Analysis Of Rabbit Proof Fence

Since the European settlement of Australia, the Indigenous people have been represented in a myriad of ways. The Rabbits (1998), an allegorical picture book by John Marsden (writer) and Shaun Tan (illustrator) and Rabbit Proof Fence (2002), a film directed by Phillip Noyce, are just two examples of this. Techniques such as music, changing camera angles and symbolism are utilised in Rabbit Proof Fence to represent the Aboriginal people as strong-willed and spiritual and in The Rabbits, exaggeration, different colour themes and perspective are used to portray the Aborigines as technologically inferior and overwhelmed against the Europeans. In both texts, the Indigenous people are represented as

the incessant brutality of racism in the 1920s. Rolf de Heer’s 2002 art house feature film The Tracker, represents one of the most “unspeakable aspects of Australian history” (Smaill, 2002, 31), explicitly depicting the extreme racism, violence and inhumanity the egotistical European invaders inflicted on Aboriginals, whilst at the same time glorifies and treasures aboriginal culture and intelligence through film.

The Rabbits, a picture book written by John Marsden and illustrated by Shaun Tan, is an allegory for the British arriving in Australia and the subsequent colonisation. From the perspective of the indigenous population, Marsden explores the impact of white settlement on the traditional aboriginal way of life. This is achieved through the symbolism, colours and language.

These two text convey the connections of the Indigenous people (numbats) and their connection to land and the settlers (rabbits). Bad Blood by Casey lever is a dual-narrative meaning that it is told from two characters perspectives from 2 points in time. The Rabbits written by John Marsden and illustrated by Shaun Tan is an allegory picture book which displays a variety of visual and narrative techniques, hidden messages which illustrate the connection of these two groups of very different people. The themes how the past impacts on the present and racism can be connected to Australia’s complex history through a variety of texts that explore the minority’s view from the past.

Lives are lead with anxiety over certain issues and with apprehension towards certain events. This play, Fences written by the playwright August Wilson deals with the progression of a family through the struggles of oppression and the inability to obtain the American Dream. The characters in the play develop throughout the story and can be viewed or interpreted in many different ways, but one man remains constant during the play and that is Troy. Due to certain events that transpired as he was growing up, Troy is shaped into a very stubborn yet proud man. To be a man who was black and proud ran the risk of getting destroyed, both physically and mentally. The world of the 1950s and 60s was rapidly changing and

Rabbit Proof Fence is a movie directed by Phillip Noyce based on the novel by Doris Pilkington Garimara. In the excerpt, ‘The Stealing of Children,’ it shows the offspring of the indigenous people being taken away from their parents as the white settlers thought they weren’t being treated properly. Events like these occurred from 1910-1970 in Australia’s history. Many aboriginal children didn’t want to be taken away and the fictional story, based on real events, of Rabbit Proof Fence has been created from the point of view of those people living at this time. The director has created many representations of Aboriginal people through the use of language features, visual elements and the audio components.

Rabbit Proof Fence has been published both as a book and as a movie. Being a reader or a viewer entirely changes our point of view on the story. As a reader, we get descriptive insight on the situations and emotions of the characters. We are then able to re-create these visually using our imagination and have endless freedom doing so. As a viewer, our creativity is somewhat restricted. We do not imagine the characters’ physical appearance, the locations or the overall situations in the same way as in a book. These elements are already given to us. Throughout this essay I will be exploring how the music and the filming creates a contrast between reading the book with elaborate descriptions.

There is a famous Australian film called “The Rabbit Proof Fence” released in 2002 and is based on the book “Follow the Rabbit Proof Fence” written by Doris Pilkington Garimara to tell the story of the Stolen Generations from the Aboriginal point of view. It is based on the true story of the events of the author’s mother’s life and raises awareness of the plight of the Stolen Generations. The film follows three young “half-caste” girls. Molly Craig, 14, her sister Daisy, 8 and their cousin, Gracie, 10, were living peacefully in Jigalong, Western Australia.

In the texts Redfern Now and The Rabbits, similar ideas about cultural relationships and power positions are conveyed through many different textual contexts and conventions. Whilst some of the ideas explored in these texts are comparable, many contrast the different ways that euro centricity and “white” dominance function within societies, especially with regard to Indigenous Australians. Through the clever use of camera angles and symbols in Redfern Now, and symbolism and written text codes within The Rabbits, the ideas of disempowerment and power relationships between Indigenous Australians and European settlers is examined. In the television drama Redfern Now, the creators explore the undermining racism within modern-day society. The values

Throughout the process of colonization, the Native people in Chinua Achebe’s novel Things Fall Apart, Silas Hagerty’s documentary Dakotah 38, and Phillip Noyce’s film Rabbit-Proof Fence, all cope with the on going struggles of being colonized against their will. All three of these sources tell their own, different stories about their same struggles. In both Things Fall Apart and Dakotah 38, the colonizing people create a sense of doubt in the Natives’ cultures; whereas in Rabbit-Proof Fence, the people fight to hold their beliefs by continuing to practice their own traditions.

Discuss the symbolism and motifs in the ‘Rabbit Proof Fence’. What do they represent and how do they contribute to the story?

‘Rabbit Proof Fence’ was the story of a 3 young Aboriginal girls who were taken from their homes because they were ‘half castes’ and then their long walk home following the rabbit proof fence. The idea of the government taking children from their homes and placing them into the care of white people in the hope of them losing their cultural beliefs was stronger. This idea of them being changed was evident with quotes such as “This is your new home. We don't use that jabber here. You speak English” providing the idea of whites being dominant through their values.

The play Fences by August Wilson centers around the character of Troy, a middle-aged African-American man. Troy struggles to keep his family together, mostly as the result of mistakes he has made as a husband and parent. These mistakes reflect certain personality traits that make up Troy’s complex character, including his obsession with providing financially, his inability to love his family, and his stubborn insistence on others following the paths he decides for them. These character traits can be explained by the social, racial, and economic climate of the time. Fences takes place in late 1950’s Pennsylvania during the beginning of the Civil Rights Era, and Troy’s character is shaped by the disappointments that have come along with racism and economic difficulty, along with not being up to date on the changes happening in the Civil Rights movement. Although Troy and his character traits are responsible for the tragic decisions he has made, it is possible that the social context of the time has shaped him into the person he is.

The recent Australian film, Rabbit Proof Fence, similarly condemns the social, political and cultural mores of colonial and post-colonial Australia in relation to its past treatment of indigenous Australians. Like To Kill a Mockingbird, it too, is set in the 1930’s and reflects similar attitudes and values whites have to black people. The film is a true story based on the book by Doris Pilkington Garimara, the daughter of one of the half-caste children in the film who, together with two other Aboriginal girls, was forcibly removed from her family in Jigalong, Western Australia. These children form part of what is now known as the “Stolen Generation”. They, like many others who lived in the first part of the 20th century, were the victims of the official government assimilationist policy which decreed that half-caste children should be taken from their families and their land in order to be made “white”. The policy was definitely aimed at “breeding out” Aboriginality, because only half and quarter caste children were taken.

The movie, Rabbit Proof Fence, directed by Phillip Noyce, tells the story about three young aboriginals girls’ name, Molly, Daisy, and Gracie, who were taken away from their families and homes to be brought up in white society. The girls are related; two sisters and a cousin. The story reveals the struggles the girls encounters while trying to run away from Moore River, which is a settlement camp where half-caste native (children with both white and Native parents) children are educated on how to live with white population. The girls are taught to become servants, and they are prohibited from using any other language but English. The settlement camp where these girls are held is far away from their home, which separates them from their