African American And American Writing

In the early 1920s, three works signaled the new creative energy in African American literature. McKay’s volume of poetry, Harlem Shadows (1922), became one of the first works by a black writer to be published by a mainstream, national publisher (Harcourt, Brace and Company). Cane (1923), by Jean Toomer, was an experimental novel that combined poetry and prose in documenting the life of American blacks in the rural South and urban North (Andrews 4). Finally, There Is Confusion (1924), the first novel by writer and Editor Jessie Fauset, depicted middle-class life among black Americans from a woman’s perspective (Andrews 4).

The Harlem Renaissance period in Modernistic American Literature began when Black authors wrote about that with which they were familiar—what it is to be black. Writers such as Langston Hughes, Zora Neale Hurston, and Willa Cather proved through their writings that the African-American lives were not only different from that of their white counter-parts, but that the writings were relevant for the historical period and beyond. Another Harlem Renaissance writer who led the way for future black writers was Nella Larsen, author of the story Quicksand.

The Merriam Webster dictionary defines “African American,” as an American who has African and especially black African ancestry. Being born in the United States and being American I have always been classified as African American, because my skin was dark, my hair was tightly coiled and because my parents were black. As a black child growing up here believed I was African American because my parent were African. I knew Africa from the Lion King and National Geography. I knew of the music because it played on a loop in our Georgia home, when I was trying to watch Disney or Nickelodeon. I knew of the food, because I was made to eat it instead of McDonalds. So to me, Africa and Africans where distant, it belonged in the world of fairytales.

In the early part of the 20th century writers became more artistic. A modernist approach could be seen in many artist works. The African American writers during this era could be seen as aggressively self-conscious, divided, and vigor. Yet, many were just trying to figure out who they were as a person, and how they fit in the north. The Harlem Renaissance paved a way for these African American writers to emerge. Urban culture became visible, and many writers begin expressing themselves. Langston Hughes and Zora Neale Hurston are two modernists who exposed the beauty of the African American Culture. Therefore, there artistic abilities and cultural experiences supported them in identifying themselves through short stories and poems.

Proposition(s) centered around body of works authored by African Americans often fluctuate with the social stratification of its people. The writing is not stagnant bound to warranted eons, but fluid with time, as generally as any other form of literature. In other words, African American writing tends to reflect that of the current society they are subjected to, among a number of other conditions. In the 1800's, prior to the dawning of the Civil War, Black publication, in its diminutive amount, consisted roughly of memoirs, of which recounted the perils of slavery and the bliss circumvention, in turn, creating the earliest form of Black literature, slave narratives. In their own time and thereafter, said narratives have been the object of much scrutiny of both damning and plauditory natures. The authors of the works serve as no exception to such, considering each have received perlustration from their kinsmen and their counterparts, alike. Phillis Wheatley, Olaudah Equiano, and Frederick Douglass are examples of said Black authors, being that all have been accused of spiritually fleeing their race and relinquishing their “Black” identity.

Langston Hughes was one of the great writers of his time. He was named the “most renowned African American poet of the 20th century” (McLaren). Through his writing he made many contributions to following generations by writing about African American issues in creative ways including the use of blues and jazz. Langston Hughes captured the scene of Harlem life in the early 20th century significantly influencing American Literature. He once explained that his writing was an attempt to “explain and illuminate the Negro condition in America” (Daniel 760). To fulfill this task, he wrote 15 volumes of poetry, six novels, three books, 11 plays, and a variety of non-fiction work (Daniel 760). He also edited over 50 books in his time (McKay).

Since the publication of the first slave narratives as early as 1740, black authors accounting their experiences as former slaves have used a variety of tactics to best reach audiences with whom it was thought they had little in common with beyond basic humanity, including testimonials, documentation, and use of the popular literary techniques of the era. As the tradition of the slave narrative grew alongside the abolitionist movement, these narratives became increasingly political, as authors hoped to not only share their stories of subjugated, but motivate those in power to action against the institution oppressing them. Two of the most significant

African American Literature and the Harlem Renaissance draw distinct parallels between each other through their themes, trends, and writers. These two periods, African American Literature since 1975 and the Harlem Renaissance of the 1920’s mirror one another, both eras increased creativity of the black community and the productivity of literary works (Anderson and Stewart, 2007).

Writing in the favor of black people has always remained controversial from the very beginning. Critics regard such writing as “a highly conventionalized genre” indicating that “its status as literature was long disputed but the literary merits of its most famous example such as Frederick Douglass 's Narrative of the Life of Frederick Douglass…are widely recognized today.” (Ryan:537) Despite of such severe resistance, writers like Douglass have penned down their autobiography to present the misery of their fellow beings.

Langston Hughes is an extremely successful and well known black writer who emerged from the Harlem Renaissance (“Langston Hughes” 792). He is recognized for his poetry and like many other writers from the Harlem Renaissance, lived most of his life outside of Harlem (“Langston Hughes” 792). His personal experiences and opinions inspire his writing intricately. Unlike other writers of his time, Hughes expresses his discontent with black oppression and focuses on the hardships of his people. Hughes’ heartfelt concern for his people’s struggle evokes the reader’s emotion. His appreciation for black music and culture is evident in his work as well. Langston Hughes is a complex poet whose profound works provide insight into all aspects of black

The Harlem Renaissance was a time where creativity flourished throughout the African American community. At the time many African Americans were treated as second class citizens. The Harlem Renaissance acted as artistic and cultural outlet for the African-American community. The Harlem Renaissance, otherwise known as “The New Negro Movement” was an unexpected outburst of creative activity among African Americans In the poems Harlem by Langston Hughes, America by Claude McKay, and Incident by Countee Cullen all use frustration and hope as reoccurring themes to help empower the African-American population and realize the injustices they face day to day. The Harlem Renaissance was a period marked by great change and forever altered the

“The Harlem Renaissance was a time where the Afro-American came of age; he became self-assertive and racially conscious… he proclaimed himself to be a man and deserving respect. Those Afro-Americans who were part of that time period saw themselves as principals in that moment of transformation from old to new” (Huggins 3). African Americans migrated to the North in great numbers to seek better lives than in the South as the northern economy was booming and industrial jobs were numerous. This movement brought new ideas and talents that shifted the culture forever. Black writers, such as Langston Hughes, used their work to claim a place for themselves and to demand self-respect in society. Poems that Langston Hughes wrote captured the essence of the complexity of a life that mixes joy and frustration of black American life through the incorporation of jazz and blues in order to examine the paradox of being black in mostly white America, the land of the not quite free.

The African-American authors of this time period wrote stories describing life during and after slavery. Real life issues that these authors lived through and experienced through the world around them. The excerpts that we read of Booker T. Washington’s “Up From Slavery,” told a compelling tale of his life of being born into

In the Black press, writers and editors could support abolitionism and construct arguments supporting their humanity and equality on a platform designated for their people. Since the beginning of the slave trade individuals of African descent have used their literary gifts in print to convey the injustices of racial oppression. From narratives to poems and novels, African Americans have had their work circulated worldwide. Black literature had provided consistent and enduring outlets for African-American authors for more than 200 years. The Black Press has been a major key behind the driving force in conveying the hopes, frustrations, culture, and political strategies for African-Americans. Before and after slavery, African-Americans used the

The role of African American literature in recent years has been to illuminate for the modern world the sophistication and beauty inherent in their culture as well as the constant struggle they experience in the oppressive American system. When writers such as Langston Hughes, W.E.B. DuBois and Alice Walker present their material, they manage to convey to a future world the great depth of feeling and meaning their particular culture retained as compared with the culture of their white counterparts. Without this attempt at preservation, much of the richness of this community might have been lost or forgotten. At the same time, they illuminated some of the problems inherent within their society, including lack of education, lack of