1) Brand fit: Through symbolic, emotional, visual, social and aesthetic values, the installation reflected the colourful upcoming spring with a connection to the nature bringing about happiness and positive feelings. The following pertained what Mademoiselle Maurice highlights and transfers to the public through her art.
Moreover, Bikini Berlin’s peculiarity of unique concept and a public space is in line with Mademoiselle Maurice’s street art concept of designing public installations.
Furthermore, the unique image of connecting the urban environment, i.e. city’s nature through the views on the Berlin’s Zoo and the vibrant city life corresponds to Mademoiselle Maurice’s values of human-nature relation as an urban artist.
Bikini Berlin and Mademoiselle Maurice established a fit in values, visions, voices, and personalities.
(2) Product fit: The
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(4) Artist profile: According to StudioNOW, the profile of Mademoiselle Maurice, her brand, did not have any impact on the decision-making of her collaboration with Bikini Berlin.
As it was commented, her art and not Mademoiselle Maurice as a brand was in consideration. Nevertheless, Mademoiselle Maurice is a known artist within the street art community with an existing broad media, social media coverage and credibility. Hence, one may assume that the following had an impact on the viral effect of the project.
(5) Target group: As was stated by StudioNOW, Mademoiselle Maurice, as a French artist that presents and shares her art worldwide, fit Bikini Berlin’s target group, which is broad — cosmopolitan and international audience. Therefore, the combination of being hip and established, street art incorporation into Bikini Berlin’s campaign was assessed with an acceptance from the
Jean-Michel Basquiat emerged from the punk scene in New York as a street-smart graffiti artist. He successfully crossed over his downtown origins to the international art gallery circuit. Basquiat’s work is one of the few examples of how an early 1980’s American graffiti-based could become a fully recognized artist. Despite his work’s unstudied appearance, Basquiat very skillfully and purposefully brought together in his art a host of disparate traditions, practices and styles to create a unique kind of visual collage. His work is an example of how American artists of the 1980’s could reintroduce the human figure in their work after the wide success of minimalism and conceptualism.
In the article, Public Art and Street Art, by Patrick Frank, the author, talks about the idea and meaning behind public art.
Genre: The genre of A Wrinkle in Time by Madeleine L’engle is fiction. This book is fiction because the events that occur in the story can’t ever happen in real life. For example, a human being can never turn into a flying horse that takes the children to an unknown planet.
Street artists use them for their subversive political potential, in order to deliver a strong and provocative message through the diversion of innocent images. The artist takes a stand, initiates a conversation and denounces world injustices. It is Combo’s street activism that gets him ‘noticed’ in the art world. His characteristic style appeared in 2010, when he began utilizing paint, using rollers mounted on telescopic sticks. This new solution allowed him to increase the painted surface and to transmit a stronger intensity through his visual vocabulary. Huge human figures, sometimes sarcastic and sometimes dramatic, as if borrowed from a comic strip, began to appear at that time in the streets of Paris. Combo's aesthetic research is motivated
The importance of Public Art in communities stems from a place of creativity, voice and rebellion. All art is a form of communication whether it is street art or museum art. Artists make art to express and address their political views, mark the anniversary of something, tell a story, etc. Public art creates a sense of community in cities and towns because it reflects what the places believe in. Whether it is street art or museum art, most all humans admire what artists express because it is easily accessible and almost always demonstrates a story. Street artists such as “Blek Le Rat” and “Banksy” have used their talent to create urban art that reflects societal, political, and economic views along with a pinch of dark humour. These reflections
The artwork in this magazine is targeted towards both genders, however, it appears to be more effective on women. The purpose for artwork in People magazine is to give interest and eye-grabbing images. Furthermore, only up-to-date fashion is worn in the pictures. In addition, a large majority of artwork also includes people laughing, smiling, hugging, working together, and much more. This creates an uplifting atmosphere for the magazine, and allows people to be more happy and cheerful while reading. Therefore, this sends a sanguine message to the audience. A third way the magazine attains people’s attention is through its use of bright, lively and a variety of colors. In a store, this magazine will stick out from many others, as the cover page uses an impressive amount of colors that work together to form an attention seeking
Jamilla Mozelle is 24 years old.She was born raised and still currently live in Atlantic City,NJ.The young mother,discovered her love for books at the early age of nine.Her countless hours of writing short stories and poetry was nothing more than venting up to Dec 2013.It was this time that jamilla got the heart to reach out to Best Selling Author Shameek Speight,in an effort to gain some insight for getting her work published.She ended signing up with the True Glory’s Sisters Company under Bestselling Author Ink Mistress.Jamilla says that her inspiration is her nine year old son isiaiah and her long time boyfriend William.Also on her books she got a lot of postive feedback and a lot of 5 stars.
The contribution of this project to practices or a wider field of study will be positioned as an open exploration to expand the understandings of the human dimension in public space. Further, it aligns with the argument to situate city space to return the embodiment of physicality and senses of the human body. Lastly, the project purposes as an open discussion and new perceptions towards pedestrians or practices, to participate and discover innumerable potentialities for the future public
This critical analysis effectively describes and interpret the artwork of Christo Javacheff and his wife and co-worker Jeanne-Claude, where four areas are to be assessed; the use of colour, light illusion, use of material and the paradoxical perceptions of the monumental installations. The aesthetics of the work such as line, shape, form and colour impact the nature and feelings around the work in a way that changes our perceptions on art and architecture in life as a whole. There is a connection to many of Juan Pallasmaa’s theories in his book “The Eyes of the Skin”, which can be applied to Christo’s majestic installations. Pallasmaa makes it clear that architecture and artwork have a strong impact on enhancement of one’s own life and morals when he explains how “architecture has to address all the senses simultaneously and fuse our image of self with our experience of the world” (Pallasmaa p. 11). This statement reflects on the work of Christo Javacheff, an Bulgarian-American artist, born in 1935, where his purpose is to work with authentic objects and spaces in order to absorb all kind of interpretation (Kavass p.152) Wrapping objects and marking areas with fabric is to be Christo
“Today, the use of the canvas as support of his artistic expression, far from restricting the offers him a new freedom. Self-taught artist, his work is based on the audacity and singularity without losing its urban artistic roots. It is played for the collection of pre-established codes and rules.” His work- unlike most urban street artists- are pictures filled with colours so that the need for words as a form of expression is minimised. His works do not need stencils and are sometimes improvised; capturing the beauty and ‘in the moment’ emotions most artists
Introduction: In this paper, I will be focusing on two artworks, “Madame Jacques-Louis Leblanc” and “Young Husband: First Marketing”. I will give a brief description of both paintings and I will analyze two elements and two principles of design in both paintings. I will make comparisons between them to identify the similarities and differences. Finally, I will give the small conclusion of the whole paper.
Installation art is an embodied and immersive experience, which can affect the way people navigate and experience a particular space. It has the ability to activate the viewer’s mechanisms of perception and ultimately awareness of a place. This occurs through the stimulation of the senses by interaction or awakening one’s perception through disorientation. Installation art directly presents the elements texture, space, light and so on for us to experience. Artist works hard to express and experiment with feelings, emotions and viewpoints through various medium that can influence and enlighten people. They break the limitations of conventional architectural practice through its “exploration of sensory stimulation and spatial perception”. Phenomenal
Pierron Charles, a French artist, created the masterpiece “Street in a Turkish City with a Smoking Place” in 1942. Although the title is quite frank, the artist’s message about casual and archaic beauty is subtle within the painting. At first glance, it would seem like the dusty, narrow alleyway lacks liveliness; The dynamic nature of the painting is shown through the brightly dressed people in the market with a closer look. The artist strives to show the audience a veil of boringness on an average street, but if they see past it, they can see the casual beauty of Turkish architecture and culture conveyed in the painting.
Walking through the streets of London is an experience on its own, but when one takes a moment to truly observe, that’s when the (not-so) underground world of street art opens up. Nearly every surface, even the discarded gum on the ground, is covered in brightly rendered and dizzyingly beautiful works painted by renown street artists (like Ben Wilson and Shepard Fairey), and unknown artists alike. Camilla Walala, a street artist, recently painted the entire façade of the SpliceTV building in Shoreditch, London effectively transforming the plain building into a piece of living art. Camilla’s work along with countless others proves that the colorful streets of London have far outgrown the term “graffiti” and London has now emerged as fully
While we often move through different spaces in society continuously, many individuals do not necessarily regard the importance of these urban spaces within their daily lives. It is important to consider the definition of public space in order to further explore certain activities that take place within this sphere. According to Mehta (2014), a definition of public space that focuses on the access and use of space, defines this space as “publicly accessible places where people go for group or individual activities” (p. 54). Thus, these are spaces that contain a variety of different uses and for the purpose of this paper one particular use that explores public space in an alternative way is public art festivals. Public art has been a large