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Analysis Of The Boat By Nam Le

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“The Boat” by Nam Le, is a serious of short stories that while representing a number of different themes throughout each story, the central theme regards the complicated relationship between children and their parents, with each story examining this theme in different ways. The opening and closing stories, “Love and Honour and Pity and Pride and Compassion and Sacrifice”, and “The Boat”, not only develop the relationship between children and parents and how the child attempts to maintain this relationship; but also how they live their lives without their parents.
“Love and Honour and Pity and Pride and Compassion and Sacrifice”, focuses on the relationship between the protagonist, who is referred to as ‘Child’, and his father, referred to as ‘Ba’. The opening story follows the protagonist as he is struggling to overcome writers block, whilst dealing with his estranged Vietnamese father who is visiting. A number of flashbacks are used as a literary device to divulge into the protagonists past with his father as well as the fathers past. This reveals, not only an abusive past with his father, but also his father’s memories of the Vietnam war. It becomes clear that the son makes excuses for his father, with his girlfriend Linda also noting this, “I think you’re making excuses for him…You’re romanticising his past to make sense of the things you said he did to you” (pp.20). The protagonist reflects this himself, making the excuse that “he was a soldier” (pp.13), and that is why his father treated him as he did. The protagonist, despite once being able to admit to Linda that his father abused him, can no longer admit this, as his relationship with his father grows, and it can be argued that he is willing to overlook his past in an attempt to reconcile with his father. “It was too much these words, and what connected to them” (pp.13).
Their relationship changes numerous times throughout the short story, beginning with two men leading separate lives and being relatively unconcerned with each other, and acting more or less like acquaintances, rather than a father and son. “At that moment I realised he was speaking to me not as a father... but as he would speak to a friend, to anyone, and it undid me” (pp.22). However,

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