Analysis Of Rene Denfeld's The Enchanted

As a means of assessing the extent to which the work was successful, I evaluated the books ability to answer the questions the author himself posed to the audience. These questions were discussed in the introduction where Ozment presented two questions before he launched into the narrative in search of their answers. Ozment asked: “What exactly had [Anna] done to cause her father, the Burgermeister, to denounce her as an “evil serpent” and the government of Hall to declare her a renegade?” and “Why did the behaviour of one woman rivet the attention and disrupt the lives of so many important people for so long a time?”. According to Ozment, answers to these questions can be found “in the internal workings of a distant society and in the inner lives of people who were both like and unlike ourselves” (3). Therefore, in considering whether or not this book was successful I looked

The beginning of any thought provoking essay will hook its audience using a form of pathos. “Two of his sons returned home from the battlefield whole and healthy. The third, however, came home suffering multiple seizures a day”-(Rorabacher). The quote generates sympathy within us making us yearn to see a welcoming outcome and leaving the audience hooked. Eli Hager’s article follows a similar route informing us that “The state of Missouri sent Harris to the penitentiary in Boonvilee, 250 miles from his home and baby daughter”-(Hager). Again we sympathize with the loss of a family, but not all of the articles used grievance to hook us. In the “Quiet Alarm” the audience is informed of a vaudeville performer who performed deadly stunts involving hatchets, pins, and guns on himself to generate shockwaves in the audience. From these examples we identify how our emotions lure us into these texts.

Narrative power is a unique thing in that it does not matter what the story says or the truth to it but rather how it is conveyed; how does the story create meaning and understanding for the reader. It is one thing to read the novel for the facts but it is another thing to understand why the facts were told the way they were; the importance behind the facts. Authors achieve this by using copious different points of view including: second person, third person-limited, third person-omniscient, and in the example of The Enchanted, first person. First person point of view is where the story is told through the experiences of an individual within the story. The author of The Enchanted, Rene Denfeld, slightly alters this in the sense that she

Plot Summary: “Candide” is a tale told in a fast-paced series of episodic adventures. The opening chapter establishes the Edenic innocence of the background in which the protagonist, Candide, is raised. Leading a privileged, isolated existence in a Westphalian castle, Candide finds himself in love with Cunegonde, daughter of the Baron of the castle. He is also eagerly indoctrinated with Leibnizian optimism by his tutor, Pangloss, who, in turn, is in love with Paquette, the chambermaid of the castle. After openly showing his affection for Cunegonde, Candide, not being of noble enough blood, is promptly expelled by the Baron, and involuntarily sets out upon his own into the world. Candide’s first major adventure is his unintentional recruitment into the Bulgar army, which exposes him to the terrors of physical and sexual abuse, as well as the shocking violence of warfare. After managing to escape the army, Candide comes across a kind Anabaptist, Jacques, as well as Pangloss, who has been rendered

“The Book Thief” presented a story filled with various themes that comprised a powerful plot line. Although there were many themes in the story, there was one that stood out to me more than others. In the process of reading the book, the theme of suffering affected me the most. The definition of the word suffer is to experience or be subjected to something bad or unpleasant. Different characters within the story are subjected to dreadful feelings and are therefore suffering. Through my analyzation, I observed the three different types of suffering that the characters experienced: guilt, feelings of emptiness, and anxiety. The characters of “The Book Thief” experience these three types of suffering in different ways.

This story is focused around keeping secrets and what could happen if a secret is revealed. The mistress wanted Lanval to keep their love and happiness a secret from the outside world because she wanted to protect him. She knew what would happen if their love was not kept a secret and she wanted to prevent the event from ever happening. This story presents secrecy in a way that is considered good and true. Secrecy in the story was used to teach Lanval a lesson about the pervasive world that they live in. When the mistress comes to save him Lanval learns why she did not want the world to know about them. It is because she did not want the cruel and unjustness of the world to be involved in their relationship in any way, shape, or form. Lanval feels a sense of relief once he is rescued by his love he even responds to the rescue by saying “I am cured by her” (Greeblatt,

We find yet another example of Blake?s immoral actions through his self-conceit. He fails to comfort a crying Mrs. Dent, ?he felt too contented and warm and sleepy to worry about her tears? (553). Blake has no compassion for others; he only worries about his own affairs. This is indicative that Blake is morally wrong.

emotional, connotative diction that he knows will have a significant effect on his readers. “Yet,

• What are the characters’ emotions, attitudes, and behaviors? What do these indicate to the reader about the character?

In the short story, The Old Chevalier by Isak Dinsen, the male protagonist, Baron von Brackel reflects on his past sexual encounters with two women whose personalities are extremely different from one another. In many novels, short stories and comics authors would create two women as “polar opposites” for a man’s sexual and/or possessive gaze, which is evident in the text. In order to understand, why a man may be attracted to different character traits in women, I will examine The Baron’s attraction to Nathalie and The Mistress by looking at how literary works men portray women, what they find attractive and the fulfilment that men seek from a woman.

In the Neo-classical novel Candide by Voltaire the theme of innocence and experience is prevalent through the protagonist, Candide, especially through his journey of finding the prescription of how to live a useful life in the face of harsh reality. In William Blake’s collection of Songs of Innocence and Songs of Experience the two characters, tyger and lamb, show how we lose our innocence to gain experience. Although the innocence and experience are paradoxical terms, we can solve the paradox by analyzing these two works.

The narrator though an educator, is not very good at verbalizing his emotions. He tends to be the person who keeps everything inside

Tobias Wolff’s short story, “That Room” is a very suspenseful story that has the reader on the edge of their seat while reading it. Suspense and excitement is created through the plot and theme of the story which are both developed through four main literary devices. In the story, the narrator is put into what is potentially a life or death situation and it is at this point that he becomes aware that one is never really in full control of his or her own life. Throughout this literary analysis I will discuss the plot and theme of the story in terms of how Wolff uses setting, tone, characterization, and symbolism to enhance both the theme and the plot.

The central theme of all Gothic novels is the presence and symbolism of the Gothic castle. Depiction of ruinous abbeys, monasteries, subterranean passages, vaults, secret panels, and the trapdoors is a standard method of achieving the atmosphere. Howells sees the Gothic castle as being ‘a shadowy world of ruins and twilight scenery lit up from time to time by lurid flashes of passion and violence ’(6). Therefore, the gloominess of the exterior and interior environment is illuminated by intense emotional and passionate moments of the characters that inhabit the castle. As Sage claims, the castle is ‘the lair of the villain’(166), and it is an accurate reflection of his dark and frightening character. Gloomy, dark, and dangerous, the castle reflects the emotions and psychological experience of many of the novel’s characters.

Austen has set out to save the rising art form of the novel. In this address to the reader she glorifies what a novel should be: the unrestrained expression of words conveying the wide range of raw human emotion. This veneration of the novel is necessary to the development of Catherine's fiction-loving character as it justifies the narrator's right to remain fond of this flawed heroine.