Outline how three of the texts we have studied so far explore a sense of alienation for individuals in an urban landscape.
In T.S. Eliot’s “Preludes”, William Blake’s “London” and Ray Bradbury’s “The Pedestrian”, individuals are alienated in an urban environment. Alienation and isolation is evident through the contrast to monotony and the lone individuals standing out in the environment. Their existence is described and associated with a monotonous and bleak existence. Through language, alienation is emphasised by all three texts as they accentuate on the unchecked growth of urbanisation in cities and the consequences of uprising technology. . In “Preludes”, Eliot explores the idea of a monotonous existence and the alienating effect that
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By using an ABAB rhyme structure, Blake has subtly inferred to the oppression by the urban environment. Instances such as “flow” and “woe” emphasise the restriction that the urban environment causes and how everything is confined. By this it shows the restriction and the negative effect that it has on individuals because of it. By emphasising the oppression from the city and the effect that this urbanisation has had on the individuals, William Blake has identified the isolating and alienating effect that the city has. William Blake delves deeper in the notion of alienation by metaphorically asserting, “the mind-forg’d manacles I hear,” highlighting the oppression that causes people to settle into the uninteresting daily routine of the city. Such reference to the psychological aspects in “the mind-forg’d manacles” accentuates on the idea that people of the city have created mental restraints, restricting the mind and metaphorically chaining it. Consequently, individuals are further isolated because even their minds are also oppressed. By this, Blake has shown the alienating effect that the urban landscape has on individuals and through the use of the aforementioned language devices, he has emphasised this idea and enforced it throughout, “London”.
Like the other texts, Ray Bradbury also insinuates the alienating effect that the urban landscape has on individuals in his short story, “The Pedestrian”. Technology and monotony of routine is seen
Ray Bradbury the author of the short story “The Pedestrian” purpose behind writing this unique story, was to show his audience the threat of technology and how in the future it may potentially take over our lives completely. In a city of 3 million people the crime rates have plummeted so dramatically that there is only one police car left. The author paints a picture of empty streets, dreary houses and dark windows with people stuck inside all night glued to their T.V screens. “It was not unequal to walking through a graveyard for only the faintest glimmers of firefly light appeared in the flickers behind the windows.” People have become so addicted to TVs that they don't emerge from their homes during the night, due to this the crime problems
In ‘London’ Blake presents the theme of power through a reportage. The narrator wanders through a ‘chartered street’ and by ‘the chartered Thames’. This shows that in the narrator’s eyes the streets are owned and even an aspect of nature such as the River Thames is in ownership of someone. These owners that Blake refers to is the state who are believed to have acquired so much power that they can own natural landmarks. Due to this power, the people in ‘London’ wear metaphorical ‘manacles’ that are ‘mind-forged’ which shows they have trapped themselves due to the pain and suffering the higher class has caused them. Also, the repetition
In the short story, “The Pedestrian” by Ray Bradbury, is an example of dystopian literature. First and foremost, a characteristic of dystopian literature is that citizens live in a dehumanized state. This is shown in the story when, “In the ten years of walking by night or day, for thousands of miles, he had never met another person walking, not once in all that time.” This quote supports the thesis in that people are not allowed to do the simplest task of walking without reason, or acting without reason. This is a dehumanized state of life, due to there being such a thing as cabin fever, and that it is one of the most common activities of humans. To add to this, “The tombs, ill-lit by television light, where the people sat like the dead,
The city, Toronto in this case, presents a web of streets and geographical space that threatens to lock its citizens in a certain demarcated way of life and conduct. The four key characters in this narrative - Tuyen, Carla, Jackie, and Oku - each feel blocked in by the constrained locality that they have been born into and each attempts to escape it in his own way.: Tuyen by being an artist, Carla by being a courier; Oku by being a student and Jackie by working in a store. The first two not only attempt to escape by means of their profession using their profession to either flee the spaces and squares (by bike) or transcend it via imagination (by art) but they also adopt profession that go against societal expectations. These societal expectations were created by, and exist within the geographical space they live in. Toronto of the late 20th century had an internalized set of expectations for immigrants and its citizens. The parents of the characters succumbed to it. The protagonists, however, resolved to step out of their boundaries and most of them succeeded.
Ray Bradbury uses irony to display how the obsession of technology increases the possibility of losing connection with yourself. In The Pedestrian, he displays how an innocent man gets stopped and questioned by the police only because what he was doing appeared unusual. “‘What are you doing out?’ ‘Walking,’ said Leonard... ‘Have you done this often?’ ‘Every night for years.’ The police car sat in the center of the street with its radio throat faintly humming...The back door of the police car sprang wide. ‘Get in.’ ‘Wait a minute, I haven't done anything!’” (Bradbury pg2) Unexpectedly, Leonard Mead gets arrested for doing the unusual- walking around his neighborhood. What would normally seem fine is uncommon in Mr. Mead’s society, because he is the only one who wanders around his neighborhood while everyone else stays in, busy watching television. Bradbury focuses on Mr. Mead’s isolation and dissimilarity to everyone else by indicating how “He would see the cottages and homes with their dark windows, and it was not unequal to walking through a graveyard where only the faintest glimmers of firefly light appeared in flickers behind the windows.” (Bradbury pg1) Bradbury depicts a society in decline; where the houses are like coffins and the people are dead from their addiction to their screens. Mr. Mead is
In the short story “The Pedestrian” Ray Bradbury tells a story of Mr. Leonard Mead who is alone and isolated in newly innovated world of A.D. 2053. In this futuristic society Mr. Mead is no longer needed as a writer, so he then walks over uneven sidewalks for ten years capturing vivid images of the society he currently lives in which is strongly impacted by technology. Throughout the text, Ray Bradbury uses literary devices such as imagery, foreshadowing, and symbolism to reveal how societies may be strongly influenced by the new advances of technology.
Ray Bradbury’s short story “The Pedestrian” is a dramatic illustration of the dangers of living in a world where contact with nature is deemed so abnormal that even walking alone at night is a crime. The dystopian story revolves around the tale of a man named Leonard Mead, living during a time period not so far away from our own, in 2053 CE. In the story, a robotic police car is so suspicious of Mead’s walking behavior during one pleasant night that he is taken away to a psychiatric hospital.
One way that Blake uses to convey his anger on what he sees is through
Rebecca Solnit’s Walking and the Suburbanized Psyche stresses her concerns about the suburban wave that has plagued the world in recent times. According to her, the mind, the body, and the world have a special bond that is being vanquished by the lack of recreational walking. In the eighteenth century, there was a “golden era” for walking because recent accommodations made it possible for the general public to enjoy the untamed nature all around them. This era was short-lived, as suburbs rose to popularity so did their unorthodox labyrinths which made walking simple distances nearly impossible to the public. The reason why walking in nature is important, Solnit shares, is because it allows the mind to flow freely without the corruption of everyday obstacles that the suburbs brought. She explains that in order for the mind to avoid being molded into a sterile dull thing, it must imagine in nature. If we do not continue to walk, the history we have with walking will diminish as will the special bond our ancestors cherished so dearly. Without it, Solnit fears that we will no longer be able to produce such things, however, in recent times walking is not a luxury many can do. I disagree because society has changed to the point where walking is not only a rarity but also a threat to many.
William Blake’s “London” and Wilfred Owen’s “Dulce et Decorum Est” appear to have little in common. Although at first they may seem different, they have many hidden similarities. Ultimately, Blake and Owen enhance the overall message presented in their poems by allowing the reader to fully gasp the meaning by connecting them through their senses, the overall consequences of the event, and the importance of the issue.
“All kinds of creative possibilities are made possible by science and technology which now constitute the slave of man, if man is not enslaved by it” as quoted by Jonas Salk during a speech about the technological advances in modern medicine in the 1950s. In the short stories by Ray Bradbury, he illustrates how the characters are struggling to live with the futuristic capabilities of technology. “The Pedestrian” focuses on a man named Leonard Mead who is the only person in society who does not use the technology in his home, his hobby is to walk. However, he is viewed as an outcast. “The Veldt” focuses on how George and Lydia Hadley figure out how their children’s nursery is powered by their mind and how they use it to have a tragic advantage over their parents in the end. While technology can let people connect to others much more efficiently, Ray Bradbury shows how the characters in his short stories “The Pedestrian” and “The Veldt” prove how technology is capable of isolating people from reality.
Throughout the text “Solitary Stroller and the City,” author Rebecca Solnit explores the complex relationships between the walking individual and living in the city. The title brings together three central ideas; walking, the city, and solitariness as an individual.. These three central ideas are tied together and used to reveal deeper meanings and relationships within the text. When analyzing Solnit’s work, the reader is left to identify a complex relationship between the central ideas and how the geography of a city influences all the three of the central ideas. Solnit makes claims throughout the text that are strongly suggestive of a relationship between the ability to walk and its derivability based on the “when” and “where” concepts. The geography and or location can be explored through the comparison of rural walking versus urban walking, the comparison between the cities of London and New York, and the solitariness associated with the geography and structure in one city versus another. Spanning the entire text is the idea that the city influences the walker and their individualism among the crowd, or their perception of solitude. Solnit compares London walkers and New York walkers, exploring how their different geographical locations define their city as a whole as well as the individual. Geography plays a crucial role in one 's idea of solitude and individualism.
The city is fragmented in itself, with a population that is lost and alone, a scattered collection of "Streets that follow like a tedious argument" (8) above which "lonely men in shirt-sleeves" (72) lean out of their isolated windows. Eliot achieves fragmentation through the use of imagery, in both specific as well as symbolic.
Cities are generators of economic life and source of changes in the world. Thereby, Jane Jacobs in her book The Death and Life of Great American Cities puts into relief the role of cities on the social and economic levels, while denouncing the disastrous consequences of urban renewal programs. To that extent, in chapters 2 and 3, she discusses "The Uses of Sidewalks”, arguing that over all people need safety and trust in their city. Therefore, first she claims the necessity of keeping streets and sidewalks safe because they are the “vital organs” of cities (29). Secondly, she argues that the functioning of cities should be organized in order to foster human interaction in which “casual public
Throughout the world of suburbia, there seems to be a persistence of communities who attempt to create a perfect, enclosed world for the whole of the community to live in. By providing for everything that the inhabitants would ever want, suburbia is able to close itself off from those around it that it deems unworthy of belonging. While this exclusivity helps to foster the sense of community, it can also bring with it isolation from the outside, and also from within, and have disastrous results. Throughout the semester, there have been a number of works that have dealt the issue of isolation, but the greatest representation of a work whose physical qualities in its representation of suburbia help to