Analysis Of Stephen Kumalo's Cry, The Beloved Country

One crucial formalist element the author incorporates is the use of point of view. The way the story is told allows the reader to have an exceptional grasp on the meaning. The story’s layout follows the second-person point of view, which gives the opportunity for the author to address the readers directly, rather than just illustrating her own experiences with culture. Throughout the story, Ng redundantly uses the word “you” instead of “I”, for instance when she mentions, “Take pleasure in the surprise on people’s faces when you say, ‘My name is Mackenzie Altman’” (931). The main reason the author chose to peruse a second-person point of view is that she wanted the reader to be able to connect with the story on a personal level.

Joseph’s narrative voice exhibits images of truth and story within a story. He completes Becca’s chapter on her quest for her Grandmother’s past. The novel is divided in 4 sections. Home, castle, home again and the author’s note. They separate the steps that lead to Becca’s journey.

It is a third person omniscient narrator, which gives the reader an opportunity to gain insight into the minds, thoughts and perceptions of Munda and the white men. This allows the reader to empathise with the characters. The narrator is implicit, as he/she does not participate in the story. The events are seen from both the black and the white people’s points of view, which clarifies the reasons behind the hostile relationship between these two population groups. In this way, the reader becomes acquainted with both sides of the story. The narrator’s own attitude to the events and to the characters is not shown, but the sympathy lies with Munda and the

   The choice that a novelist makes in deciding the point of view for a novel is hardly a minor one. Few authors make the decision to use first person narration by secondary character as Ken Kesey does in One Flew Over the Cuckoo's Nest.  By choosing Bromden as narrator instead of the central character of Randle Patrick McMurphy, Kesey gives us narration that is objective, that is to say from the outside of the central character, and also narration that is subjective and understandably unreliable. The paranoia and dementia that fill Bromden's narration set a tone for the struggle for liberation that is the theme of the story. It is also this choice of narrator that leads

“His jaw was in his throat, his upper lip and teeth were gone, his one eye was shut, his other eye was a star-shaped hole...,” writes O’Brien as he studies the deceased enemy (118). Throughout the novel, the author shows consistency with repeating stories and lines in a way to present a greater image. He reminds the reader of details the elaborate his larger view. When he writes of the man he killed, he wants the reader to imagine themselves in his shoes, as he imagined himself in the enemies’. As he carefully studies the dead man, he imagines how the boy found himself in the war. By relating American society to the boy’s village of My Khe, he bridges similarities connecting the two by a culture that promotes defending one’s land and ways of life. By saying, “he would have been taught that to defend the land was a man’s highest duty and highest privilege,” he shows there is minimal difference between how most Americans view the military and the duty of the villagers in My Khe (119). Although he had not known the exact history of the boy, he attempted to illustrate in his own mind what his life may have been like prior to the invasion. The inability for O’Brien to walk away from the body as Kiowa continued to pry him away says he was troubled by the similarities. Despite Kiowa saying it could have been him lying lifeless on

The writer composes the story from the perspective of an analyst. She alludes to occasions later on, facts, and information that no character could have known in the setting of the story. Incorporated into the content are genuine quotes said or composed by the general population she expounds on, including the primary character. She utilizes an extremely objective voice, giving successive analysis of distinctive individuals' outlook and continually alluding to insights to demonstrate her point. Since the book does not focus on the point of view of any single character, it peruses more like a news article than a story, which frequently exhausting its groups of readers. Accordingly, Hillenbrand's written work style once in a while obstructs the correspondence of her thoughts because she regularly includes actualities, quotes and investigation in the book; it usually bores audience on the grounds that it peruses more like a news article instead of a

Cry, the Beloved Country In a country torn by segregation and hatred, one man seeks to rebuild his family and his tribe. Cry, the beloved country is a tale of forgiveness, generosity, and endurance. In the story, the main protagonist is helped by a number of characters. A South African man Stephen Kumalo loses his young son, but is still determined to improve the life of his people.

Cry, the Beloved Country is a novel written by Alan Paton; the novel is filled with biblical allusions referring to II Samuel. Cry, the Beloved Country was first published in 1948 and stands as the single most important novel in twentieth-century South African literature. Cry, the Beloved Country; a work of blazing artistry, is the intensely moving story of the Zulu pastor Stephen Kumalo and his son Absalom, and how they were set against the background of a land and a people divided by racial injustice. Cry, the Beloved Country is a classic work of love and hope, courage and endurance, born of the dignity of man. The author, Alan Paton parallels II Samuel and Cry, the Beloved Country which heightens the understanding of the novel.

The viewpoint of the world that the narrator has, completely alters as certain events take place throughout the story. His outlook on nature transforms into a wholly different standpoint as the story progresses. As his tale begins, the narrator sees himself as a tough guy or "bad character". He believes he is invincible. There is nobody as cool as he is or as dangerous as him and his friends are. With his

In the Novel “Cry the Beloved Country” by Alan Paton, two fathers are trying to put the pieces of there families back together while also keeping themselves together. They each go through a variety of struggles, with one learning his sister is a prostitute and his son is a murder while the other deals with his sons death and tries to move passed it. Throughout the novel, racial tension is a theme frequently seen from the beginning of the book til the very end. Paton uses the setting of South Africa to underscore racial tension associated with the apartheid movement to illustrate these themes. The concept of racism is prevalent during the story as it is used by the government to caused both blacks and whites to fear each other which eventually tears apart Kumalo’s family.

The time of the 1940’s in South Africa was defined by racial oppression of the native inhabitants of the country by the Dutch Boers, also known as the Afrikaners. These people were the demographic minority yet also the political majority. They executed almost complete control over the lives of the natives through asinine rules and harsh punishments. The highly esteemed novel Cry, the Beloved Country tells a story of Stephen Kumalo, a black priest dealing with the struggles of living in the South Africa during this time. His son killed a white man and on the day his son is to be hanged for this crime, Kumalo climbs a mountain in order to reflect on the current situation both in his family and in his country. In chapter 36 of Cry, the

Cry, the Beloved Country, by Alan Paton, is the timeless novel about South Africa in the 1940’s. As powerful white men use the land for their own benefit, the tribal system of the African natives is broken down and replaced by poverty, homelessness, fear, and violence. A black priest, Stephen Kumalo, ventures to the great city of Johannesburg in search of his lost sister and son. His journey demonstrates the unhealthy lifestyle and mutinous atmosphere of the black people; yet he is the beholder of forgiveness, love, hope, and the restoration of a country overwhelmed with problems.

In both texts language and the stylistic feature of imagery is used to present the impact of the belief of superiority of race to enhance the idea of racism in both texts. In Cry, The Beloved Country, Alan Paton bases the novel around black African people living in South Africa, awakening others to realise the lives of non-whites living in South Africa. Cry, The Beloved Country is set during a period of time of historical racial tension in South Africa which lead to a strict political policy where white people

was the husband of Gertrude, who in turn, went to look for him and found other men

In her poem, “For all voices, for all victims,” Antjie Krog makes use of the metaphors in lines four through eleven to bring life to the redeemed South Africa in a post-apartheid time: