Analysis Of Frankenstein By Mary Shelley

Quote: He stated “I was seized by remorse and the sense of guilt, which hurried me away to a hell of intense tortures such as no language can describe…..I shunned the face of man; all sound of joy or complacency was torture to me; solitude was my only consolation–deep, dark, deathlike solitude.”(Page 88).

Every work is a product of its time. Indeed, we see that in Frankenstein, like in the world which produced its author, race, or the outward appearances on which that construct is based, determines much of the treatment received by those at all levels of its hierarchy. Within the work, Mary Shelley, its author, not only presents a racialized view of its characters, but further establishes and enforces the racial hierarchy present and known to her in her own world. For the few non-European characters, their appearance, and thus their standing in its related hierarchy, defines their entrances into the narrative. For the Creature, this occurs on the ices of the Artic, when, “atop a low carriage, fixed on a sledge and drawn by dogs, pass on towards the north, at the distance of half a mile;” Walton and his men perceived, “a being which had the shape of a man, but apparently of gigantic stature.” (Shelley 13) Shelley clarifies, even this early in her novel, the race of its principal Other as soon after the intrepid adventurers rescue its namesake, Victor Frankenstein, who, Shelley clarifies, “was not, as the other traveller seemed to be, a savage inhabitant of some undiscovered island, but an European.” (Shelley 14) Later, closer examination of the Creature reveals a visage and figure of near unimaginable disfigurement, with a “shrivelled complexion,” and yellow skin which “scarcely covered the work of muscles and arteries beneath.” (Shelley 35) This could be contrasted directly

Alienation is a product of society’s inherently discriminatory bias, catalyzed by our fear of the unknown in the realm of interpersonal conduct. Mary Shelley, in her novel, Frankenstein, dissects society’s unmerited demonization of individuals who defy—voluntarily or involuntarily—conventional norms. Furthermore, through her detailed parallel development of Frankenstein and his monster, Shelley personifies the tendency to alienate on the basis of physical deformity, thereby illustrating the role of the visual in the obfuscation of morality.

Shelley addresses romantic conventions in Victor to convey his loss of identity. Victor is impatient and restless when constructing the creation, so much, that he does not think about it’s future repercussions. One of the great paradoxes that Shelley’s novel depicts is giving the monster more human attributes than to it’s creator [p. 6 - Interpretations]. This is true as the monster seeks an emotional bond, but Victor is terrified of it’s existence. The monster later reveals, “I, the miserable and the abandoned, am an abortion, to be spurred at and kicked and trampled on [Shelley, p. 224].” Victor’s lack of compassion is rooted from the inability to cope with his reality. He distances himself from others and is induced with fainting spells [Shelley, p. 59]. From this, the nameless creature exemplifies Victor’s attempt to abandon his creation to escape his responsibilities. His creation is described as, ‘wretched devil’ and ‘abhorred monster,’ eliciting that the unobtainable, pitied identity [Shelley, p. 102]. The act of not naming the creature reveals Victor as hateful, and unnaturally disconnected to his own created victim.

Although Frankenstein is a fictional story, I think in many ways it is representative of Mary Shelley personal views in her everyday life. Mary Shelley was raised by her father after her mother passed and because of that they always had a rocky relationship even after her father remarried. Mary fell in love with one of her father’s political followers, Percy Shelley and they got married although her father did not approve of their relationship because of the age difference. Throughout their relationship, they faced many obstacles that made it hard for their relationship to work, but it did. This aspect of her relationship is show through Elizabeth in the novel because it shows how hard women will work to make a relationship work even when

In Frankenstein, written by Mary Shelley, the creation, made from scraps of corpses, was built by Victor Frankenstein, a man fascinated and obsessed with the knowledge of life. Following the creation’s rouse, Victor immediately abandons him with no desire on keeping or teaching his new being. Because of his lack of nourishment and direction “growing up”, the creation goes through a process of self-deception. He endures a period of deceit by believing that he is a normal human being like everyone around him. But as time progresses, he learns to accept how he is alone in this world and disconnected with everyone. Because of the creation’s lack of guidance and isolation, he grows up feeling unwanted.

1. Point of view: Throughout most of the novel it is a first person narrative. The main narrator s victor Frankenstein however there are 2other narrators too; Walton and the monster. Walton’s narration is through letters.

Victor was crying because inside he was falling apart, but at the same time the world around him was perfect. The descriptions and natural beauty of the world in Frankenstein help make the theme of appearances.The theme of appearance is most evident in the novel because of the monster’s struggle with his appearance. Throughout the novel the monster is tormented for his looks, but no one takes the time to get to know him as a person. The monster is so hideous even when he does good deeds he is still looked at as evil, “This was then the reward of my benevolence! I had saved a human being from destruction, and as a recompense I now writhed under the miserable pain of a wound which shattered the flesh and bone. The feelings of kindness and gentleness which I had entertained but a few moments before gave place to hellish rage and gnashing of teeth. Inflamed by pain, I vowed eternal hatred and vengeance to all mankind. But the agony of my wound overcame me; my pulses paused, and I fainted” (Shelley 103). The monster is just walking and notices a girl and she falls in the river, the monster jumps in and saves her and a man comes up and grabs the girl then shoots the monster. The guy that shot him judged the monster by his looks and automatically looked at him as evil. This is how his good deed is repaid. The monster meant no harm he just wanted to help. From this point on in the novel the monster is seeking revenge

Victor neglects his responsibility and duty to the monster. He allows the monster to roam free and who knows what it could have done. Not to mention it was clear that the monster was intelligent from the start, “not only does the creature have an intellect, but he becomes more human as he evolves away from his creator” (Delmont). Victor didn’t even try to connect with the creature or teach it anything. Therefore the monster became angry and lonely and it started killing people, “once set loose in the world of ‘Frankenstein’, murder seems to spread like a plague” (Sayres). Victor knew he had a responsibility to the monster, “I imagined that the monster seized me; I struggled furiously” (Shelley). He’s saying that he knew the monster was going to be a problem but he fought his responsibility of owning up to the creature. In the wake of Victor’s neglect to the monster and the bond it entailed, Victor’s family and friends suffered for it. People not only have a responsibility to their self but also other people. Mary uses, Frankenstein, as a model of how responsibility is intertwine between people and the effects it can cause if taken

Mary Shelley the daughter of William Godwin and Mary Wollstonecraft, she was born in 1797. Mary known that her spent the rest of her life writing to support her family; she also wrote essays, short stories, and travelogues. The most famous of her novels is Frankenstein. Frankenstein was really popular in culture, is also very popular in the romantic era call Gothic novel very popular at that time. The idea for her novel is from her nightmare. In the Frankenstein novel, the main character in her novel is Victor Frankenstein; people think the creature is the monster, but he is not; he is the scientist/creator. The monster is never given a name.

Frankenstein was a book originally written by an unknown author, but rewritten by Mary Shelley in 1818. This novel is about a genius scientist named actor Frankenstein who is obsessed with trying to find the secret to life. He spends most of his time working in his laboratory and makes a creature out of dead body parts from a man. This is a gentle and sensitive creature yet because of its terrifying and ugly appearance society is afraid of it and he is forced to hide away. The monster is mad and frustrated about this and decides to take revenge on his creator by killing the people Victor loves and eventually the creature fatally wounds Victor himself and disappears into the arctic sea.

Frankenstein is a greatly male oriented novel, with woman as the side characters. The multiple woman in Frankenstein unknowingly shape the novel to what the world knows it today. The entire story would not exist without Margaret and the letters that she receives from her brother. Justine Moritz the one who took the fall for the monsters murder. Agatha and Safie who showed the creature kindness and educated it. Elizabeth, who greatly influenced Victor by just existing. The role women have in Frankenstein is more important than one may think.

I have been the author of unalterable evils, and I lived in daily fear” (76). This is the reason why many readers end up disliking him though it would seem that he is the most logical character to like; he is the protagonist, is he not? This hatred of Victor is partially due to the cultural idea that he spends too much time feeling sorry for himself. We as a culture especially do not like people who don’t pick themselves up. Much of the Western World has a hard time understanding depression. It’s not believed to be logical. This modern day leprosy is looked down on by many, and is seen as the melodramatic musing of emotional beings. We do not understand why someone would not want to better themselves. The story from Victor Frankenstein’s perspective could have been Shelley’s own cry out for understanding as she spent much of her life in grief of her stillborn daughter. Victor’s narrative is most of the novel, and without it we would most likely consider him mad, and his actions insane. We would look at his love of Elizabeth as incestuous and would be much more likely to take the monster’s side. Instead we see his perspective and self-deprecation and are frustrated about who to support. This is a story that goes beyond the framework of the good guy-bad guy trope and the multiple narratives only reiterate this.

The women in Frankenstein were pure, lifeless and innocent. Elizabeth stands up for Justine’s innocence but cannot prevent her execution. For both Victor and the monster, woman were the last thing they would ask for help, providing comfort and acceptance. For Victor, Elizabeth takes away his guilty conscience. The monster choses female of his kind to feel his awful existence. Both end up destroying the other’s love interest, making woman’s status from object of desire to object of revenge, which does not give women the opportunity to act on their own.

Introduction: Mary Shelley’s “Frankenstein” is a book with a deep message that touches to the very heart. This message implies that the reader will not see the story only from the perspective of the narrator but also reveal numerous hidden opinions and form a personal interpretation of the novel. One of its primary statements is that no one is born a monster and a “monster” is created throughout socialization, and the process of socialization starts from the contact with the “creator”. It is Victor Frankenstein that could not take the responsibility for his creature and was not able to take care of his “child”. Pride and vanity were the qualities that directed Victor Frankenstein to his discovery of life: “...So much has been done, exclaimed the soul of Frankenstein-more, far more, will I achieve: treading in the steps already marked, I will pioneer a new way, explore unknown powers, and unfold to the world the deepest mysteries of creation”[p.47]. He could not cope with this discovery and simply ignored it. The tragedy of Victor Frankenstein and the tragedy of his creature is the same – it is the tragedy of loneliness and confronting the world, trying to find a place in it and deserve someone’s love. The creature would have never become a monster if it got the love it strived for. Victor Frankenstein would have never converted his creature into a monster if he knew how to love and take responsibility for the ones we bring to this world.