her children and they adore her. When she grows old they will take of her, and when she dies, they long for her the rest of their days. The concept of such a desired and completed journey of motherhood and womanhood is dismantled in William Faulkner’s As I Lay Dying. On a spectrum of maternity, characters Cora Tull, Addie Bundren and her daughter Dewey Dell each represent a different degree. Cora is a dedicated mother, Addie struggles to accept the idea of motherhood, and Dewey Dell rejects the role altogether. Through these female characters, Faulkner also aims to point out the absurdity of the universal experience of womanhood.

It would seem that the primary struggle that Darl faces in the novel is the differentiation between “being” and “not-being” and the value, meaning, and importance of his own self. In the same way that Vardaman does not understand mortality, Darl does not understand himself, and this severely clouds his judgment when it comes to coping with the death of his mother. Darl seems to be a rational person at the beginning of the novel, but he plagues himself with questions regarding the fact that, “In a strange room you must empty yourself for sleep. And before you are emptied for sleep, what are you. And when you are filled with sleep, you never were. I don’t know what I am. I don’t know if I am or not” (Faulkner 80). Darl cannot navigate his own identity, and it seems that this, combined with his subpar relationship with Addie, leads him to attempt to cope by repressing his despair in multiple failed attempts to understand himself. Butchart notes that “By dissociating himself from his mother and employing dangerous defense mechanisms, Darl’s sanity atrophies” (Butchart 60). The descent to madness that Darl endures is a sympathetic plight to most readers, since Darl is arguably one of the more sympathetic characters in the novel, but this decline is ultimately guided by his inability to come to terms with himself and his actions, especially concerning the fact that he was not present at the death of his mother. Jewel copes with the death of his mother in a way that is similar to the method that Darl utilizes, in that he represses his feelings, despite the fact that his close connection with Addie allows the reader to assume that he is the most hurt by her death. Jewel then uses his grief to fuel his devotion to heroic duty, which is primarily seen in his efforts to save Addie from the burning barn and

In order to understand Janie’s journey to discover love and herself, one must first define love from her perspective and analyze its origins. Janie’s adult concept of love is influenced by many things, including her grandmother and her childhood concept of love. Janie thinks there is a standard for love because her grandmother had standards for who she loved. Nanny’s concept of love, which shapes Janie’s, is heavily influenced by her slave background. Nanny was impregnated by her master, then witnessed her daughter, Janie’s mother, get raped by a school teacher (16-20). Because of the trauma both she and her daughter faced, Nanny ardently begs Janie to marry a man who will keep her safe from harm. Not only does Nanny want a protector for Janie, but she also wants a provider for her. If Janie is to have a husband who is well-off, she will not want the way her mother and grandmother did. Thus, Janie figured that she could marry a person for the security they

     The plan for Janie’s future begins with her lack of having real parents. Hurston builds up a foundation for Janie that is bound to fall like a Roman Empire. Janie’s grandmother, whom she refers to as “Nanny” takes the position as Janie’s guardian. The problem begins here for Janie because her Nanny not only spoils her, but also makes life choices for her. Nanny is old, and she only wants the best for her grandchild, for she knows that the world is a cruel place. Nanny makes the mistake of not allowing Janie to learn anything on her own. When Janie was sixteen years old, Nanny wanted to see her get married. Although Janie argued at first, Nanny insisted that Janie get married. “’Yeah, Janie, youse got yo’ womanhood on yuh… Ah wants to see you married right away.’” (Page 12). Janie was not given a choice in this decision. Her Nanny even had a suitor picked out for her. Janie told herself that she would try to make the best of the situation and attempt to find love in her marriage to Logan Killicks. But, as time went by, Janie realized that she still did not have any feelings of what she had considered to be love in her husband.

Nanny makes Janie believe that marriage makes love and forces her to wed a much older man, Logan Killicks. Jones believes that Janie?s first efforts at marriage show her as an ?enslaved and semi-literate? figure restrained to Nanny?s traditional beliefs about money, happiness and love (372). Unfortunately Janie?s dream of escasty does not involve Killicks. Her first dream is dead. Janie utters, ?Ah wants things sweet wid mah marriage lak when you sit under a pear tree and think? (Hurston 23). Logan began to slap Janie for control over

In the novel, Faulkner writes Addie’s character as someone who is always being faced with a conflict, and as a depressed woman living a miserable life. Addie’s biggest conflict is internal. Previous to Addie Bundren’s death, and before she is married to Anse Bundren, Addie is a school teacher with a miserable life, and a strong hatred for her job as a school teacher. According to the novel, the worst part about Addie’s job is the children; they never listen to her and due to this, she lives for the moments where she gets to scold them. Faulkner reveals Addie’s pure hatred for the children and

For example, when Anse complains about having to feed Jewel’s horse, Jewel angrily, “looked at pa, his eyes paler than ever. “He won’t ever eat a mouthful of yours,” he said. “Not a mouthful. I’ll have to kill him first. Don’t you never think it. Don’t you never (32 136).” Jewel shows no respect for Anse due to his hatred toward him. Jewel hates Anse in spite of his isolation. In addition, Darl explains how Addie was concerned about Jewel saying, “Ma wanted to get the doctor, but pa didn’t want to spend the money without it was needful (32 130).” This shows the difference in Jewel’s relationships between his mother and Anse. Jewel probably feels like Addie was the only trustworthy person he loved. When Addie died, Jewel felt he lost the only person he respected.

Janie's grandmother was one of the most important influences in her life, raising her since from an infant and passing on her dreams to Janie. Janie's mother ran away from home soon after Janie was born. With her father also gone, the task of raising Janie fell to her grandmother, Nanny. Nanny tells Janie "Fact uh de matter, Ah loves yuh a whole heap more'n Ah do yo' mama, de one Ah did birth" (Hurston 31). Nanny's dream is for Janie to attain a position of security in society, "high ground" as she puts it (32). As the person who raised her, Nanny feels that it is both her right and obligation to impose her dreams and her ideas of what is important in life on Janie. The strong relationship between mother and child is important in the African-American community, and the conflict between Janie's idyllic view of marriage and Nanny's wish for her to marry for stability and position is a good illustration of just how deep the respect and trust runs. Janie has a very romantic notion of what marriage should be. "She saw a dust-bearing bee sink into the sanctum of a bloom; the thousand sister-calyxes arch to meet the love embrace . . . so this was a marriage," is how the narrator describes it (24). Nanny's idea of a good marriage is someone who has some standing in the community, someone who will get Janie to that higher ground. Nanny wants Janie to marry Logan Killicks, but according to her "he look like some ole

The author of As I Lay Dying, William Faulkner, really contributes to the aspects of literature through his ability to tell a seemingly incredible story through only the “stream-of-consciousness” technique. Faulkner takes his insight beyond the piece, through other’s views and thoughts. Although the characters might be acting differently upon each subject or handling each action in opposite ways, the tone and theme that he uses really brings the whole piece to a perfect balance. In As I Lay Dying, Faulkner displays contradicting elements through the reactions of the family members towards the mother’s death with the use of dialogue, tone, imagery, and internal conflict.

the center of her heart go hard" (254). She never really gives her children a chance because she is more

The conversation to redefine gender roles is often dominated by polarized extremes. In As I Lay Dying, William Faulkner explores the social and psychological effects of the traditional southern female gender role with the character Addie Bundren. Through Addie’s narrative, Faulkner presents the struggles of a woman as she lives the oppressive consequences of expressing her sexuality: childbearing and motherhood. The same consequences are reflected in the destruction of the life of Addie’s unwed daughter, Dewey Dell. Through these women’s stories ,Faulkner reveals the damaging effect of institutional patriarchy in women’s lives as storyteller rather than feminist.