Agrippina’s Relationship with Other Members of the Imperial Court

Claudius, as emperor, was told it was politically necessary to have a partner, upon Messalina’s death, to help function and protect the Principate, one of few reasons for his marriage to Agrippina. It was Pallas who presented Agrippina’s case (as she was an eligible woman) convincingly. Claudius could not ignore her ambitious nature, the fact she was politically skilled, and importantly; a woman of the Julian bloodline. Agrippina’s motives were concentrated solely on herself, and her son, Nero. Agrippina married her uncle in hope that Nero would inherit the Principate. She wanted to promote her son to become emperor (Suetonius), and aspired for political power for herself in regards to the Principate and Claudius. The power gave her the ability to dispose of any enemies who got in her way.

As a woman in Roman society, Theodora would have been married and her life controlled by her husband. As a woman in the imperial court, Theodora’s power and influence over the general public would have been restricted. Even with the limited public influence, there were ways for women to demonstrate authority. One of the most common and traditional ways that women demonstrated power in the sixth century was imperial patronage. Imperial patronage could include ‘building a home for the poor or a lavish church, having a cross

Women have played important roles throughout history. They have been responsible for the rise and fall of nations, sustaining families, and have been the focal point of worship in ancient religions. Moving forward in history, women's roles have continually changed. Their status as matriarchs changed as the more advanced ancient civilizations rose. The patriarchal societies of ancient Greece and Rome viewed women differently from some societies of past eras. The study of the economic and political status of women, their rights, and their contributions to both these ancient societies reveals how views change throughout history.

Volumnia’s character in Coriolanus both supports and breaks the normal gender roles and basis of what is feminine and what is masculine. Since Coriolanus’s father is not around, Volumnia plays both parts of a mother and a father in the family. Volumnia raises her son to be masculine and to exude power despite that she is a woman. She sends him to war and does not think about the consequences or hardships he must face. Unlike a regular mother, she loves seeing Coriolanus’s wounds because they represent strength and show his manly struggles. How Volumnia raises Coriolanus is reflective of herself because she thinks that men who do not fight in the war should not be respected by their country, and furthermore, that one is not a “man” but only a boy before going to war. Like his mother, Coriolanus sees the plebeians as cowards because they have done nothing and have not fought in the war. Because of this, Coriolanus believes he is better than them and that they should respect him and not the other way around. Coriolanus’s masculinity makes him all the more powerful-- his violent and aggressive behavior gives him more power than those men who have not fought in war. Evidently, masculinity is a foundation for power and Volumnia has raised her son to adhere to masculine qualities in order for him to be more powerful. By being a man and fighting for Rome, he is to be made council, giving him power to rule over others. Furthermore, Volumnia acts more as a general to a soldier than is

One of the most striking differences between ancient Athenian women and ancient Egyptian women was the ability to hold positions of power. Egyptian women were monarchs and held other positions depending on their social status. (Capel 1996, 176) Women were allowed to participate in low ranking government jobs, especially during war when the men are off fighting and leaving behind their positions. However, these positions were not kept for long because the men upon return automatically earned their position back by being the superior sex (Watterson 1991,).

Agrippina the Younger is described to be well educated and aware of her potentially important place

Over the course of time, the roles of men and women have changed dramatically. As women have increasingly gained more social recognition, they have also earned more significant roles in society. This change is clearly reflected in many works of literature, one of the most representative of which is Plautus's 191 B.C. drama Pseudolus, in which we meet the prostitute Phoenicium. Although the motivation behind nearly every action in the play, she is glimpsed only briefly, never speaks directly, and earns little respect from the male characters surrounding her, a situation that roughly parallels a woman's role in Roman society of that

Gender equality can be a very complex subject, throughout the years power has been correlated to gender. In Joaquim Maria Machado de Assis, “The Rod of Justice” gender inequities are represented with a great level of complexity and difficult understanding. Throughout the text one can sense Machado’s involvement over authority and control, and how the characters portray this subject. The story is focus on Damiao, who is the main character. Damiao was seeking escape from his seminary obligations, and he requests the aid of his godfather’s mistress, Sinha Rita. He knew that if she could use her sexual powers over his godfather she could help him escape his obligations. She is portrayed in the story as having a power over the people who surrounded her, as her authority was not questioned nor overruled. She had sexual power over Joao Carneiro, and also had to power to manipulate the actions of Damiao, but this power was interesting as in society in those times women had limited power which was not compared to the power men had. Nonetheless, Rita proves to be a well independent women, doing things under her own power. She would have been a women of great power, if she had the chance to live in the 21st century, and how society has altered the gender role of a woman since.

Women in classical Athens could not have had an extremely enjoyable experience, if we rely on literary sources concerning the roles of women within the Greek polis. The so-called Athenian democracy only benefited a fraction of the entire population. At least half of this population was female, yet women seem to have had very little influence and few official civic rights. `The position of women...is a subject which has provoked much controversy.'

Agrippina’s relationship to her stepfather had always been problematic, but it got even worse when the latter was suspected of having played a part in Germanicus’ death. The personal animosity and years of bad blood between the emperor and Agrippina becomes evident on two occasions: after Agrippina fell gravely ill in 26 CE, Tiberius visited his stepdaughter, whom she tearfully begged to be allowed to remarry so that she could find some consolation in her loneliness; Tiberius, however, not wanting to demonstrate weakness, forbade her from doing so. Then, under the pretence that the partes were conspiring of murdering the emperor and seizing the throne, Sejanus, under the auspices of the emperor, instigated a number of trials between 24-29

In today’s society, we as women often take for granted the rights, freedoms, and equality we share with men that women in the ancient world were not granted. As all civilisations in the ancient world exercised different treatment towards, this essay will illustrate a few comparisons in the status of women during ancient Egypt with women during ancient Rome. Academic sources will be relied on to provide the necessary actualities when one considers ancient civilizations. The legal status of women in society, the domestic atmospheres and roles that each unique region’s women held, and the possible occupations available to these women, will be discussed.

Women in the Greco-Roman era were subject to being the less useful counter parts of males, whose sole purpose was to take care of her children and her house. Alcestis is the honorable and lovely wife of Admetus in the play of Alcestis by Euripides. The play shows us Alcestis doing a very brave thing by offering to let herself be taken by death in place of her husband, with her final words she asked him to never take another wife. By dying for him and asking for him to never take another wife it's plain to see that she is flipping the gender roles of the Greco-Roman culture, with this we can see how their traditional roles worked.

Ancient Rome was known for its rich history and vast influence that is still attributed into modern day society. When speaking about Rome itself and the reason of influences it has made over the course of years, many people only seem to recognize the male figure. But looking at the course of history at a closer glance, women have made their marks not only within the Roman Empire but within the history itself. Before going further, one must first understand what goes into an average day and the lifestyles and customs the Roman Woman took. One must also understand that what may seem abnormal in today’s society, would fit a perfectly normal life for the ancient Roman citizen, most especially of the Roman women.

She is protective of her children, guarding them from an argument between herself and Claudius. Messalina is a

Despite the arguments for equality given between men and women of the guardian class in The Republic, Plato didn’t offer a solid theory that liberated women in general. Book V within the Republic, deals with the status of women. This essay will show that Plato’s theory is not sustainable by assessing certain parts of his dialogue and offering insight on the subject of gender based on critical analysis and modern day perceptions.