‘Piano’ and ‘Hide and seek’ show fond, vivid memories of childhood. The writers have obviously lived a happy life as they write in a joyful tone; this reflects the sentiment of Christie’s quotation. In contrast ‘A Mother in a refugee camp’ and ‘Prayer before Birth’ describe the horror of growing up in a poor environment. ‘Prayer before Birth’ indicates that life is a lottery and it is a matter of luck whether you avoid the hardships and pain of life. However ‘If-’ tries to guide the child away from making mistakes. ‘If,’ describes growing up to be a good and happy person, rather than a fulfilled childhood.
‘Prayer before Birth’ is a dark and disturbing poem written from the point of view of the unborn child who is preaching to God that when he is born, hoping he is not affected by the horrors of society. Macneice 's negative views towards current society are shown through the fetus’ spiteful thoughts; in the fifth stanza, Macneice lists how the unborn child wants to avoid ‘bureaucrats’ hectoring him, avoid being laughed at ‘by lovers’ and not be frowned at by ‘mountains’-this portrays how paranoid the fetus is. Not only is he worried about being judged by ordinary people, but also the landscape surrounding him. The influence of nature will affect his unspoilt unborn form, but he should not be looking at it pessimistically. One of the most powerful effects used by Macneice is the repetition of the phrase ‘I am not born yet.’ This emphasises the fact that he has not yet
In Father and Child, as the persona moves on from childhood, her father becomes elderly and is entertained by simple things in nature, “birds, flowers, shivery-grass.” These symbols of nature remind the persona of the inconsistency of life and the certainty of death, “sunset exalts its known symbols of transience,” where sunset represents time. Both poems are indicative of the impermanence of life and that the persona has managed to mature and grow beyond the initial fearlessness of childhood moving onto a sophisticated understanding of death.
The child seems to address the reader and says, “You tell me it’s too early to be looking back, but that is because you have forgotten the perfect simplicity of being one and the beautiful complexity introduced by two” (76). The child goes on to list more magnificent experiences he had as a younger child. With these lines Collins masterfully predicts what the reader must be feeling. The reader is doubtful at first that this boy is old enough to be thinking about this, but as the stanza carries on they begin to realize he has a point. Collins reminds the reader of possible memories they have and proves that what this child is feeling is valid. The boy goes on to proclaim, “It is time to say goodbye to my imaginary friends, time to turn the first big number. Collins suggests that an active and free roaming imagination must be let go as one grows older. Again he targets the readers past experiences and reminds them that growing up can be a really sad thing. The reader is also reminded of the fun childhood they lost. It is clear to see that adults who have forgotten their past are the targeted audience as the poem reminds them of old times and causes them to remember lost memories of growing
David Pelzer, the main (and perhaps only) protagonist, has struggled with a lot throughout the book I read. The story is mainly about Dave’s determination to withstand his abusive, alcoholic mother, who will, without a second thought, beat him if he doesn’t get his chores done. Even if he does get all of his chores done, he is starved and forced to sleep on an old army cot in his basement while his family lives in the luxury of the upstairs section of the house. The writer, Dave Pelzer, changed the names of his family to keep their anonymity, which was nice of him due to what goes on in his story. This essay is about a book called A Child Called “It.”
The poem involves many circumstances of biblical imagery because it is very reminiscent of the idea of church being an over ruling power at the time. ‘Illegitimate spawning’ this refers to the child being unable to be baptized, which was at the least frowned upon by the Christian church. Background knowledge of the ideals of the Christian church tells readers that the woman would not have been able to abort the child, but the child once born would have be considered illegitimate for the entirety of it’s life. The reason for this may have been that the child was conceived before marriage. ‘Even Christ’s palms, unhealed, Smart and cannot fish here.’ Suggesting that even Jesus himself cannot redeem an illegitimate child. This positions the reader to view the child’s helplessness from the beginning of its life, and view that the child has been oppressed due to the conditions that the child has been conceived under.
The tone of the poem changes as the poem progresses. The poem begins with energetic language like “full of heroic tales” and “by a mere swing to his shoulder”. The composer also uses hyperboles like “My father began as a god” and “lifted me to heaven”. The use of this positive language indicates to the responder that the composer is longing for those days – he is nostalgic. It also highlights the perspective of a typical child. The language used in the middle of the poem is highly critical of his father: “A foolish small old man”. This highlights the perspective of a typical teenager and signifies that they have generally conflicting views. The language used in the last section of the poem is more loving and emotional than the rest: “...revealing virtues such as honesty, generosity, integrity”. This draws attention to a mature adult’s perspective.
Lastly, the speaker of the poem "Saturday 's Child” is impregnable. The speaker is impregnable because even though he was born into poverty he did not experience will be living, and his father always talk down on him, the speaker knew that he was not considered wealthy. In lines 14-16, the other includes "Bad time for planning a seed, was
There are clues throughout the poem that express the man’s past experiences, leading him to have a hostile tone. The speaker represents his past as “parched years” that he has lived through (7-8) and represents his daughter’s potential future as
The voice in this poem is one of pure happiness and innocence. In this state of joy, the infant is unaware of the world in which he lives and that awaits him. In these opening lines, we see Blake revealing the everyday modeling and structure that categorizes the world, but is absent in the simplicity and purity of childhood. The child has no name because joy needs no other name. Labeling and classification are products of organization and arrangement that the world uses to assimilate innocence into experience. Blake demonstrates that it is through this transition, that the virtue of child’s play is destroyed. Blake utilizes specific emotions such as “happy,” “joy,” “sweet,” “pretty,” “sing,” and “smile” to describe this uncorrupted state of being. There is no danger, darkness, or struggle for the infant. Instead, he exists in a care free state, free of guilt, temptation, and darkness. The birth of a child is celebrated by Blake and it stirs in us powerful emotions of peace, love, and hope.
In the short story “The Key Game” the author appeals to the readers’ sense of emotion (pathos) because of the in-depth description of the Jewish family’s unfortunate living arrangements, and because of the method the author uses to explain the various character descriptions, emotions, and dialog throughout the story. This story takes place at some point during the Second World War. The author, Ida Fink, introduces the reader to a small Jewish family consisting of a wife, husband, and their three year old son. They live in a small apartment which she describes as poor, urban, and gloomy. The situation with the war can be shown with the frequent changes in apartments. The purpose of the story is in a “game” made by the parents to prepare the child for his reaction in case the Germans ever come knocking at the door. The author introduces the emotion in this story from the very beginning, when she starts to describe where the story takes place.
Firstly, the writer portrays the world of children through the first person narrative which encapsulates young Leo’s fresh, spontaneous optimism and hope towards the dawning of a new era, ‘My dreams for the twentieth century, and for myself, were coming true’(Chapter 1. p. 28). Therefore, this device allows the reader direct access to the intensity yet simplicity of a child’s point of view and enhances Leo’s personal
Edward Taylor’s Upon Wedlock, and Death of Children and Upon a Wasp Chilled with Cold are similar in their approach with the illustration of how beautiful and magnificent God’s creations are to humankind. However, each poem presents tragic misfortune, such as the death of his own children in Upon Wedlock, and Death of Children and the cold, enigmatic nature of human soul in Upon a Wasp Chilled with Cold. Taylor’s poems create an element of how cruel reality can be, as well as manifest an errant correlation between earthly life and spiritual salvation, which is how you react to the problems you face on earth determines the salvation that God has in store for you.
In J.D. Salinger’s Nine Stories there are many tales centered on children, who are often depicted as a symbol of hope and connected with the values that stand in contrast to the ones typical of the adults corrupted by materialism. In my essay, I would like to concentrate on the portrayal of children in “A Perfect Day for Bananafish” and “Teddy”. Even though the way these characters are depicted is similar, a child protagonist in each of the stories is representative of different things. While Sibyl can be seen as a prototype of a childlike innocence, purity and simplicity, Teddy can hardly be considered a prototypical innocent child. Despite the simplicity of Sibyl’s thinking, her presence and behavior help the reader draw many complex
In this stylistic analysis of the lost baby poem written by Lucille Clifton I will deal mainly with two aspects of stylistic: derivation and parallelism features present in the poem. However I will first give a general interpretation of the poem to link more easily the stylistic features with the meaning of the poem itself.
It is possible that the narrator is trying to reassure herself in this passage by claiming that the child was never made, but then why write the poem to her unborn children?
MacNeice grew up in a religious household, his dad being a minister. Soon MacNeice abandoned his baptismal first name and it was changed to MacNeice. The newborn prays for the “trees to talk / to me, sky to sing to me, birds and a white light / in the back of my mind to guide me” (MacNeice 9-11). The white light represents the symbolism of a heaven while the birds also represent a symbol in religion. The bringing up of religion in MacNeice’s poem relates to his childhood and how he grew up with his father’s faith. As MacNeice grew up, he was conflicted with his faith and soon