Sam Stone
Mr. Mullenberg
Credit Recovery
22 December 2016
The Dark Tower II: The Drawing of the Three, by Stephen King
The second tale in the epic series The Dark Tower begins with a signature Stephen King prologue; all goes to hell in the protagonist’s world before the book even properly starts. In the case of The Dark Tower, said protagonist role is filled by none other than Roland Deschain, the wild west gunslinger from a postapocalyptic world (currently “Mid-World”) not unlike our own. Roland begins the tale alone, his most recent companion - a prepubescent boy, John “Jake” Chambers, from our own New York set in 1977- dead, and sacrificed by none other than Roland himself. Even though such a decision was necessary, and ka (destiny or
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He’s close to death, and unsure how he is going to manage completing his task. Seldom has the gunslinger come across harder times, and even less often to blame on none other than his own thoughtlessness. Regardless, one must go on, and so he does, opening the door to Gods only know what kind of world, awaiting his task.
This door leads to the mind of Eddie Dean, a heroin addict also from our New York, 1986. Eddie is in the middle of attempting to smuggle pounds of cocaine through an airport, to exchange for large amounts of heroin. Roland’s understanding stretches as far as “nobody is supposed to know what Eddie has strapped under his shirt.” Roland however, is close to death himself, and manages to use Eddie to get food and a bottle of water back to his own world. Later he also brings Eddie into his world while everyone on the plane thinks he went to the bathroom. They hide the cocaine there temporarily, and Eddie returns to the plane clean as a whistle, and manages to pass customs.
Eddie makes it to his exchange point, and tells the mob boss he can produce the cocaine and explain why he was late, as long as he has privacy for just a second. Henchmen give Eddie a full cavity search to be sure, and then send him into the nearest bathroom to do whatever he thinks he’s
Eddie steals a purse from an elderly lady. Manny was given a second chance by the black man. “In that instant of trying to call out to Eddie everything changed. It was like I’d seen my own fate.” (210) Manny said this because he realized that he is on the completely wrong path in life. Manny realizes that Eddie is starting to pick up character traits like his father and Manny cannot turn out to be like his own dad. Manny knows that he does not want to throw away his life so he turns it around because he knows what the outcome will be if he does not change.
To most, when asked to define what Gothic is, they will state that it is similar to any other story, just with more “darkness.” This is because Gothic stories all have a classic story line. First, there is the main character’s back story, if any is then told. Next, there are events that lead up to a horrible incident that is the climax of the story. Lastly, the character finds some way to fix the situation or free him- or herself from it. They might go insane, commit suicide, run away, or watch other characters perish. However, readers would be greatly mistaken if they thought that this was all that there is to a Gothic story; there is much more to the Gothic than meets the
Book-burning is the first thing that is explained about this future based society of Fahrenheit 451. Burning books is the obliteration of the single thought on paper or in one word- censorship. Books are considered evil because they make people question and think. All intellectual curiosity and thirst for knowledge must be quelled for the good of the state — for the good of conformity. Without ideas, everyone conforms, and as a result, everyone should be happy. When books and new ideas are available to people, conflict and unhappiness occur. Some of the many different motifs in the novel Fahrenheit 451 are conveyed through the use of various sardonic lines and connotations planted throughout the book. On the matter of technology and modernization it explains how TV reigns supreme in the future because of the "happiness" it offers. People are content when they don’t have to think, or so the story goes. TV aside, technology is the government’s means of oppression, but also provides the renegade’s opportunity to subvert. Rules and order is another popular topic written into the book. It is stated that “All books can be beaten down with reason.” This was said by Captain Betty, a quote ironically coming from a book itself. Much of the restrictions on the general populous are self-enforced. The government has taken away the citizens’ ability to dissent and marred all dissatisfaction with a cheap version of "happiness," a.k.a. TV. This means
Carl Deuker was born in San Franscisco on August 26, 1950. He was raised in Redwood City, California. He is the son of Jack Deuker and Marie Milligan Deuker. He attended the University of California, Berkeley majoring in English. He describes himself as a classic second-stringer who wasn’t very athletic. Carl is currently teaching junior high English and physical science in Northshore School District outside of Seattle. He is also, the author of Heart of a Champion, Night Hoops, Painting the Black, High Heat, Runner, and Swagger. On the Devil’s Court was a YA book of the year in South Carolina.
Why is gang affiliation such an alluring, appealing lifestyle? Admittedly, the appeal is conceivable. Watching Boyz in the Hood or listening to hip-hip may cause some to think, “I can live that life,” but thought does not turn into action while others never formulate such a thought. This raises the question, why does Monster Kody Scott, consider devout gang membership as a sole objective despite constant contingencies of incarceration and demise? To answer this question, this paper will take the social disorganization position in its review of Monster: An Autobiography of an L.A. Gang Member. In addition, this paper will use examples to show that social disorganization explains the behavior portrayed the book.
Monster by Sanyika Shakur yields a firsthand insight on gang warfare, prison, and redemption. “There are no gang experts except participants (xiii)” says Kody Scott aka. Monster. Monster vicariously explains the roots of the epidemic of South Central Los Angeles between the Crips and the Bloods that the world eventually witnessed on April 29, 1992. As readers we learn to not necessarily give gangs grace but do achieve a better understanding of their disposition to their distinct perception in life.
From the beginning of the book, Half the Sky, the stories of Srey Rath, the vibrant girl from Cambodia, and Meena Hasina, the courageous mother from India, and other stories like theirs have helped many people understand the tragedies taking place all over the world. Their stories have inspired the authors and many who have read their stories to dive deeper into thought about worldwide issues plaguing many countries, including the United States. The global issues surrounding women’s health in the beginning of this book include the topics of: the three types of abuses, the inaccuracy of the term “sex trafficking”, and the initiatives to stop slavery.
King Leopold’s Ghost is a nonfiction book about Imperialism in Africa written by Adam Hochschild. Hochschild was born in New York in 1942 and graduated from Harvard in 1963 with a B.A. degree in history and literature (Interview with Adam Hochschild). He worked as a reporter for a daily newspaper for two years and then he went on to writing and editing magazines. In 1986 he wrote his first book, and then twelve years later he wrote his second: King Leopold’s Ghost. Hochschild said he writes about subjects he’s interested in. In the introduction to King Leopold’s Ghost he states that he knew nothing about the history of the Congo until he noticed a footnote in a book (Hochschild 3). Hochschild said that when you come across something striking, you remember where you were when you read it. In this particular experience he was in an airliner crossing the United States. He read a quotation by Mark Twain about the caliber of what happened in the Congo and was startled (3), this sparked his interest in the Congo and inspired him to start researching to see if the mass murders he read about were true.
This paper attempts to offer a Marxist reading of Conrad 's Heart of Darkness (1899) and Defoe's The Life and Strange Surprising Adventures of Robinson Crusoe (1719) . Specifically , this paper highlights how the concept of commodification helps us to understand the dialectic struggle between the bourgeoisie and the proletariat which are both considered the products of their socioeconomic and material circumstance with an emergent capitalist culture. By depicting how capitalists in the two novellas commodify objects or humans and by investigating the struggles between the 'haves' and the 'haves-not' .
The title of the book is easy - the temperature at which a book burns, 451 degrees fahrenheit. The chapters on the other hand, explain the current conflict within the section. Section 1 is titled "The Hearth and the Salamander". The hearth (which represents the home or a fire within the home) has two significant aspects in this chapter. It first refers to the relationships (or lack of) that Montag has with his wife, boss, and Clarisse, and also refers to the woman who allowed herself to be burned down with her house and her books because of the impact that this event had on Montag. The Salamander is a symbol of the firemen.
When you think of psychology what is the the first name that comes to mind? My guess is that you thought of Sigmund Freud. Even though none of his theories of dreams or sexuality have any empirical evidence, he is still one of the most influential figures in all of philosophy. One of Freud’s ideas that does have substance is the idea that our minds are dynamic and contain both conscious and unconscious memories, thoughts, and desires. Freud labeled these phenomena the id, ego, and superego. While the nuances of this theory are complex and somewhat monotonous, they are brought to life in Christopher Nolan’s The Dark Knight. The chaotic and childish joker (id), the pure and valiant Harvey Dent (superego), and the one responsible for finding a balance between the two, Batman (ego).
The Looming Tower, written by Lawrence Wright, examines the people involved and the events leading up to the attack on the World Trade Center on September 11, 2001. The text included the personal accounts of Osama bin Laden and other middle-eastern influences such as Dr. Ayman al Zawahiri (the most significant ideological frontrunner of al-Qaeda), Abdullah Azzam, Khallad, and Sayyid Qutb, along with western factors like, Daniel Coleman, Jack Cloonan, Patrick Fitzgerald, and John O’Neill. The choices made by those influencers in the Middle East, and in the west, during the 20th century created the climate in which the terrorist organization al-Qaeda was formed, and the terror of 9/11 was executed. Two specific
Although the gunslinger is a formidable and experienced individual traveler, he takes upon a helper, which may prove to be a flawed decision. While
The next person that Eddie meets is his Sargent from the war. He tells Eddie about how he, the Sargent, died, and how that enabled the rest of the company to survive. He told Eddie that it had been him who had shot him, in order to save his life. Eddie had become convinced that he saw someone in a burning building, and to prevent Eddie from going in there and losing his life, the Sargent shot him in the leg.
J. K. Rowling, along with many other modern fantasy authors, owes a great deal to Dante in the formulation of her best-selling series. Though the subject matter she undertakes—a magical world of witchcraft and wizardry—would have, in Dante’s eyes, landed her in the eighth circle of the Inferno, fourth pouch, Rowling would arguably have been unable to create the magical universe of Harry Potter without immense inspiration from The Divine Comedy. In an overly simplistic picture, Voldemort might be thought of as a representation of Satan, arrogantly believing that he has the power to conquer the whole wizarding community, let alone the entire world, with his magical faculties. Indeed, similar to Satan, Voldemort exemplifies the damning qualities of greed, wrath, violence, deceit, and betrayal every step of the way on his path to power.