Analysis Of Sherman Alexie 's ' The Lone Ranger And Tonto Fistfight ' Heaven '

Most of Alexie’s writing reflects life on the reservations today. The poverty, oppression, commodity food, and alcoholism are the main themes in his stories. The title story of his collection The Lone Ranger and Tonto Fist Fight in Heaven, however, deals with the life of an Indian man who has left the reservation to live in Seattle and some of the obstacles he faces in the white world. We never know the main character’s name, probably because he feels like a nameless nobody in this strange world. He is alienated and told that he doesn’t belong even

There is so much about Geronimo that is appealing as a story. Geronimo the Man was a brilliant personal leader; strong and proud, and immensely spiritual--a hero in the real sense. As Geronimo's exploits became daily fare in the newspapers, the American government's Indian policy became the popular subject of political debate in that time period that extended even to the President. Raids, counterraids, traps and ambushes, Geronimo proved himself a master tactician and more. Always, just when the end seemed near, Geronimo and his band would disappear like ghosts back into the canyons and mountains of the desert southwest. Across thousands of square miles

In a Bill Moyer’s interview “Sherman Alexie on Living Outside Borders”, Moyer’s interviews Native American author and poet Sherman Alexie. In the Moyer’s and Company interview, Alexie shares his story about the struggles that he endured during his time on a Native American reservation located at Wellpinit, Washington. During the interview, Alexie goes in-depth about his conflicts that plagued the reservation. In an award-winning book by Sherman Alexie called “The Absolutely True Diary of a Part-Time Indian”, Alexie writes semi-autobiography that reveals his harsh life on the reservation through a fictional character named Arnold Spirit Junior. In Alexie’s semi-autobiography, Alexie shares his struggles of a poor and alcoholic family, the

A warrior is recognized as sonmeone who battles for his/her beliefs. Even after receiving mortal wounds many times, such a person never leaves the battlefield. However, the inspiring and metaphorical idea of a warrior can certainly extend beyond the actual battlefield, and into the universal battle of living life. A woman must face this world like a warrior. She must endure the pain of a past that oppressed her, the adversity of a present that is only beginning to understand her, and a future that will continuously test her. From the beginning of time, Native American women have been a driving force in their cultures, retaining their immense strength throughout

In Sherman Alexie’s novel The Lone Ranger and Tonto Fistfight in Heaven shows the struggles of daily Native American life, which is shown through the point of view of male character. All though out the book the following three questions appear: ‘What does it mean to live as an Indian in this time? What does it mean to be an Indian man? and What does it mean to live on an Indian reservation?’ Alexie uses literary devices such as point of view, imagery, characterization to make his point that the conflict of being an Indian in the U.S. in these short stories using the following short stories “An Indian Education” and “Amusement”. “An Indian Education” uses both imagery and characterization to show us what the narrator is

This is fueled by, not only the changing emotions that teenagers typically endure, but also by the death of his stepfather, whom he saw as his own father. After his death, James cannot bear to see his mother suffer, for she no longer knows how to control the dynamics of the family and "wandered in an emotional stupor for nearly a year." James instead turns to alcohol and drugs, dropping out of school to play music and go around with his friends, which James refers to as "my own process of running, emotionally disconnecting myself from her, as if by doing to I could keep her suffering from touching me." Instead of turning to his family and becoming "the king in the house, the oldest kid," James "spent as much time away from home as possible… absolve[ing] [himself] of all responsibility…" As a result, Ruth sends James to live with his older half sister and her husband, in an attempt to straighten her out her son's life. James distracts himself with the life he found there, spending the summers on a street corner with his half sister's husband, Big Richard, whom he adores, and the unique men that frequented the area. During these summers, James discovers "[He] could hide. No one knew [him]. No one knew [his] past, [his] white mother, [his] dead father, nothing. It was perfect. [His] problems seemed far, far away." Instead of facing the realities of loss and anger in his family, James seeks distractions

In the story, “The Fighter” by Walter Dean Myers, the main conflict of the story is that Billy, the main character, needs to earn more money for him and his family in order for them to live a nice life. Billy is running low on money, so he needs to do boxing which is the only way he earns money, but his wife does not agree with him because she doesn’t want him to get hurt. Therefore, he is torn between either upsetting his wife to earn money or living in poverty until he could get the right education to get a good job. In the beginning of the story it says Billy is going out, though it doesn’t say where, it is to somewhere his wife does not want him to go. I know this because on page 27 it states,“Billy Giles told his wife that he was just

“Trauma is a fact of life. It does not, however, have to be a life sentence.” - Peter A. Levine, Ph.D. In Sherman Alexie’s collection of short stories, The Lone Ranger and Tonto Fistfight in Heaven, we read stories of Native American struggles for survival in an American society designed to keep Native Americans locked in the cycle of intergenerational trauma. Alexie illustrates the importance of rejecting intergenerational trauma as a method of survival, by isolating the two main causes intergenerational trauma becomes inescapable and giving examples that showcase the impact of attempting to survive the cycle. Through the interpretation of multiple sources, it becomes clear that the inescapability of intergenerational trauma is the outcome of internalized oppression and pessimism.

Defining exactly what shapes ethnic identity in the United States is the hardest question I can imagine being asked. As a child born in the United States, I find this question so difficult because I have been exposed to a large variety of cultures within the small boundaries of my own family. This makes it very difficult to determine one, or even a few characteristics that define ethnic identity. In the case of many of these novels, the task of defining ethnic identity is not so complicated. The list of determinants that I believe to define ethnic identity includes language, geographic location, and tradition.

Hollywood’s early depictions of Natives consisted of tribesmen and noble savages who are in tune with Nature. Films such as The Silent Enemy portray these stereotypes on screen with actors like Chief Buffalo Child Long Lance being shown as tribesmen who are very noble Natives. Although these stereotypes are positive, they are still stereotypes nonetheless. These stereotypes have caused

Identities can be ripped away from people, but love can help people to regain it and realise who they truly are. In Richard Wagamese’s Indian Horse the native children’s identities are taken from them, and not all of them find it again. Saul’s own identity as an Ojibway is taken by the residential school and the impact of unfavourable circumstances; but with the love and support of his family and friends, he finds it again. The residential school and other negative influences cause Saul to lose his identity, which is the offset for his quest to regain it with help from his friends and family.

Indian Horse, a novel by Richard Wagamese, is a realistic and tragic story of a First Nations child named Saul who is taken to residential school. Saul Indian Horse goes through a multitude traumatic experiences at a young age; experiences consisting of losing his family, experiencing sexual abuse, and violent racism. In the novel, a theme the reader is always brought back to is Saul’s connection to, and longing for the land. Saul’s relationship with the land is meaningful to his character because it helps him understand his family history, connects him with his culture, and comforts him in times of need.

Have you ever sat somewhere and wondered why an author wrote something? Or what the meaning of the story is? The author Sherman Alexie is a known success to the Indian Culture. He was born in 1966, and into the Spokane Tribe in Washington. He writes solely on what happens to and in the lives of Indians. In one of his stories, “The Lone Ranger and Tonto Fist Fight in Heaven,” the main character is going through a quest for identity about the struggle between his Indian culture and his American life. The author names this short story because he wants to inform the reader of what life was for him being an Indian Man from his tribe. In the story, it talks significantly how he grew up and the way his life his now that he is all grown up.

The way we live defines us, tradition defines us. Tradition is a very important thing. It is something that spans many generations and is a part of one's identity. Tradition can define us. Therefore when tradition is forcibly taken away it can hurt a lot of people and generations. An example of a people who have had many of their traditions suppressed and taken away are the original inhabitants of the Americas. Their tradition was taken from them and they were either killed or forced into following a new tradition which erasing all of their identity. The effect this has on the newer generation is bad because they will feel like a part of them is missing because their tradition was taken and it can cause a trauma called generational trauma. The book The Lone Ranger and Tonto Fist Fight in heaven, focuses on a Native American named Victor in order to describe how generational trauma causes a weakening of tradition because it becomes replaced with alcohol and isolation. In addition, Alexie presents how a rekindling of old traditions is a way out of this harmful circle.

Analysis of Sherman Alexie's 'The Lone Ranger and Tonto Fistfight in Heaven' and 'Smoke Signals'