“On the Waterfront” was photographed in such a captivating way. Boris Kaufman had a vision ahead of his time. Many scenes in the movie are understood, not just through the script, but from the cinematography as well. Three scenes in particular catch my eye. It is the artistic style and flare of conveying the same idea in multiple mediums. The first scene is when Terry and Edie are on the rooftop at Joey’s pigeon coup. This scene portrays the moment in which I believe was the catalyst for Terry that lead him to be truthful to Evie and stand up to Friendly. The second scene that I will speak about is when “Kayo” Dugan is killed. When the preacher is giving his speech to all the longshoremen. That speech was a testament of one man speaking out for what he knew was right. The third scene that I will choose for this essay is where Terry walks to Friendly’s dock office. After the fight, Terry’s march to work puts you on the edge of your seat. Each scene has depth that few movies achieve. The first scene is the rooftop scene with Terry and Evie. The whole scene is shot with natural light. Kaufman begins the scene with a long shot of the rooftop. Terry is waving a long stick with a rag at the top of it to call back the pigeons to the coup. I believe Terry waving the “white flag” was an implied surrender to Evie’s love and the truth of what really happened to Joey. Even though, Terry is still conflicted afterwards, this is his first step toward standing up to the Friendly and his
"The Boat" by Alistair MacLeod is the story told from the perspective of university teacher looking back on his life. The narrator relates the first memories of his life until his father's death. The story focuses on the conflicting relation between the mother and the father, and their different perspectives on how their children should lead their lives. MacLeod uses features of setting to present the tension between tradition and freedom.
The short story “The Boat” by Alistair MacLeod is narrated by a man who comes from a fishing family. His mother’s side of the family has forever lived and worked by the sea and continues this tradition. The narrator’s father always wanted to be an academic, but worked on the boat to support his family. Through this passage it is evident that the parents’ characters clash in many aspects of their lives and are in constant conflict. MacLeod demonstrates this through the use of repetition, the contrast in other unrelated ideas, and through information that is withheld.
Good leaders ensure the world continues to advance. In contrast, bad leaders allow cruelty to spread and are often over controlling, taking away the freedom of their people. Richard Adams’s Watership Down is a story about rabbits trying to establish a warren, a society. Hazel, the main character of the book, has been informed that his warren is in danger. He leads a group of rabbits to try and start a new warren in a better environment, away from peril. While trying to find this location, Hazel and his rabbits stumble upon another warren, Efrafa. The secretive warren is led by a fierce rabbit, General Woundwort. Though Hazel and General Woundwort are both leaders, they lead in two distinct ways. Hazel and General Woundwort are drastically different leaders because they take power in contrasting ways, have incongruent methods of leadership, and view their role as leader differently.
In the story "The Open Boat," by Stephen Crane, Crane uses many literary techniques to convey the stories overall theme. The story is centered on four men: a cook, a correspondent, Billie, an oiler who is the only character named in the story, and a captain. They are stranded in a lifeboat in stormy seas just off the coast of Florida, just after their ship has sunk. Although they can eventually see the shore, the waves are so big that it is too dangerous to try to take the boat in to land. Instead, the men are forced to take the boat further out to sea, where the waves are not quite as big and dangerous. They spend the night in the lifeboat and take turns rowing and then resting. In the morning, the men are weak and exhausted. The captain
In the short story, “The Boat” by Alistair Macleod, symbolism is used to represent an abstract idea. The boat, being a major symbol of the story was the way of life for the family. As the story goes on, the boat starts to make the family feel confined giving them a choice to leave or stay with the boat. There were symbols that impacted the story that had connection towards the boat. Chain bracelets, the father’s clothes, the books that the father read are all symbols that tied to the boat. The father's chain bracelets and clothes represent the father feeling trapped as a fisherman since he never changes out of them. We find out more about the characters and their personal connection with the boat and the other symbols and what it means to them. The family starts to fall apart due to the kids learning about the father’s books leading to them moving away from home. Symbolism is used when one thing is meant to represent something else adding meaning and emotion to the story which is well represented throughout the story.
On the Waterfront is a film directed by Elia Kazan which illustrate the difficulties that the protagonist, Terry Malloy, has struggled in the early period of 1950s. Terry Malloy was a former prize-fighter who was bought up in a dark and brutal world of men. Since his career has ruined by the corrupted union which was controlled by Johnny Friendly, Terry was being recognized as a ‘bum’ within both the longshoremen and the mobs. This poor environment has created a false philosophy within Terry himself, ‘Do it to him, before he does it to you’. However, after he met Edie and Father Barry, Terry realized how wrong his philosophy was. Thus Terry, with his remaining conscience was able to stand up against Johnny Friendly and gain a new
The short story “My Life with the Wave” by Octavio Paz is an allegorical piece that utilizes water as an extended metaphor for dysfunctional, emotional changes that occur in romantic relationships, and, more specifically, in women. The wave is personified through female characterization to highlight the uncooperative nature of women in romantic relationships. The various transformations for water act as a metaphor for various transformations in a dysfunctional romantic relationship. The water is also symbolic of love in that it goes on forever and is often inescapable. Paz effectively applies feminine characteristics to a wave in order to depict unpredictable and emotional human transformations in dysfunctional relationships that
Both texts depict an antihero who committed an irreversible sin, sinking them into despair, and leaving them craving for salvation. In the opening scenes of On the Waterfront, Kazan’s use of a close up shot of Terry Malloy’s face is a manifestation of how Terry is being harried by the guilt of Joey Doyle’s death. He thought the mob “was just gonna lean on him a bit”, instead,
Kazan’s 1954 film “On the Waterfront” highlights how the corruption on the waterfront is due to the union exploiting their power. Kazan shows how characters in the film are scared to speak out against the corruption on the docks, as the union instils fear to all workers. The unions is controlled by Johnny Friendly who is seen as the leader, who controls everyone on the New Jersey docks. Kazan also integrates the use of symbols and metaphors to show the extent of the union power and authority.
On the Waterfront is a film where a young man has to struggle between conflicting choices in the harsh brutal waterfront days of the 1950s. Director Elia Kazan chose to shoot the film in black and white, to use as a contrast between the obvious right and wrong state of affairs on the waterfront. However obvious it is, the decisions Terry Malloy must make are not so easy. Sticking to the waterfront ideals of being "D and D" and self-preservation, Terry is seen as selfish, uncaring and also as someone with no brains, no honour; essentially "a bum." Throughout the film
In the movie, “On The WaterFront”, I would apply the theory of virtue ethics to the problem that Terry faced in corrupt union. According to virtue ethics, “we know what is morally correct because it is what the virtuous person or one who has good characters would do” (module 7). Virtue ethics is different than the theory of utilitarianism and deontologism. The action isn’t judged by its outcome or rule but by a person who acts. Virtue ethics looks deeply into a person’s soul. It looks for a person’s good characteristics. It claims that no matter what you do as long as your are a virtuous person, your action is morally correct. For instance, a honest person is put into a situation where he has to choose either to tell his Mom about his Dad’s affair or not to. He loves both of his parents. He knows his Mom would leave the house if she knew the truth. He nevers wants them to be separated. His Dad will be in big trouble if his secret gets revealed. But, it wouldn’t be fair for Mom staying home and cooking for the family while Dad is happy with another woman. Also, he never hides things from his parents before. Therefore, he decides to tell his Mom the truth despite of the fear of separation and Dad being mad at him. We are not born with innate good character traits. We develop good potential from time to time as we grow. In order to develop virtues, we have to keep practicing them until they become a habit.
‘Children of the Sea’ is a harrowing story written by Edwidge Danticat, a Haitian-American woman who expresses her personal trauma and horrors through her literature. ‘Children of the Sea’ opens with an undisclosed man writing a letter to his beloved as he travels across the sea from his home, where is lover is also writing letters directed to him. The letters they write to one another dictates the plot and reveals the two unnamed narrators lives.
On the Waterfront is a classic, award-winning and controversial film. It received eight academy-awards in 1954, including best-picture and director. The director, Eliza Kazan, in collaboration with Budd Schulberg wrote the film’s screenplay. Based on actual dockside events in Hoboken, New Jersey, On the Waterfront is a story of a dock worker who tried to overthrow a corrupt union.
In the 1954 film, On the Waterfront directed by Elia Kazan, Terry Malloy, played by Marlon Brando, an inarticulate former prizefighter in his late twenties, serves as a petty errand boy for the union head, Johnny Friendly. The Hoboken, New Jersey port across the river from Manhattan, is the setting of the film where gangs run the docks and work in the area. The film shows realism in many different cinematic and thematic ways throughout the film.