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Gwendolyn Brooks Essay

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Gwendolyn Brooks-
A Critical Analysis of Her Work

Gwendolyn Brooks is the female poet who has been most responsive to changes in the black community, particularly in the community’s vision of itself. The first African American to be awarded a Pulitzer Prize; she was considered one of America’s most distinguished poets well before the age of fifty. Known for her technical artistry, she has succeeded in forms as disparate as Italian terza rima and the blues. She has been praised for her wisdom and insight into the African Experience in America. Her works reflect both the paradises and the hells of the black people of the world. Her writing is objective, but her characters speak for themselves. Although the
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The three round O sounds in the first line are a mouthful, and create an almost whispery quality that is reminiscent of the worn quality of the people. Dinner is a casual affair is a line with soft vowel sounds, which are easier to swallow than the long sounds of the first line. This coincides once again with the implications of the words. The first line paints almost a dreary picture, while the second adds an air of lightness. These vowel tones segue into a more caustic series of consonant combinations in the rest of the stanza. Tin flatware imitates the sound of the forks and spoons hitting the ‘plain creaking wood’. The repetition of ‘plain’ introduces a pattern of repetition that will appear throughout the poem. A relief from the biting consonant tones of the last two lines comes with an almost cooing first line of the second stanza.
The line Two who are Mostly Good allows the reader to dig for meaning. Brooks has encouraged young writers to allow for interpretation of their writing, and this is a perfect example of her own advice. The internal capitalization of Mostly Good is somewhat confusing. In a recording by the author the words are not emphasized. Rather, one can assume that the words are capitalized not for auditory emphasis, but for their important meaning. Brooks seems to be making the statement that no one is completely good, but does not
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