Analysis Of Katherine Shonfield 's ' Walls Have Feelings ' Architecture, Film And City '

First, “walls” of both kinds are seen in the poetry and fiction of Edgar Allan Poe. In, The Cask of Amontillado, a physical wall is being built around a chained, Fortunato, forever forcing him to remain among the catacomb. Montresor has built this wall around his “friend” to seek revenge and be free of Fortunato. While physically free, he will become trapped by a symbolic wall of guilt as he is laying the last of the stone. The Raven, also by Poe, shows of a “wall” between the narrator and the refrained term,nevermore. The narrator does not wish to see the association with his wife, Lenore and death. The angels know her name, therefore she must have recently passed and he is unable to get over the emotional wall of never seeing his loved one again.

Butler first employs the wall on an institutional level. Lauren Olamina lives in a walled neighborhood, largely shielded from the violence and crime of the world outside. At the beginning of the novel, as Lauren begins to set the scene of her cul-de-sac community, she comments on the wall’s presence as she and her stepmother look out at the sky, “The neighborhood wall is a massive, looming presence nearby. I see it as a crouching animal, perhaps about to spring, more threatening than protective.” (Butler, 5) The personification of the wall serves to show that walls are manmade, and therefore incredibly

Article Three – Author: David Bordwell / Title of Article: The Art Cinema as a Mode of Film

In this section, Jeannette Walls starts off, in the present time by telling the readers about her seeing her mom on the street, that she hasn’t seen in a long time. Jeannette uses emotional words like blustering and fretted to show that seeing her mom was an emotional time. Later in the section, she goes way back into her life to when she was three years old and when her family and her was living in the desert. She started off telling a story of when she was on fire. This story was intense, it was really dramatic on her parents part, her dad was screaming at her and the doctor a lot. Then she talked about when they moved to Las Vegas, her family lived in a motel room, which didn’t last long, they had to leave Vegas in a rush, because her dad was cheating in blackjack and the dealer found out. The last story in the section is where her family drove to San Francisco and stayed in another motel. One night her dad was at the bar, across the street. He left Jeannette and her three other siblings in the room. Jeannette got bored so she decided to play with fire and that let to a big disaster resulting in the whole hotel burning down.

“He [Jeannette’s father, Rex] will not keep me out of harm’s way, he will put me in harm’s way and I have to find a way to remove myself from the situation.” (Diversity Connection). I feel like this quote, from Jeannette, came t directly from the situation where Rex took her out to the bar to help him earn money for alcohol, but yet she still doesn’t see herself as a victim. Even though Jeannette Walls was the victim of sexual abuse at a very young age, she tries to recreate the freedom from her childhood into her adult life, But in her younger years where she has no occupational activities, no nurturing, no money and no friends to turn to, it proves to be very hard to maintain.

“Don’t call me Grandma. Name’s Erma.” (Walls, 131). This is the first thing Jeannette Walls, author of The Glass Castle, hears out of her grandmother Erma’s mouth when they go to stay at her home in Welch, West Virginia. The Walls family has come across hard times and they need somewhere to live. “She don't like it none ‘cause it makes her sound old.” This was the response of Grandpa Ted, Erma’s husband, a more even tempered and gentle man. Does this make Erma an upper social class woman concerned of appearing less beautiful? Or a hardworking woman torn down by poverty who doesn’t want to feel less able than she was when she was younger.

Jeannette Walls uses imagery to give the reader a clear insight to what she is think and what is going on in her mind. An example of this would be when she said, “Until then, when I thought of writers, what first came to mind was Mom, hunched over her typewriter, clattering away on her novels and plays and philosophies of life and occasionally receiving a personalized rejection letter. (204) In seventh grade Jeannette is the first person her age to work for the school newspaper, The Maroon Wave and this depicts the imagery in her head. She uses her own experiences with her family to influence and inspire her writing making her a great writer. The imagery in this book takes the reader to another level with understanding how the author truly sees the world.

Sometimes, one may feel trapped in a lifestyle or situation that leaves them confused and frustrated. Jeannette Walls grew up in such a situation; her life was an adventure full of childhood tales and unique experiences. Jeannette learned how to be self- sufficient, independent, confidence, strength, and optimistic despite the stark reality behind their plight. In Jeannette Walls’ memoir, The Glass Castle, the author demonstrates how she values self-determination, which I agree with because it reveals how one can take control of his or her life despite the past.

A lot has happened in architecture since Louis Kahn death in 1974, some of it are really good, some are dreadful and we have different preferences about which is which. However, Kahn’s work look better than ever on its own terms. Better in its solidity and gravity. He was an architect of beautiful contradictions and one of the few to create architectural elements out of scale with the human figure. His buildings are very elegantly designed but are constructed of basic, often crude materials. Consisting of

By exploring the theory of the “abject”, horror and the role of gender instability within film with regards to The Silence of the Lambs, this essay will attempt to explain the characteristics of the aestheticisation of abjection.

Postmodernism is a universal movement, present in every art and discipline. In architecture, postmodernism is precise as well as ambiguous thereby in need of an explorative pursuit for a consensus of what is meant by the movement in this perspective - between the works of Charles Jencks, a primary theorist of this architectural turn; Heinrich Klotz, a leading architectural critic; and William Curtis, an architectural historian. The progression of this paper is highly influenced with Jencks’ studies as his works are often times referenced as well by both Klotz and Curtis in their individual interpretations and further accompanied with either supporting statements or contradictions.

Using the quote by Habermas as a starting point, select up to two buildings designed in the twentieth century and examine what ‘sudden, shocking encounters’ they have encountered, or created. Analyse the building’s meanings as a demonstration of an avant-garde, or potentially arriere-garde, position.

The film that I have chosen as a case study for my final paper is: Pan’s labyrinth (2006) by director Guillermo del Toro, and it is a case of real-fantastic cinema. Here I present my essay entitled “ The narrative power of sound in Pan’s labyrinth “of Guillermo Del Toro . It will analyze the sound design , the identification of its elements, the ways in which they are presented and their interrelations, to understand and explain how these elements work together in conjunction with the visual image, to support the narration of the story. Consequently, this research seeks to answer the question: How does the sound in the film ‘Pans Labyrinth' relates to

This essay will critically discuss the development of Post Modernism as a reaction to Modernism and the growth of the architectural style as an individual movement.

The book consists of twelve chapters that propose this idea that designers should explore the nature of our senses’ response to the spatial built forms that people invest their time in. It tries to cover a specific topic in each chapter that in order to deconstruct the book, it is necessary to cover each chapter individually.