Analysis Of Flannery O Connor's Two Story

Everyday, people are forced to make choices. Some of those choices are fairly easy to make, and others are not. In the short story “The Life You Save May Be Your Own” by Flannery O’Connor, a man by the name of Tom T. Shiftlet stumbles across a farm where an old woman and her daughter, Lucynell Crater, reside. When the author first introduces the readers to Mr. Shiftlet, he is described as “a tramp and no one to be afraid of” (674). What starts as a man accidentally coming across the woman’s farm, becomes a story that follows Tom through his unrealized quest for love and acceptance. With the help of Ms. Crater and Lucynell, Tom learns that his choices have consequences. In “The Life You Save May Be Your Own”, O’Connor creates a world in

In Flannery O’Connor’s short stories, “A Good Man Is Hard to Find” and “Good Country People,” the main characters’ trust is put to the ultimate test. Trapped in vulnerable situations, the protagonists become powerless and have to put their trust in the hands of the “bad guy.” As a result, the main characters fall victim to manipulation. Those who were once in total control of their situations are now stripped of their superior titles and are taken advantage of by the person they once trusted. Egos are bruised in the game of trust and manipulation in “A Good Man Is Hard to Find” and “Good Country People.” The grandmother and Joy-Hulga are taught lessons of a lifetime that changes the way they see themselves and life forever.

The religious imagery in Flannery O'Connor's 'The Life You Save May Be Your Own' gives the story a cynical undertone along with a healthy dose of irony. O'Connor uses allusions to Jesus and Christianity to examine the hypocrisies of the religion and its adherents. Her character Tom T. Shiftlet is portrayed paradoxically as both the embodiment of Christ and an immoral, utterly selfish miscreant. By presenting these polarities side by side within one persona, O'Connor shows the dichotomies between so-called Christian morality and the reality of the Church.

Working Thesis: In “A Good Man is Hard to Find”, O’Connor uses the corrupt, manipulative character of the grandmother, as well as the story’s plot and theme in order to emphasize the flaws of the church and the need for grace.

    “A Good Man Is Hard to Find,” one of O’Connor’s best works, describes a family on a trip to Florida and their encounter with an escaped prisoner, The Misfit. Although “A Good Man Is Hard to Find” is an early work in O’Connor’s career, it contains many of the elements which are used in the majority of her short stories. The grandmother, a selfish and deceitful woman, is a recipient of a moment of grace, despite her many flaws and sins. A moment of grace is a revelation of truth. When the grandmother calls The Misfit her child and reaches out to touch him, the grandmother has a moment of grace that enabled her to see The Misfit as a suffering human being who she is obligated to love. The grandmother realizes that nothing will stop The Misfit from killing her but she reaches out to him despite this. The Misfit rejects her love and kills her anyway. This moment of grace is very important

The twist and turns of “A Good Man Is Hard to Find” leave the reader perplexed and riveted, relaying that the utmost thought went into the outline of the story. The author leaves the readers waiting for good to prevail over evil but never lets them have their intended ending as most stories do which is what gives this story it 's intriguing draw. In “A Good Man is Hard to Find” Flannery O’Connor uses literary techniques such as conflicts, foreshadowing, imagery, simile, and irony to create eccentric characters and a twisted plot.

To the casual reader, the writing of Flannery O'Connor can seem cold and void of emotion. Her storylines are like a misty fog in the dead of winter, enveloping the reader with a harsh even violent atmosphere. Her short stories regularly end in traumatic, freak deaths or, at the very least, a character's emotional destruction. An analysis of “Greenleaf,” “Everything that Rises Must Converge,” or “A Good Man is Hard to Find,” will leave the reader feeling empty. The imagination of the reader is not engaged on any level. There is an under current of anti-religion which is intensified by cruelty. O’Connor’s writing is filled with symbolism which is camouflaged by her writing style. Although her writing style is not considered by experts as

Mary Flannery O’Connor is considered one of the most successful short story writers in history. She composed her works during a period of prosperity and economic boom following World War II. Although the economy was thriving, the 1950’s were a period of struggle for women’s rights, as well as other minorities. (Digital History) Based on her success, one could conclude O’Connor exceeded all barriers against women during the fifties. Flannery O’Connor’s life experiences based on her faith, her novels, and the time period of the 1950’s contribute to her unique writing style.

The character grandmother in O’Connor’s story has grounds the reality of the events and drives the family into tragedy. She is a central character in O’Connor’s story and is depicted to be a dynamic character stuck in the old ways. Through her actions and the idea of being stuck in the old ways of thinking, she leads her family into tragedy. Being the main character in the story, Grandmother significantly adds to the development of the plot. The author manages to win the attention of the reader from this character owing to the manner in which she shapes the storyline. Grandmother’s reminiscing of the old ways claims a distinctive curiosity from the reader and helps in

Flannery O’Connor was a short story author from Savannah, Georgia. She has produced many critically acclaimed pieces and has won several awards for them. Two distinct pieces she wrote are titled The Life You Save May Be Your Own and Good Country People. While both of her stories are unique, the underlying storyboard and character creation process that O’Connor used is the same throughout her stories. Her stories usually involve one or more self-centered woman, a younger person who become the victim of egregious crime, and a conniving male driven by his own motives. Good Country People and The Life You Save May Be Your Own do not stray from this rule. In either story, the narrative is driven around a shocking tragedy that is very unexpected. Even though in the tragedies committed in the book always have a belligerent and a victim, it is not easy to discern who amongst the two are the antagonist and the protagonist. In either of these narratives, the tragedy that occurred within the stories blurs the line between antagonist and protagonist.

Unwinding - If I discovered my parents had signed an order to have me unwound I would feel betrayed and an extreme sense of anger. I would likely take a similar route to Connor, realizing there was nothing that could change the unwinding order, I would become a runaway and try to find a way to survive. If running away were not an option I would likely injure myself in a way that would prevent me from being unwound. The severity of the injuries would likely depend on how far away I was from reaching an age where I would be exempt from unwinding. Ideally a broken bone would be enough.

In addition to “A Good Man Is Hard to Find,” O’Connor’s purpose in her use of violence can

However, the image of the typical grandmother is shattered as the author reveals details of the Grandmother’s character. The Grandmother self identifies as a sweet, proper, old woman while her behavior further supports the theme of sin and guilt. Did the Grandmother’s selfish and thus, stubborn and manipulative

In Flannery O'Connor's eccentric short story, “A Good Man is Hard to Find” the reader is introduced to her fundamental theme of Identity through a typical southern family. O’Connor’s exceptional use of fictional elements such as characterization, point of view, and setting further develop this theme in her work. She does so by familiarizing the use of violence, humor, and salvation along with point of view and setting to create a deeper connection between her work and the reader.

“A Good Man is Hard to Find”: Comparing Flannery O’Connor’s Literary Technique to Grotesque Medieval Literature