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Analysis Of The Bridge On The Drina

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In Andric’s Nobel prize winning novel, he develops a multifaceted narrative of the history of the bridge on the Drina through the lenses of various fictional characters. One of those characters would be Milan Glasicanin whose story is centered around his gambling addiction and his hallucination on the kapia. Milan’s account is an example of how Andric employs village life and communal life experiences as a method of breaking away from traditional methods of telling history such as through Mazower. In turn, The Bridge on the Drina provides a medium where historical facts and fictional narratives are integrated to form a unique way of interpreting history. In Andric’s development of Milan’s story, he fosters a sense of history through the use of supernaturalism. Milan has a “hallucination” of a stranger that he starts gambling with and keeps losing. However, at the end, the stranger makes a deal that if they play one more hand, if Milan wins, he gets to have everything he lost back, but if he loses, he has to give up his life. Towards the end of the event, Milan “turned over one more card. It was a four; that meant thirty-two. He had lost” (Andric, 150). The scene ends with him going home and falling and hitting the door with the people in the house putting him to bed. Milan is then ill for 2 months and wonders if what he experienced was a dream. Pop Nikola and his two friends whom he confided in thought of Milan’s story as, “a hallucination, a fantasy which had appeared

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