Buffy the Vampire Slayer is a difficult media to classify into one genre. An obvious classification of the programme¡¦s genre would be horror; but this isn¡¦t entirely true, because the show has more concepts and themes that a horror movie would, and deals with more issues as well. The show uses elements contained in the more fantasy-orientated horror movies (such as Dracula): these include mythological beings such as vampires, demons and zombies; things that aren¡¦t always contained in horror movies. In the episode ¡§Dead Man¡¦s Party¡¨, the show deals primarily with the undead (a vampire appears near the beginning of the episode, and has very little effect on the story). Mythology is also applied in the form of a Nigerian mask, which …show more content…
Some of the behaviour seems a little apprehensive, or awkward, especially with Buffy and Joyce; they both seem to feel intimidated by each other¡¦s presence. Behaviour seems to change often during the party: Buffy feels overwhelmed and that she doesn¡¦t belong, and the other characters (especially Willow, Xander and Cordelia) appear ignorant towards Buffy. There is also a scene in which the characters show anger towards Buffy, who becomes very upset by this, but then the scene is interrupted and the characters instantly resolve their feelings towards each other. The behaviour of Angel also seems quite distant, and generally unlike the character. Lighting in this episode is quite mundane, although there are a few anomalous uses of light. At night, the lighting is dark, but it is easy to see what is happening. Indoor lighting is moderately lit, except in a few locations, such as the basement, which is a little dark, with beams of sunlight coming through windows. The light in Giles¡¦ apartment is lower than most other settings, and the moonlight shining through the window in Buffy¡¦s bedroom is unusually intense. The lighting in the emergency room of the hospital is also lower than expected, yet enough to make a reflection in the heart monitor. The costumes consist of everyday wear, and doesn¡¦t really show any distinct patterns, except near the beginning of the episode where Willow, Xander, Cordelia and
The film Edward Scissorhands is a contemporary archetype of the gothic genre exploring themes such as unrequited love, social rejection and human creation as defined by Tim Burton. Feature films explore different ideals that can be categorized into different genres that create expectations among audiences about characters, settings, plots and themes. Edward Scisscorhands directed by Tim Burton in the year 1990 is described as both a dark romantic fantasy and a gothic horror film. The film tells a story about Edward Scissorhands, the creation of an elderly inventor who dies before he can give Edward his normal hands in place of his scissor hands. Edward is taken from the mansion he lives in by a suburban family in an attempt to live a
In usual fairytale movies, filmmakers intend to make films that give happy endings with simple miraculous entertainments. However, in the fable movie, Edward Scissorhand, the director, Tim Burton, positions the viewers to understand the significant meaning of particular issues. “E.S” is can be seen as a story of stereotypical suburbia with social criticism. In this essay, starting from analysing this film and providing dominant discourse, the use of characters will be discussed followed by debate of technical and symbolic codes which help to put up the discourse. In particular, this essay will consider the technical code of camera angle and symbolic codes of colour which emphasize the dominant discourse.
The lighting being used is side lighting. There’s a brighter side to the room that reflects on one side of the characters’ faces. The lighting helps explain that they are in dark times in their lives. It helps the audience see how Amelia’s sleep deprived that is shown earlier throughout the movie that she couldn’t wake up after her alarm rung. She struggled to get out of her bed and she put the alarm on snooze. The frame composition is tight framing that reflects a mother and her son hugging her, but how uncomfortable the moment is.
Have you ever binge watched a TV series? Many people usually do and even consider this a normal behavior in our society; however, the main character, Montag, from the novel Fahrenheit 451 written by Ray Bradbury is the only one in his society to be detached from the world of media. The civilians are brainwashed from the nonsense that they are watching and listening to. Television helps people to not interact with one another and trying to stop conversations. The people in the society are also getting into harm's way, when they are watching tv. In his novel, Ray Bradbury puts the focus on technology ruining the lives of innocent civilians.
Acts Of Vampires: Fosters; How to Read Literature Like a Professor, Nice To Eat You: Acts Of Vampires, explains the concept of vampirism not as the actual act of biting and consuming a person's life force, but as the destruction of innocence in regards only to personal desire. Foster says “the essentials of the vampire story [include]... an older figure representing corrupt, outworn values; a young.. female; a stripping away of her youth” (Foster 19). Nathan, in The Poisonwood Bible, is displayed as the older figure representing corrupt, outworn values who refused to respect the autonomy of others and focusses on his personal desires over the needs of others. This is first displayed in Nathan's introduction speech after the dinner during their
Although Perry is the one who killed the family, Dick plans the crime with ease due to his evil characteristics and guilt free conscious, therefore vulnerability can easily be molded by manipulation.
I chose to do my analysis on the short story, “The Story Of An Hour”. The themes I see in this story is the quest for identity/coming of age, romantic/love, birth, and death. It is about a woman named Mrs. Mallard. She was an elderly lady and had a heart complications. Her sister Josephine and her husband’s friend Richards had to break the news to her that her husband, Brently Mallard, has been killed in a railroad disaster. Mrs. Mallard was sorrowful and sobbed in her sisters’ arms. After her grieving process, she wanted to be alone, so she went to her room and locked herself in. As she sat in the window, she seem to be calmer and accepted her husband’s death. She was not distressed of what had happened. She began to say the words “free” and her heart
Mentors feature prominently in the Gothic genre. From Dr Van Helsing in Bram Stoker's Dracula, who leads the young heroes into their quest to annihilate the Count, to Rupert Giles, the Watcher in Buffy the Vampire Slayer, older and more experienced adults have provided essential guidance for the younger protagonists of the genre. The differences in media of expression and the subsequent adaptations from novel to television series has not affected the presence of this character, more than a hundred years after the publication of Dracula in 1897. What also unites the novel and the series is their fin-de-siècle resonance.
I am reading Allegiant by Veronica Roth and I am on page 458. So far this book is about the Allegiant making their plan about how they are going to take down the GPs (genetically pure). Some people who are already the Bureau disagree with the GP’s ways so they team up with the Allegiant. Tobias and Tris make a promise that they will always be completely honest with each other, but Tobias breaks that promise when he helps with the first attack against the GPs. In this journal I will be questioning and connecting.
In a society dominated by male superheroes, it is not that often that a female character is able to step forward and defend the world. There have been quite a few female superheroes throughout the ages of popular culture, including the Canadian Marvel super-heroine, Aurora ("Marvel"), and DC Comic's character, Black Canary (Kanigher, and Infantino). Yet for every one female superhero that is encountered, there are at least a dozen more male superheroes to stand around—and often in front of—her. Even more frustratingly, the female superheroes are often merely there to be the gendered counterpart to the much more powerful, dominant male superheroes. There have been few women who have stood out as being independent, admirable sources of
I have enjoyed many vampire movies over the years, long before they became the popular pop-culture genre they have become due to the success of The Twilight Saga films. One movie I have enjoyed viewing many times since its debut in 1994 is Interview with the Vampire. This film is an adaptation of the book Interview with the Vampire written by Anne Rice in 1973 and published in 1976. The movie was directed by Neil Jordan who also co-wrote the script with Anne Rice.
Charismatic. Charming. Sensual. Beautiful. Would you ever use these adjectives to describe a vampire? The common theme in portraying vampires in literature has always involved depictions of great violence, ugliness, and fear. Novels involving vampires never portrayed the vampire as a heroic character, but rather as the villain who was then destroyed in the end. Stereotypical vampires terrorized towns, lived in grim, dark, towering castles and turned into bats when in trouble. Authors were simply not inspired to build a tale around the life of a vampire, his shortcomings, his doubts, his fears. Rather, authors used the vampire as a metaphor for evil that resides in humanity.
In my favorite TV show, Supernatural, one of the protagonists and my favorite character is Dean Winchester, a certainly very round character. The series begins in Lawrence, Kansas with the demonic death of Dean’s mother Mary. Consequently he, his brother Sam, and his father John are thrust into the world of the supernatural. John becomes obsessed with hunting the evil he encounters and ultimately tracking down the demon that killed Mary. As Dean grows, he learns more and more about hunting, weaponry, and the supernatural creatures that haunt this world. Due to circumstance, he is forced to grow up at
Poetry is often meant to be smooth, flowing, pleasing to the ear and the mind. To achieve this effect, many poets use different poetic techniques to help convey the meanings of their poetry. In the sonnet, 'Yet Do I Marvel' written by Countee Cullen, many different features of poetry is used. In this essay, I will discuss the relationship between the meanings and the theme Cullen tries to convey in his sonnet and the techniques of metaphors, both religious and non-religious, allusions to Greek mythology, different rhyme schemes and repetition that he uses.
Hannibal Lecter is the primary character in the “Hannibal” movie series and will be the subject of psychiatric evaluation for this paper. The series is comprised of 4 films (“Hannibal Rising”, “Silence of the Lambs”, “Red Dragon”, “and Hannibal”) which follow Lecter’s life from youth to adulthood. Lecter is a white male of average height and weight; he is a brilliant doctor and exceptionally well mannered and educated individual. Hannibal Lecter was born in Lithuania in the year of 1933 to a wealthy, aristocratic family. In the midst of World War II, Hannibal, his parents and younger sister, Mischa, relocated to a cabin in