Analysis Of Dances With Wolves And Unforgiven

The most serious Native American stereotypes are clearly visible in films of the early twentieth century in Hollywood westerns. The big screen stories about western cowboys defeating Native tribes proved to be extremely popular and lucrative. Hollywood then started producing western tales in incredible quantities . In most Westerns, white cowboys represent courageous, brave, and quick witted men while the Indians are the dimming past. Cowboys are logical. “Indians” are irrational. Together, cowboys and Indians are the ego and the heart of the Anglo-Saxon identity. Native American characters in twentieth century films have ranged from stereotypes including the bloodthirsty, raging beast to the noble savage. Still other Indian characters, whether they are heroes, bad guys, or neutral, were the characters with little to no character development or range in their personalities. These stereotypes have their origins in popular American literature dating as far back as the sixteenth and seventeenth centuries. Jacquelyn Kilpatrick, author of Celluloid Indians, notes that popular stories “centered on Native American savagery served as outlets for violence and pent up aggression in an early American society that prided manners and respectability.” (Kilpatrick 2) In these stories, the Native American population was seen as bad, though individual members could be represented as good. These stereotypes continued for years. One author, James Fenimore Cooper, began publishing a series of stories titled The Leatherstocking Tales in 1841. Kilpatrick emphasizes that Cooper

“Indians are like the weather.” With his opening words Vine Deloria Jr. sets up the basis for the rest of his witty yet substantial manifesto, Custer Died for Your Sins. The book, which describes the struggles and misrepresentation of the American Indian people in 1960s American culture, is written in a style that changes from ironic and humorous satire to serious notions, then back again. Through energetic dialogue that engages the reader in a clever and articulate presentation, Deloria advocates the dismissal of old stereotypes and shows a viewpoint that allows the general public to gain a deeper understanding of what it is to be an American Indian.

The American western frontier, still arguably existent today, has presented a standard of living and characteristics which, for a time, where all its own. Several authors of various works regarding these characteristics and the obvious border set up along the western and eastern sections have discussed their opinions of the west. In addition to these literary works by renowned authors, one rather convenient cinematic reference has also been influenced by these well-known, well-discussed practices of this American frontier. “True Grit”, a film recently remade in 2010 by the Cohen Brothers, crosses the boundaries of the west allowing all movie-goers to capture one idea of the western world. The movie, along with a few scholarly sources

Hollywood has helped create and perpetuate many different stereotypical images of the different races in the world. Those stereotypes still continue to affect the way we think about each other today and many of those stereotypes have been proven to be historically inaccurate. The movie Dances With Wolves, directed by actor Kevin Costner, does an excellent job in attempting to promote a greater acceptance, understanding, and sympathy towards Native American culture, instead of supporting the typical stereotype of Native Americans being nothing but brutal, blood thirsty savages.

The Wild West is one of the most famous time periods in American history. Spanning from post Civil War to the early 1900’s, the West was plagued by outlaws, deadly diseases, and harsh weather. The grim reality of the Old West is often overlooked, due to Hollywood’s portrayal of it. Many movies about the West are generally over dramatic; sending the message that shootouts happened everyday at high noon and other over the top conceptions. The reality of the “Wild West”, America in the 1800’s and early 1900’s, is not how Hollywood romanticizes it.

Christine Bold’s article, “The Rough Riders at Home and Abroad: Cody, Roosevelt, Remington, and the Imperialist Hero,” tracks the contributions of three important historical figures: William Cody, Theodore Roosevelt, and Frederic Remington, to the image of the Rough Riders and the “packaged version of the American West” and its influence during the Spanish-American War (Bold, 324). After offering background on the conflict, she first considers the contributions of William Cody and his Wild West Show to the Rough Riders. She details how Cody constructed a narrative

Everyone has a preconceived opinion of how a certain ethnic group is in terms of the way they live, the morals they hold, the way they deal with people different from them, and how they deal with one another. We come to these conclusions by what we have seen in the media, heard from other people, or actually experienced ourselves. Most people would consider these opinions to be stereotypes. Dances with Wolves is a motion picture that deals with and touches on all sides of personal stereotypes we as American and American Indians have about each other. John Dunbar takes us through and allows us to see how it is to come into a situation he was not familiar with and then eventually the

Brian Levack, Edward Muir, Micheal Maas, Meredith Veldman. The West: Encounters and Transformations, Consise Edition. Pearson: Upper Saddle River, 2009. Print

The Native American culture is something that is cherished by their people. “Perhaps no other group of people has quite the rich and storied culture as those of the Native Americans. They have a history rich in struggle, strife, and triumph (Native American Culture).” Dances with Wolves, directed by Kevin Costner in 1990, is about a white man who becomes interested in the Native American culture and decides to befriend fellow an Indian tribe (Dances with Wolves). The Searchers by John Ford in 1956 is about a white man who is on a journey to find his niece who was kidnapped by an Indian tribe (The Searchers). These films do have a few differences but many similarities. Dances with Wolves and

Wide open spaces, uninhabited for miles; breathtaking scenery, unchanged for centuries. Explorers charting this great unknown; exploring this frontier known simply as the West. This common narrative of the West can be seen in movies, television, and artwork from around the globe. However, many parts of this narrative can be far from reality. West’s A Narrative History of the West, Miller’s Agents of Empire, The Lewis and Clark expedition, and Aron’s The Afterlives of Lewis and Clark all provide a counter-narrative to the traditional narrative of the “untouched” West and highlight the importance media has on the public’s interpretation of the West.

Many still tell the stories about the old west. These tales of the gold rush with gold nuggets the size of boulders, visions of the railroad cutting across the continent with civilization nipping at it heels, epic battles between settlers, soldiers, and Indians, or tales of cowboys, bandits and shootouts continue to capture the imagination of the young and old alike. Most of these fantasies boast of the riches any man could accrue, and of boundless opportunity for anyone willing to leave everything behind to seek their destiny. Sadly many of these stories could not be further from the truth. The real story of the west is one of misrepresentation, greed, exploitation, and racism.

By conquering the frontier, characters in western films portray how they, as well as society at this

Throughout world history, it is evident that Native Americans have struggled in society ever since the landing of Christopher Columbus in North America. Ever since the film industry began in the 1890s, Native Americans have been depicted in many negative ways by film makers. One particular way film makers degrade Native Americans by making their white characters convert into Indians or “go Native” and eventually they always become better than the original Indians in the film. This notion has been repeated in many films, three significant films were it is evident is in The Searchers, Little Big Man, and Dances with Wolves.

In this movie, one may observe the different attitudes that Americans had towards Indians. The Indians were those unconquered people to the west and the almighty brave, Mountain Man went there, “forgetting all the troubles he knew,” and away from civilization. The mountain man is going in search of adventure but as this “adventure” starts he finds that his survival skills are not helping him since he cant even fish and as he is seen by an Indian, who watches him at his attempt to fish, he start respecting them. The view that civilization had given him of the west changes and so does he. Civilization soon becomes just something that exists “down there.”

Dance of the Tiger is a “paleo fictional” novel written by Björn Kurtén in 1955. Dance of the Tiger is set in Scandinavia approximately thirty-five hundred years ago during a thaw Ice Age. The story follows the lives of Neanderthals and Cro-Magnons referred to as whites and blacks. The Cro-Magnons and Neanderthals lived around the same time but yet we share more DNA with Cro-Magnons. The primary objective of the story is to determine what happened to the Neanderthals which Kurten does explain using the story of Tiger, a Cro-Magnon. The story splits into three parts: Veyde, Shelk, and Tiger.