Analysis Of Jan Van Eyck 's The Dutch And Flemish

“No painter can paint well without a thorough knowledge of geometry” (qtd. in Butterfield 27). The Italian Renaissance is famous for its art which includes unique style of painting and sculpting, however, the Renaissance made significant remark on the use of scientific techniques which also can be considered as the influence of classical ideas. Although, classical ideas were not advanced like in the Renaissance, it provided the foundation for the Renaissance to revive it again. The Italian Renaissance transformed the manner of viewing the arts. Before, most people in Italy were bounded by religious thoughts and beliefs. Renaissance helped people to shift their mind and behavior towards the secular ideas, instead of vague ideology like

From the 14th century to the 17th century the Renaissance took place and was consider the cultural bridge that connect the middle ages to modern history. During this time many spectacular things took place. Artwork was created that looked as though it were from the heavens. Sculptures were generated that looked as an angel had sculpted the masterpiece. The architecture that took place looked as though it were created from the 19th century. Many architects, artist, and sculptures were present during the Renaissance, but there was one person that stood out the most. He all of the abilities that three men combined did not have and his name was Michelangelo di Lodovico Buonarroti Simoni. Michelangelo has many painting that our still around today,

Especially for his time, van Eyck often signed and dated his paintings in their frames, then considered an integral part of the work (the two were often painted together). In the most substantial early source for him, a 1454 biography by the Genoese humanist Bartolomeo Facio (De viris illustribus), Jan van Eyck was named "the leading painter" of his day. Facio places him among the best artists of the early 15th century, along with Rogier van der Weyden, Gentile da Fabriano, and Pisanello. It is particularly interesting that Facio shows as much enthusiasm for Netherlandish painters as he does for Italian painters. This text also sheds light on aspects of Jan van Eyck's production now lost. Jan van Eyck likely had some knowledge of Latin for his many missions abroad on behalf of the Duke. Jan van Eyck died in Bruges in 1441 and was buried there in the Church of St Donatian (destroyed during the French Revolution). (From

First of all, art during the Renaissance was a major improvement from Middle Ages art. Art during the Middle Ages was very dark, gloomy, and was centered on the ideas of the Roman Catholic Church. In document A it states that Bouninsegna’s painting is about Mary on the throne with baby Jesus. Middle Ages art was very two dimensional. During the Renaissance, paintings stopped focusing on the ideas of the church and more on the beauty of humans. In document A it says, “[...] see well defined landscapes, natural folds in drapery, three dimensional figures[...]” Renaissance art was very vibrant and life like with natural colors and people that were not

Jan van Eyck painted portraits and religious paintings during the Northern Renaissance. He painted portraits of royalty and other wealthy people. Van Eyck also painted religious paintings for the church. Van Eyck was one of the only Northern Renaissance painters who could read and write. He signed his own paintings with a clever signature. He also wrote lengthy inscriptions on his paintings. Van Eyck’s work is still copied today.

Jan van Eyck is one of well-known artists of the Northern Renaissance. To many, the Renaissance happened in Italy and not in countries like Belgium. Without this knowledge, Jan van Eyck would just be seen as a footnote in the study of humanities. Jan van Eyck can be seen as revolutionary in his work. Unlike other artists, Jan van Eyck played with light and the small details that can be appreciated by many designers in modern day.

The Northern Renaissance began in the fifthteenth century, catalyzed by the end of the Bubonic Plague, a commercial revolution which brought economic prosperity, and the ideas brought by Italian artists fleeing from French invaders. Northern Europeans quickly accepted Italian art, who combined their traditions with Italian concepts to celebrate realistic portrayals in their paintings. The surge of creativity in Flanders, the hub of the Northern Renaissance, at the time embodied the spirit of the Renaissance, which celebrated inventiveness, as well as exploring new ideas. Jan Van Eyck, a Flemish painter born in the late fourteenth century, lived at the beginning of the Northern Renaissance, in which he created many famous paintings such as the Ghent Altarpiece, The Arnolfini Portrait, and The Madonna of Chancellor Rolin. Jan Van Eyck’s training in Flanders allowed the painter to procure important court positions, in which he embodied the creative spirit of the Renaissance by mastering the techniques of realism and intense detail within his painting The Madonna of Chancellor Rolin, and the Eyckian technique of oil painting influenced many other painters of the time as well as modern artists.

Since the Italian Renaissance had been spread to France, the French upper class encouraged the local artists to improve and share their art with other northern countries, thus opening the period of Northern Renaissance. Comparing with the Italian artists, the Northern artists pursuit the natural and realistic art style. When the northern artists are creating the works of art, they focused on the details of the process, in order to make the works look lifelike. After the processing carefully crafted, the surface of artworks, is generally considered that expressing the spirit of the artist. As for the technology of painting, they had improved the development of painting technology by combining a few materials in painting, which means that they did not only use tempera or oil in paintings. The Arnolfini Wedding Portrait, one representative of the Northern faction, was painted by Jan van Eyck. The reason why this painting is such well-known around the world, is the pigment composition of the painting and fine description of the scene. Thus, the pursuit of natural style has been highly recognized by the

Born 1390, Jan Van Eyck was a flemish painter who was one of the first to perfect the newly developed technique of oil painting. In 1425 Van Eyck entered the service of the influential Valois prince, Duke Philip the Good of Burgundy. Van Eyck also did paintings for other private clients as well as the court.

One major factor that pushed Florence into the Renaissance was the political changes that occurred. Wealthy families moved into Florence, making Florence the center of capitalism. Another factor was the fact that Florence was the center for everything, commercial trade, banking, monetary-exchange systems and main roads connecting Rome and the North. The las factor is the group of artists Florence produced that helped revolutionize the Western art. Jan van Eyck’s Giovanni Arnolfini and his Wife is an oil on wood painting. The reason why this painting was painted is not certain, but different interpretations have come around such as a symbolization of marriage vows. The portrait not only carries a sociological meaning but also

Artist of Renaissance brought a personal side to their work, uncovering the mystery and beauty of nature and people. Also light and shadows were heavily focused on and, the colors were brighter which caused the art to look more alive.

As I closely approached the painting I began to realize the differences between Jan van Eyck and Michelangelo’s “Last Judgment”. Contrary to Michelangelo’s “Last

The time during the Netherlandish Renaissance was when Dutch painter Dieric Bouts flourished. The Netherlandish Renaissance took place during the 15 and 16th centuries and it brought about the rapid growth of fine art painting. The artists of the time experimented with oil paintings to create paintings focusing on what they saw and less on aesthetics or perspective. As a result of churches being strong beneficiaries to painters and the arts, there was a large increase in Christian themed paintings.

The era of Renaissance art produce some of the most famous works of art that we’ve seen during our lifetimes. Dutch or Northern Renaissance art like Italian both included various forms of portraits that express variations of human behaviors. The styles were a bit different as Italian focused on linear perspective and Dutch was more focused on attention to detail and making them lifelike. Both used oil based paints however, Italian Renaissance art was more mythical and religious whereas Dutch were more landscapes, portraits, and scenic displays. The major difference between the two was how they portrayed the imaged of people in the paintings which could be interpreted in various ways and provide a lot of areas of discussion with the differences

Not much is known of Van Eyck's socio-economic background however based on the time period one can infer what influenced his artwork. The Lucca Madonna was painted during the Northern Renaissance.The northern Renaissance is an artistic period that occurred in Northern European countries such as the Netherlands, Germany, Holland, England, and France. Artwork during the period was influenced by gothic traditions, exploration of the new world, individualism, realism, the formation of nation-states and religion. The Northern Renaissance painting often included iconography, intense detail and vibrant colors. Although Catholicism was practiced in northern Europe, the end of feudalism diminished the church's power and many secular institutions began to arise.