Analysis Of Paul Annixter's 'Last Cover'

Imagine having a brother who is incapable of doing anything for himself. James Hurst’s short story tells the tale of a young boy in this position and the way his mindset is. In the short story “The Scarlet Ibis,” James Hurst uses imagery, setting, and motif to convey Brother’s feelings of guilt. By using these literary elements, Hurst allows the readers to take a deeper look into Brother’s perception towards Doodle at the time.

Family, a foundation to build an empire of a story from yet the easiest to tear down from guilt or the portrayal of guilt.The story depicts two very different siblings, one brother Manchester who is rich, successful, brawny, and has a knack for snacks. Widely different from Manchester is Skidmore due to the fact he is a sad, and creepy individual. Also he does not have a knack for snacks or sweets. Two divergent individuals, yet one unable to function without the help of the other. Now the story would not be complete without one brother becoming completely jealous and despising the other. Commonly this leads to several things such as arguing, fighting, or to better put it, leads to betrayal. Betrayal, a common theme among siblings, say one

As an individual who’s been drawing and painting since before she could even hold a pen – apparently, I used to spill my grandma’s tea and make shapes with it – art has always been my favorite pastime. It’s tranquil and relaxing, and mixing paints is the most satisfying experience. Thus, it’s no wonder that the activity that I’m most invested in is art.

It was a free drawing activity, where we could draw anything we wished to. The boys always drew cars and robots on the blank canvas given to us, while girls usually drew nature with animals. On my blank sheet of paper, I wanted to draw a natural scene with flowers and puppies; however, in order to be accepted; I drew cars and robots instead. Needless to say, my cars and robots did not turn out too well at all. In this example, George’s morals, as a child, are on a huge blank canvas, undefiled by the world. However, in my case, through the peer pressures, I drew something I did not want to draw. Meanwhile, through the influence of his mother, George becomes someone he does not want to be. When George stole, he feels uneasy and is described as having “closed faces and hard eyes,” (Sebold, 188) which shows tremendous doubt on his part. Even though, George does not want to steal, he does it anyway in order to gain the acceptance of his mother, while I simply drew cars and robots in order to gain the acceptance of my peers.

Both parts of the family: the parents and the children, play a part in what is considered a ‘dysfunctional family’. In the story “Brother Dear” the son Greg is expected to stay and

When it came to the creation of her horse masterpiece, Danielle has a strong persistence. As she came up to the drawing board, “it looked like she was going to run, but she held her ground”. Her determined mind set keeps her grounded and moving towards her goal of creating her art on the wall. Additionally, Danielle was clearly not discouraged by the lack of encouragement from the children. While she attempted to receive the crayons, a boy “snickered rudely,” and while she drew, the kids “forgot that Danielle was even there”.

“Mrs. Pontellier had brought her sketching materials, which she sometimes dabbled with in an unprofessional way. She liked the dabbling. She felt in it a satisfaction of a kind which no other employment afforded her” (40).

Andrew had quite a vivid memory and a fantastic imagination that led to a great fascination for art. His father recognized an obvious raw talent that had to be nurtured. While his father was teaching him the basics of traditional academic drawing Andrew began painting watercolor studies of the rocky coast and the sea in Port Clyde Maine.

His mother, who was something of an amateur artist herself, frequently took him to visit New York’s many art museums, and even enrolled him in a children’s program at the Brooklyn Museum of Art. Basquiat would later credit his mother with getting him started as an artist. Basquiat’s first artistic works were cartoon drawings, often of characters from Alfred Hitchcock films. Basquiat would sit beside his mother at night, drawing his cartoon sketches while she worked on her own designs.” From what I have researched I have learned that Basquiat and his father did not have a good relationship.

Most families are complicated but supportive. For example, a family could argue a lot, but still love one another. In Alice Walker’s “Everyday Use” mama still supports her daughters even though, they’re not around much. Their issues are not unique because my family has its issues, too. The family in “Everyday Use” and my family both have similarities and differences regarding siblings, bonds, and mothers.

A family is the most important and fundamental processes of development in childhood. There are many examples of works that deal with family. In Frankenstein by Mary Shelley, the reader sees how neglection from a family setting can invoke horrible events. In The Fifth Child by Doris Lessing, presents how Isolation and dislike can and will lead to unfortunate events. In Macbeth by Shakespeare, shows the betrayal of a family and how it affects the mind by playing with it in several different ways. Before a person can see effects of isolations, neglection, and betrayal of a family he/she must “climb into his skin and walk around in it.”

At its core, art is about creatively expressing ideas that otherwise could not be expressed. To do so properly, an artist must be able to think differently from the common human being. In some cases, these different ways of thinking stem from mental illness. Three examples of such artists are Richard Dadd, a 19th century English painter, Jacks McNamara, the subject of the documentary Crooked Beauty, and the narrator of The Yellow Wallpaper. For all three of them, their insanity did not hinder their ability to succeed artistically. Instead, it gave a deeper context to the brilliant works that they produced.

The sketchbook provides him with an outlet to cope with his circumstances. Max is often found in the basement alone with nothing but his thoughts. He is able to produce this art “in the loneliest moments in the basement” (277). He wanted to write a story explaining everything he had been through leading up to where he is now. However, the thoughts all came out as something different, sketches. He found the collection of his thoughts had “felt true”(277). To Max they feel more true because they were random thoughts which he feels meaning in them. He knew that he would eventually want to share his views of the cruel world with Liesel when she is old enough. Losing everything, Max finds great significance in this sketchbook which helps him relieve emotions. Max’s use of drawing while he is in the basement helps him subsist with his unforutante turn of events. He was figuring out ways to express his feelings during this time. Illustrating and writing a story called “The Standover Man”, is how he spends most of his days. For Max the art is used as a way he can express his story to Liesel. He often finds himself still in pain from his past and scared of “standover men” in his life (225).

My own personal experience plays a part here as I don’t believe my family was ever “fully actualized.” Independence and autonomy was stressed, however, warmth and connectedness between members was not. Feelings were definitely suppressed in my household growing up, and even today sharing openly feels awkward. Whitaker, as well as Satir, has inspired my theoretical framework because I see the importance of the affective or emotional layer of family interactions.

As James Joyce's A Portrait of the Artist as a Young Man unfolds, the central theme of isolation and rejection becomes evident. From birth to adolescence, the protagonist of the story, Stephen Dedalus, responds to his experiences throughout life with actions of rejection and isolation. He rebels against his environment and isolates himself in schoolwork, family, religion and his art, successively. James Joyce uses Stephen Dedalus' responses of isolation and rejection to illustrate the journey that the artist must take to achieve adulthood.