I argue that Shinnors’ gravitation towards the Kit-Cats was prompted by an aesthetic feeling (Huntley 1970, 17) grounded in his early historicality (Heidegger 1950, 47). Heidegger (1950, 29) felt that in order to grasp the truth, we can return to something that is already manifest, in this case I would argue that this was Donovan’s work, specifically work like “Balcony Series (with self portrait)”. This truth-happening which Shinnors experienced was therefore an example of Crowther’s (2009, 70) theory of “corporeal imagination”, the idea that our sense of the present draws upon our actual learned responses to events of the past. If we think of our corporeal imagination being composed of layers of memory and experience, with some phenomena being
If I see an apple, I don't only see it, but I imagine how it feels, tastes, smells, sounds as I bight into it. It is hard to separate each of those from each other, but the sound of an apple being bitten into without the knowledge of it being an apple or knowing what it tastes or smells like, is a novel idea. To think of it separately is difficult, but if you can isolate it, it is truly fascinating, exciting even, for it is like a whole new experience.
… I mean nothing but the internal impression we feel and are conscious of, when we knowingly give rise to any new motion of our body, or new perception of our mind.
Jacob Bronowski’s speech, “The Reach of Imagination,” provides a theory that humans are the only beings capable of imagination and memory. This theory relies on the cognitive function of visual images; while it is suggestive, Bronowski does not give an in depth representation of the memory that explains how and why it works. Daniel Schacter provides an updated theory, closely related to Bronowski, of how the brain can form and retrieve memories. These memories are retrieved as fragments; Schacter adds on to Bronowski’s theory with a psychological factor and shows exactly how people remember and interpret things differently. Though Bronowski’s theory of imagination and memory is simplistic and aged, it is still supported by Daniel Schacter’s updated theory behind the human brain and how memories are retrieved in fragments.
As thought by Mr. Quail before entering Rekal, “an illusion, no matter how convincing, remained nothing more than an illusion. At least objectively. but subjectively — quite the opposite entirely” (Dick, 306). Mr. Quail acts as the author’s counterpoint, the argument of critical analysis and skepticism for such a reality. Physically experiencing an event, and only believing you did are obviously entirely different things. Sure, a person would believe they “have been and have done” (308) but the authentic experience of seeing it and experiencing it for themselves is all but
“our memories of the immediate past in conjunction with our current sensory experiences is sufficient enough to enable us to know that we aren’t dreaming” (5).
The same is true for each of us, in a way. Memory is a powerful force triggered not just by thoughts, but by the senses as well. You hear a song from your childhood days for the first time in years and suddenly you are flooded by powerful images, sounds, even smells and tastes. A certain brand of pipe smoke, Sir Walter
The debate in the academic study of mysticism between Steven Katz and Robert Forman primarily refers to the origins and essence of mystical experiences. Katz’s argues that, “There are NO pure (i.e. unmediated) mystical experiences” (Katz, 26). Additionally, Katz articulates the problem of interpreting and verifying mystical experiences, thus alluding to the issue of whether or not mystical experiences can be classified. Comparatively, Robert Forman argues for the existence of what he refers to as Pure Consciousness Events (PCEs), whereby mystical experiences extend beyond language and culture. Each argument has its merits, however, I contend that Forman’s argument is the most articulate and accurate.
Realism is the form of perception in which it is believed that there is an external world outside of our own minds. It is the belief that regardless of what we may belief is true of false, the external world is independent of these beliefs. There are two forms of realism which are direct and indirect. In this essay I will argue that direct realism is a more plausible theory of perception than indirect realism by refuting the main arguments against direct realism. I will begin by briefly describing direct and indirect realism and follow with countering two of the main arguments indirect realists use against direct realists.
The psychological feeling of strange familiarity, rather than a simply mystifying feeling, may be referred to as the uncanny. Sigmund Freud’s concept of the uncanny is one where something familiar to us becomes odd, foreign, and even frightening. It is capable of creating not a comforting sensation, but a terrifying one in the dissonance of familiarity and unfamiliarity. The unsettling, yet habitual sense, can be clearly discerned in WW Jacobs “The Monkey’s Paw” if read according to Freud’s view of uncanny. Many elements in Freud’s abstract thinking, implicitly connect with WW Jacobs supernatural short story, where the most predominant sense is uncertainty, especially that of coincidence.
For example, When you see a red ball moving, you have to have the idea of motion in your mind to be able to recognize it, and when you see the ball you are simply perceiving a direct idea from your mind, not a real thing.
David Hume clarifies in A Treatise of Human Nature that each particular idea corresponds to an experience perceived before the idea is formed in the mind, and if the impression was lost, the corresponding idea would also be lost because of losing its source. In this case the prior mechanism is the experience, and the mind reflects the idea upon this perception. (T 1.1.1.9)
imagination. It exists in the mind in virtue of the nature of the human mind.
The question posed needs you look at the two different disciplines these the cognitive psychologist perceptive, and the other be biological psychologist. Both disciplines study the brain. It soon becomes apparent that both disciplines cross, join and merge at some point. Both use brain imagining techniques to study the brain and both research into what section of the brain is responsible for actions and behaviours. This essay is based on the loose discussion of what these techniques can tell researchers about the brain and memory. How brain imagery techniques are used to provide evidence on what area and part of that area of the brain are involved in the memory process. From both cognitive and biological perceptive.
I believe that anti-realism about the past is false under both construals and I shall defend realism about the past against them. I obviously take realism to be a modal thesis about the relation between truth and its recognition, a thesis which says that the truth of statements in the past tense is independent from the obtaining of the sort of evidence which we normally rely on to recognize that they are true : testimonies, reports, documents, memories, and so on. It follows from this that the most promising way of arguing in its favour is to meet the now familiar Dummettian 'manifestability challenge'. This is what I propose to do here. I shall address that challenge directly and conclude, contrary to Michael Dummett's anti-realist, that (R) is true.
Background: Although decades of neuroscience research has shed light on how the brain represents different types of information, far less is known about the neural basis of conceptual knowledge. Early neuroscientist in the nineteenth century proposed that concepts are anchored to sensory and motor experiences; however, there has been much disagreement ever since [old grant 15, 28]. This idea has gained momentum under the title of ‘embodied’ cognition [OLD grant 1]. In particular, the theory argues that over time our conceptual knowledge is refined and built upon by engaging multiple sensory modalities. Later in development, previous concepts help anchor the instantiation of new memory instances.