Analysis Of ' The Cyclops And Pan 's Labyrinth '

The film Pan’s Labyrinth is main about the Pan’s Labyrinth’s film in the things that happened in the Spanish. In general, trauma means physical damage to the body and emotional damage to our heart. Dr. MooLi Lahad is an Israel professor and Lahad had use six coping method that are related to the film Pan’s Labyrinth. These strategies are belief, affect, social, imagination, cognitive, physiological. This film about a girl in Spain visit her new stepfather in a forest with her pregnant mother. During the days she live in that area, there were many strange things that surround them. At last, this girl and her stepfather died. In this film, the role Ofelia has use some coping methods in describing the event in the film. These methods are beliefs, affect and social.

Obedience is a recurrent theme in El Laberinto del Fauno, discuss at least two examples and what they represent.

Odysseus’s escape from the Cyclops is one of great intelligence. A Cyclops is a giant one eyed monster. Homer said, “The booming voice and the very sight of the monster filled us with panic” (IX, 256). From the first moment Odysseus and his men set eyes on the Cyclops they know they are in trouble and will not be able to get out easily. The Cyclops, Polyphemus, eats two of Odysseus’ men from the start. As soon as this happens, Odysseus

The director Guillero Del Torro uses many motifs and parallels in his film Pan's Labyrinth. The most obvious parallel in the film is the parallel between the real world and the fantasy world of the character Ofelia. Both worlds are filled with danger. At any second in both of these worlds your life could be lost. Del Torro separates the real world from the fantasy world with many visual motifs.

Pan’s Labyrinth, originally titled El laberinto del fauno, was published in 2006 by the Spanish director Guillermo del Toro. The story is set in the year 1944, in the country-side of a post-Civil War Spain. A young and imaginative girl named Ofelia, played by Ivana Baquero, travels with her pregnant mother, Carmen Vidal, who is very ill; in order to meet and live with her stepfather, a cruel and sadistic man named Capitan Vidal (Sergi Lopez). During the first night of their stay, Ofelia meets a fairy that leads her to a pit in the center of a labyrinth where they soon meet a faun (Doug Jones). The faun tells Ofelia that she is a princess from a faerie kingdom

“ You are a ninny or else you come from the other end of nowhere telling me to mind the gods.” (11) Polyphemus is speaking to Odysseus in response to the last quote. He may be ugly, but he is no dummy. You are not going to fool me. “We Kyklopes care not a whistle for your thundering Zeus…..” (12) In this quote, Homer using figurative language “ simile” to emphasize and compare Zeus’s thundering as whistle to him. He’s not afraid of any Gods. That’s where it revealed Cyclops personality and perspective. We can see it by reason of “ Zeus.” He was known as the ruler of the Olympian Gods. He’s the most powerful gods in their culture. But, he compares Zeus’s thundering matching with a whistling. So, it provided the effects of hyperbole. In “ But in one stride he clutched at my companions and caught two in his hands like squirming puppies to beat their brains out, spattering the floor, then he dismembered them and made his meal…..” (13-15) This quote revealed the monster’s personality is that they are so powerful and almighty. The effects of imagery illuminates the conflicts among them as a result of monster’s personality, this means war to them, but Odysseus and his people are not his opponents. Due to the use of simile give us a sense that how strong they are. “Two men in his hands are like puppies.” (13) “ Then he dismembered them and made his meal…..”(15) This quote revealed monster’s characterization by saying he dismembered them. It gave us a sense of monsters are not the people you should mess with. The characteristic of them is always uncivil and

Award-winning filmmaker Guillermo Del Toro delivers a unique, richly imagined epic with Pan’s Labyrinth released in 2006, a gothic fairy tale set against the postwar repression of Franco's Spain. Del Toro's sixth and most ambitious film, Pan’s Labyrinth harnesses the formal characteristics of classic folklore to a 20th Century period. Del Toro portrays a child as the key character, to communicate that children minds are not cemented. Children avoid reality through the subconscious imagination which is untainted by a grown-up person, so through a point of an innocent child more is captured. The film showcases what the imagination can do as a means of escape to comfort the physical trials one goes through in

Showing sympathy and compassion to others is one of the major lessons that the parents teach their children about at a very young age. When I was only four years old, my mother told me about the importance of being sympathetic because if you give someone a second chance, later on down the road they might give you one too. Being sympathetic not only benefits the person you are being sympathetic towards, but you might eventually get something out of it as well. Despite his frightening appearance, the cyclops Polyphemus from Homer’s epic poem The Odyssey is quite the sympathetic character. The reader sees sympathy in Polyphemus in the way the cyclops treats Odysseus and his men.

The character Ulysses Everett McGill from “O Brother, Where art thou?” is a worthy representation of Odysseus from the “Odyssey”. Ulysses Everett McGill, or Everett, was the main character of the movie who was trying to get back home. Odysseus was a king and warrior who spent 20 years away from home due to obstacles and distractions. Both characters share many personality traits and events that make the movie a modern adaption of the epic poem

1. Odysseus kept his true identity from Telemachus at first, because he did not want Eumaeus to know about his return. Since he would be likely be killed if the suitors found out about his return, he wanted as few people as possible to know about his homecoming. He did not tell his wife, Penelope, about his return, because one of the workers in the palace could share this information with the suitors.

Pan’s Labyrinth is of a young girl named Ofelia and her expectant mother Carmen who arrives at the premises owned by her mother's new husband, who’s an army officer named Captain Vidal. Upon their arrival Ofelia notice an ancient maze called Pan’s Labyrinth that struck her curiosity. Later, Ofelia returns to Labyrinth with the guidance of a fairy that introduce Ofelia to the Faun, who tells her that she is a legendary lost princess. But, for Ofelia to return to her kingdom she must complete three dangerous tasks. The first task was to bury three magic stones deep down inside the belly of an ancient fig tree. Where Ofelia was met by a giant toad who she fed the magic stones to and retrieved a key. After retrieving the key Ofelia discover that her dress had been ruined as it laid in the mud because of the bad weather that suddenly came about. As Ofelia returns from the woods she later discovers that her mother health is steadily declining. So, the faun gave Ofelia a magical root to place under her mother’s bed in a bowl milk with two drops of blood. The magical root was to ensure the survival of Ofelia’s unborn brother. For Ofelia’s next task, she must go in the underground chamber with a horrifying creature called the Pale Man to retrieve and item using the key she found in the fig tree. But, the only way to access the underground chamber is with drawing of a door using chalk. However, there is a catch, Ofelia mustn’t remain in the chamber too long or eat any of the food in the chamber. So, that the creature wouldn’t be disturbed from its slumber.

Guillermo Del Toro’s Pan’s Labyrinth tells the story of Ofelia who experiences magical encounters in this fantasy. One night, a fairy leads her into a hidden labyrinth where she meets a faun who tells her that she is a lost princess. He assigns her three dangerous tasks to prove herself and to claim immortality alongside her father. Meanwhile, her step-father, the captain of a merciless, violent army in fascist Spain attempts to stop a guerrilla uprising. Ofelia struggles to meet the demands of the faun before time runs out. Through this quest, she interacts with creatures and challenges that create a monstrous environment.

Both stories have adventures where the protagonist fights monsters; however, once again, some are “real” and some are imaginary. It is interesting to analyze how each main character behave in relation to the monsters. In The Odyssey, there are monsters such as the Cyclopes, Charybdis, Scylla, which are Greek mythological creatures. One of his adventures with the monsters took place in an island inhabited by the Cyclopes. When he arrived, he had the opportunity to steal cheese and animals from the Cyclopes; however, he was overcome by curiosity and decided to go into the cave of a Cyclops to see how it looked like and how they lived. After doing so, his and his fighters’ lives were in danger – they were stuck in the cave and the only one that could remove the rock from the entrance was Polyphemus, the Cyclops. What saved the some of the men lives was Odysseus’s shrewdness. However, they had lost four men already. Firstly, they offered the Cyclops a bowl of wine and in exchange the creature would help them go home. Polyphemus, delighted by the wine,

The hero is one of the most commonly seen archetypes throughout literature and film. While there are many different types of heroes, there are particular characteristics that identify a character as a hero. These characteristics are largely not in regards to who the hero is: personality traits, beliefs, or values – rather, these attributes concern the hero’s journey and the actions the hero takes while on that journey. In Guillermo Del Toro’s film, Pan’s Labyrinth, Ofelia is an archetypal hero because she is born into royalty, leaves her family and land, goes on an adventure, receives supernatural help, proves herself many times, and is rewarded spiritually when she dies.

Setting is one of the vital elements of fiction. A work can only be fully approached if it is first based on its setting, which guides the development of the work. For “Pan’s labyrinth”, an outstanding cinema work rich in symbols, details and meaning, it is even more essential for us to take the underlying context into serious consideration