Analysis Of Evalyn Brooks 'Do Not Be Afraid Of No'

There, she started to write at the age of seven and published her first poem at 13. After she completed school, Gwendolyn Brooks found herself working for the National Association for the Advancement of Colored People, and continued to write about the struggles of African Americans in her community. During Gwendolyn Brooks’s career she expanded the topic of her writings. Between 1940-1960’s, her writings were about the oppression of blacks and women of all colors in her community, and she poetically criticized the shocking prejudice that African Americans had for one another. However, during 1960’s she developed a new attitude, due to her growing political awareness. She began to expand her poetry from the day-to-day life of the African Americans in her community, to writing about the wider world and the racial struggles of African American people everywhere. She then brought back all of her accomplishments to her community by reading her poems to children at various venues. By the end of her life, she had inspired thousands of young

     Gwendolyn Brooks is the female poet who has been most responsive to changes in the black community, particularly in the community’s vision of itself. The first African American to be awarded a Pulitzer Prize; she was considered one of America’s most distinguished poets well before the age of fifty. Known for her technical artistry, she has succeeded in forms as disparate as Italian terza rima and the blues. She has been praised for her wisdom and insight into the African Experience in America. Her works reflect both the paradises and the hells of the black people of the world. Her writing is objective, but her characters speak for themselves. Although the

James Baldwin “Sonny’s Blues” and “Battle Royal” Ralph Ellison are two stories by young african american men in the 50’s. Racial abuse was in abundance during this era. In both stories race has an important role however, in “Battle Royal” Ellison used race as the driving force of the story. In “Sonny’s Blues” Baldwin uses race as an important theme but is subtle as opposed to Ellison who directly addresses race as the issue. “Sonny’s Blues” and “Battle Royal” depicted the suffering of young black men in harlem, and illustrated the struggle of generation past and present; and the vicious cycle of the stereotype of african americans. African americans during this time endured in environment of hatred, but not only by whites but also by themselves, they hated who they were because they weren't white, in order for a person to be accepted in society or seen as valuable african americans believed they had to be white.

There are numerous works of literature that recount a story- a story from which inspiration flourishes, providing a source of liberating motivation to its audience, or a story that simply aspires to touch the hearts and souls of all of those who read it. One of the most prevalent themes in historical types of these kinds of literature is racism. In America specifically, African Americans endured racism heavily, especially in the South, and did not gain equal rights until the 1960s. In her renowned book The Color Purple, Alice Walker narrates the journey of an African American woman, Celie Johnson (Harris), who experiences racism, sexism, and enduring hardships throughout the course of her life; nonetheless, through the help of friends and

One of the things that is so fascinating about poetry is that it allows readers to discover and sometimes challenge and channel their emotions as well as their understanding. A poem’s words as well as its structure can reveal many things to its intended audience. In “Myth” by Natasha Trethewey, the poems form is just as important as the words she writes, becoming a map for the journey Trethewey takes, using transitions to take us from one place to another. The nature of the poem therefor becomes multifaceted, as it encourages the reader to think about the speaker’s words and use of form and structure she uses to craft this epic story. Using form as a tool, Trethewey is able to use structure as a way to guide us as readers and the speaker across the conscious and unconscious thoughts and dreams the speaker faces in this story.

Racism is an issue that blacks face, and have faced throughout history directly and indirectly. Ralph Ellison has done a great job in demonstrating the effects of racism on individual identity through a black narrator. Throughout the story, Ellison provides several examples of what the narrator faced in trying to make his-self visible and acceptable in the white culture. Ellison engages the reader so deeply in the occurrences through the narrator’s agony, confusion, and ambiguity. In order to understand the narrators plight, and to see things through his eyes, it is important to understand that main characters of the story which contributes to his plight as well as the era in which the story takes place.

The famous African American poet, Gwendolyn Brooks, grew up on the south-side of Chicago. She paved the way for many female African American woman today. In the The African American Experience textbook there is two amazing poems written by her. One is titled “The Sonnet-Ballad” and the other is titled “We Real Cool”. On the surface these two poems seem to have simple means, but if you dig under the surface there is more than meets the eye. Each poem has the three component that make a poem according to Stephen Henderson. Each poem has a theme, structure, and saturation. Each component is presented in a different way. Its presented in a way that makes the poem more affective in its message, and that is the reason why these poems are so

Alexander writes, “I have a specific audience in mind—people who care deeply about racial justice but who, for any number of reasons, do not yet appreciate the magnitude of the crisis faced by communities of color… I am writing this book for people like me—the person I was ten years ago” (p. xiii). By writing to an audience of readers who are not

In the reading, Jones explores the relationship between class, race, and gender. She states that African Americans, in general, are oppressed, however, black women

Baldwin, however, describes his father as being a very black-like “African tribal chieftain” (64) who was proud of his heritage despite the chains it locked upon him. He is shown to be one with good intentions, but one who never achieved the positive outcome intended. His ultimate downfall was his paranoia such that “the disease of his mind allowed the disease of his body to destroy him” (66). Baldwin relates the story of a white teacher with good intentions and his father’s objection to her involvement in their lives because of his lack of trust for any white woman. His father’s paranoia even extended to Baldwin’s white high school friends. These friends, although they could be kind, “would do anything to keep a Negro down” (68), and they believed that the “best thing to do was to have as little to do with them as possible” (68). Thus, Baldwin leaves the reader with the image of his father as an unreasonable man who struggled to blockade white America from his life and the lives of his children to the greatest extent of his power. Baldwin then turns his story to focus on his own experience in the world his father loathed and on his realization that he was very much like his father.

The works of Gwendolyn Brooks has gone through several changes throughout her career. When she first published in 1945, she was eager to be understood by strangers. In her last two poetical collections, however, she has dumped that attitude and gone ?black?. Her change then led her from a major publishing house to smaller black ones. While some critics found an angrier tone in her work, elements of protest had always been present in her writing. Her poetry moves from traditional forms including sonnets, ballads, variations of the Chaucerian and Spenserian stanzas, and the rhythm of the blues to the most unrestricted free verse. To sum up, the popular forms of English poetry appear in her work, but there is some testing as she puts together lyric, narrative, and dramatic poetic forms. In her narrative poetry, the stories are simple but usually go beyond the restrictions of place. In her dramatic poetry, the characters are often memorable because they are everyday survivors not heroes. Her characters are drawn from the underclass of the nation's black slums. Like many urban writers, Brooks has recorded the impact of city life. However, aside from most committed naturalists, she does not entirely blame the city for what happens to people. The city is simply an existing force with which people must deal with. The most dominant theme in Brooks?s work is the

According to Frederick Douglass, “it was the blood-stained gate, the entrance to the hell of slavery, through which I was about to pass. It was a most terrible spectacle. I wish I could commit to paper the feelings with which I beheld it (p.4).” Frederick Douglass and Toni Morrison literatures examine the stigma of slavery, and the perceptions of its dangers. They illustrate what life was like and the mental as well social impact it had on enslaved African-Americans and their life after gaining freedom. Richard Wright convinces his audience in Black Boy that he was tired of the limitations and outcries in the South “I was not leaving the South to forget the South, but so that some day I might understand it, might come to know what its rigors had done to me, its children (284).” Alice Walker obtains her readers attention by transforming young women into their own characters with a voice using spiritual guidance. In Native Son, Bigger has achieved is lost after being apprehended and brought into captivity, as he transitions back into silence and passivity and begins to recover only in his final confrontation, whereas Douglass in the same prevailing convention, only heals after the regaining of his freedom. Through these literatures, and many others, African-Americans find multiple ways to alleviate and recover from the intensity of undesired bondage and bigotry.

Gwendolyn Brooks is the first African American to win a Pulitzer Prize. She has also received a lot of awards and fellowships throughout her life. Born in 1917, she started her writing career in poetry at an early age, publishing her first poem in 1930. 1967 was a turning point in her career as it was in this year that she attended the Fisk University Second Black Writers' Conference. In this conference, she has decided to involve herself in the Black Arts Movement. While awareness of social issues and elements of protest is found generally in all her works, some of her critics found in her work an angrier tone after joining the movement.

Gwendolyn Brooks is one of the most celebrated poets and some of her poems have been at the center of academic discussion for many years. One of her most famous poems includes ‘The Boy Died on My Alley’, which will particularly form the center of discussion in this study. The study will focus primarily on the critical analysis that helps to define and to unify the central argument. In addition, the study will also examine some of the aspects that make this poem unique and worthwhile. Moreover, the study will critically analyze the techniques used by the author, the arguments that are central to the piece and how these techniques help to define the importance of the literature.

I wanted my stories to remind Bam of the best American writers, which to me were white. I did not want my stories to resemble Davis, Angelo, or Morrison. Since they wrote about the things I struggled with – beauty, skin color, self-perception, Bam suggested that I read them. She was confused as to why a black writer would not read black writers. I suppose that was the issue for me altogether. It is not that I did not want to read Hughes, Angelo, or Morrison. I enjoyed their stories and their talent and intelligence was undeniable. They captured the black experience, but I was insulted by the idea that I must read them. That it was my duty as a black woman to only study other black writers. Why were those authors somehow better for me than the classic ones? I thought that I was supposed to read to understand myself and not write to be understood. White writers did that all the time, but black writers did not seem to have that luxury. I believed that only reading black writers would pigeon-hole me. That I would somehow become the Al Sharpton of