On The Waterfront Analysis

1. Judging from these two opposing accounts, what is it possible to discern regarding the attitude of Philadelphia sailors and shipbuilders toward the Jay Treaty?

On the Waterfront is a film directed by Elia Kazan which illustrate the difficulties that the protagonist, Terry Malloy, has struggled in the early period of 1950s. Terry Malloy was a former prize-fighter who was bought up in a dark and brutal world of men. Since his career has ruined by the corrupted union which was controlled by Johnny Friendly, Terry was being recognized as a ‘bum’ within both the longshoremen and the mobs. This poor environment has created a false philosophy within Terry himself, ‘Do it to him, before he does it to you’. However, after he met Edie and Father Barry, Terry realized how wrong his philosophy was. Thus Terry, with his remaining conscience was able to stand up against Johnny Friendly and gain a new

5. Terry is partly a victim of circumstance due to being around the wrong people and not being smart. He was involved with the murder of Joey, because he raced pigeons with Joey and had a connection to get him on the roof top, which Johnny took to his advantage.

"On the Waterfront," directed by Elia Kazan and released in 1954, stands as a landmark in American cinema, renowned for its powerful performances, gripping storyline, and compelling exploration of morality and redemption. Set against the gritty backdrop of New York's dockyards, the film delves deep into the lives of its characters, each grappling with their struggles and conflicts. At the heart of the narrative is Terry Malloy, played by Marlon Brando, a dockworker torn between loyalty to his corrupt union and his conscience. Through Terry and other key characters, the film explores themes of loyalty, corruption, and the quest for individual integrity amidst societal pressures. Terry Malloy serves as the focal point of the narrative, a conflicted protagonist struggling to find his

On the Waterfront is a film where a young man has to struggle between conflicting choices in the harsh brutal waterfront days of the 1950s. Director Elia Kazan chose to shoot the film in black and white, to use as a contrast between the obvious right and wrong state of affairs on the waterfront. However obvious it is, the decisions Terry Malloy must make are not so easy. Sticking to the waterfront ideals of being "D and D" and self-preservation, Terry is seen as selfish, uncaring and also as someone with no brains, no honour; essentially "a bum." Throughout the film

In the movie, “On The WaterFront”, I would apply the theory of virtue ethics to the problem that Terry faced in corrupt union. According to virtue ethics, “we know what is morally correct because it is what the virtuous person or one who has good characters would do” (module 7). Virtue ethics is different than the theory of utilitarianism and deontologism. The action isn’t judged by its outcome or rule but by a person who acts. Virtue ethics looks deeply into a person’s soul. It looks for a person’s good characteristics. It claims that no matter what you do as long as your are a virtuous person, your action is morally correct. For instance, a honest person is put into a situation where he has to choose either to tell his Mom about his Dad’s affair or not to. He loves both of his parents. He knows his Mom would leave the house if she knew the truth. He nevers wants them to be separated. His Dad will be in big trouble if his secret gets revealed. But, it wouldn’t be fair for Mom staying home and cooking for the family while Dad is happy with another woman. Also, he never hides things from his parents before. Therefore, he decides to tell his Mom the truth despite of the fear of separation and Dad being mad at him. We are not born with innate good character traits. We develop good potential from time to time as we grow. In order to develop virtues, we have to keep practicing them until they become a habit.

Both texts depict an antihero who committed an irreversible sin, sinking them into despair, and leaving them craving for salvation. In the opening scenes of On the Waterfront, Kazan’s use of a close up shot of Terry Malloy’s face is a manifestation of how Terry is being harried by the guilt of Joey Doyle’s death. He thought the mob “was just gonna lean on him a bit”, instead,

Robert Grey is an imagist who paints with words. Using imagery in his poems, Grey is able to visually communicate emotions and ideas. His poetry is concerned with the urbanisation effects on Australian nature and changes it brought within the lifestyle. This is metaphorically expressed in the poem ‘Journey: The North Coast’ as he dwells on the sheer beauty that can be found in the natural world in contrast to the alienated environments manufactured by men. In contrast to the idea of modernisation, Grey also expresses values of love and respect for the environment and nature through the physical and emotional journey. Additionally, the idea of Australian landscapes and strong sense of

“On the Waterfront” was photographed in such a captivating way. Boris Kaufman had a vision ahead of his time. Many scenes in the movie are understood, not just through the script, but from the cinematography as well. Three scenes in particular catch my eye. It is the artistic style and flare of conveying the same idea in multiple mediums. The first scene is when Terry and Edie are on the rooftop at Joey’s pigeon coup. This scene portrays the moment in which I believe was the catalyst for Terry that lead him to be truthful to Evie and stand up to Friendly. The second scene that I will speak about is when “Kayo” Dugan is killed. When the preacher is giving his speech to all the longshoremen. That speech was a testament of one man speaking out for what he knew was right. The third scene that I will choose for this essay is where Terry walks to Friendly’s dock office. After the fight, Terry’s march to work puts you on the edge of your seat. Each scene has depth that few movies achieve.

Chinatown is a drama/thriller starring Jack Nicholson who played the character of Jake Gittes. The plot of the story develops around Gittes job as a private investigator, and Gittes researches the background information of the water system for Los Angeles. Through Gittes investigation, the sudden death of Mr. Mulwray becomes the main plot line of the story. Ms. Mulwray, the wife hires Jake Gittes to investigate her husband for infidelity, but through his inspecting, he starts to uncover the truths within the Los Angeles water system. The characters of the film have a strange connection with each other, which makes the story rich in depth. This is powerful for the viewer because the potential of the plot can be expanded with extraordinary plot twists and character development. Personally, I thought the Roman Polanski constructed a phenomenal movie, because of the drama aspect. The conflict was clear thirty minutes into the film, and the direction of the film perfectly kept the audience glued to the plot of the movie. Chinatown provides effective elements of drama through intensive detail, and a strong plot; which makes the movie highly entertaining.

In 1910, when this school was first open, many students throughout the United States still attended classes in one-room schoolhouses. Aside from the one-room schoolhouse in Marshwood, Olyphant had progressed beyond that stage. This building was the centerpiece of the Olyphant School District. It had the look of a high school in a major city. At the time all of the streets in downtown Olyphant were paved with red brick. Most of the students lived within walking distance of the school. They were able to walk home to eat lunch. Therefore, no one ever thought of including a cafeteria in the building plans. It was built without a cafeteria or kitchen of any kind.

Dover Beach intrigued me as soon as I read the title. I have a great love of beaches, so I feel a connection with the speaker as he or she stands on the cliffs of Dover, looking out at the sea and reflecting on life. Arnold successfully captures the mystical beauty of the ocean as it echoes human existence and the struggles of life. The moods of the speaker throughout the poem change dramatically as do the moods of the sea. The irregular, unordered rhyme is representative of these inharmonious moods and struggles. In this case, the speaker seems to be struggling with the relationship with his or her partner.

Should the waterfront redevelopment be based on tourism? What will the tourist attraction be? Will it be located on the waterfront, or be a part of the waterfront itself? For example, will the city locate a baseball stadium on the waterfront in order to provide a beautiful view of the bay (such as in San Francisco), or will the city and private partners develop water-based recreation, such as fishing or sightseeing tours? Some cities have successfully undertaken waterfront attraction projects, but many others have not succeeded; Cleveland is still waiting for a large renewal of its central business district, despite massive spending on a football stadium and the Rock and Roll Hall of

On the Waterfront is a classic, award-winning and controversial film. It received eight academy-awards in 1954, including best-picture and director. The director, Eliza Kazan, in collaboration with Budd Schulberg wrote the film’s screenplay. Based on actual dockside events in Hoboken, New Jersey, On the Waterfront is a story of a dock worker who tried to overthrow a corrupt union.

The First World War was a locomotive of historical precedents in both warfare and propaganda. The war commenced with cheers, celebrations in the streets, and lines of volunteers signing up for the armies. However, as the war progressed, the belligerents saw destruction of European empires, the introduction of conscription, and untold atrocities committed by soldiers on both sides. Allied and Central governments alike produced propaganda on massive scales to sustain a rallying cry throughout the war. The First World War set a precedent of war being “a bloody and relentless struggle in which sustaining morale became just as essential for both sides as sustaining military effort” (Taylor 176). War was no longer only a battle of military power but also a battle for mobilizing entire populations and nations. The effective use of propaganda by the Allied Power governments, especially the British government, secured their victory over Germany by increasing patriotism, recruitment, morale, and ultimately encouraging the United States of America to join the war.