Perceiving through the gender and sexually lens in the novel The God of Small Things, it have illustrated the severity of gender oppression and discrimination through examination of the marital and intergender relations like patriarchy, gender roles and love. Specifically in the novel, Ammu, Mammachi and Baby Kochamma are all female characters and that they have experienced horrible discriminations and oppressions due to their gender, religion and statuses which have torn them between traditional norms and modern attitudes. Sadly speaking, their private love relationships are actually socially and politically regulated to emphases of caste and religion. Reversing the natural uncontrollability of who to love, in what way and to what extent, results in equally unnatural insurrections and obstructions of love relationship. The “love laws” are basically to put or set boundaries between the upper caste and lower caste which they are not allow to have any sexual relationship besides working as intensive labor. Women who are married are expected to be a good “house wives” and to serve their husband. This novel have demonstrated gender oppression, sexism and discrimination against women. When the female characters attempt to challenge or disobey the customs, laws, values of social and cultural boundaries, they commit moral transgressions which ultimately lead them toward their death and ruination. Therefore, majority women doesn’t have an option but to “accept” or “adapt” to the
When People are Big and God is Small is written by Edward T. Welch. Welch is a professor of Practical Theology at Westminister Theological Seminary. In addition to being a professor he also serves as a counselor, a faculty member, and the director of counseling and academic dean at Christian Counseling and Education Foundation. Welch has added his expertise to the field of counseling and theology by contributing to multiple books. Welch’s contributions do not end with books but expands to writing more than ten articles for the Journal of Biblical Counseling and other periodicals. Welch earned a M.Div degree from Biblical Theological Seminary and a PhD in Counseling Psychology (Neuropsychology) from the University of Utah. Drawing from his education and experiences, Welch possesses plenty of reputable credentials to warrant attention and discussion to his book, When People are Big and God is Small.
When People are Big and God is Small is written by Edward T. Welch. Welch is a professor of Practical Theology at Westminister Theological Seminary. In addition to being a professor, he also serves as a counselor, a faculty member, and the director of counseling and academic dean at Christian Counseling and Education Foundation. He has added his expertise to the field of counseling and theology by contributing to multiple books and writing more than ten articles for the Journal of Biblical Counseling and other periodicals. Welch earned an M.Div. degree from Biblical Theological Seminary and a Ph.D. in Counseling Psychology (Neuropsychology) from the University of Utah. Drawing from his education and experiences, Welch possesses plenty of reputable credentials to warrant attention and discussion in his book, When People are Big and God is Small.
Mahasweta Devi’s short story, “Giribala,” is about the life of Giribala, a girl of Talsana village located in India. Born into a caste in a time when it was still customary to pay a bride-price, Giri is sold to Aulchand by her father. From this point on, we see a series of unfortunate, tragic events that take place in Giri’s life as a result of the circumstances surrounding Giri’s life. There are many issues in Giri’s life in India that Devi highlights to readers. First, the economic instability of the village leads to an extremely poor quality of life for the lower, working classes. Next, the cruel role of women determined by men in society is to either satisfy the sexual desires of men or to reproduce offspring who can work or be sold off to marriages. There are also other social norms and beliefs which discriminate against women that will be discussed.
In society, women are often recognized as being the weakest and dependent gender while men are the most powerful. In Ihara Saikaku’s novel From Life of a Sensuous Women, he challenged the views on women by society and represented women as strong and powerful individuals. The novel was made of short stories where women used their sexuality to their advantage and to gain power over men. The women also did not follow the responsibility that society believes they should adhere to, such as marrying a man, having kids, and being the housewife who cooks, cleans and takes care of her family while her husband goes about his job. Instead, they lived with a loosed sexuality and had several lovers, which was not considered as to what the traditional women do. In addition to not being a housewife, the women had the ability to play sports and be good at them. These characteristics that were given to women challenged society and what they believe the ordinary women should be like. In From Life of a sensuous Woman, Saikaku showed how women might use the power of sexuality to overpower men, managed to question the traditional view of women as the compliant housewife, and challenged the assumptions of females as the weaker gender.
In this text titled GOD by Simon Blackburn, the protagonist agues of beliefs and other things. I am going to argue that there does not exist a super or godlike being who is all good, all knowing, all powerful. (40 words)
This paper attempts to examine the fictional projections of Indian girls, to see how they emerge in ideological terms. Their journeys from self-alienation to self-adjustment, their childhood struggles against the hypocrisies and monstrosities of the grown-up world, eventually demolishing the unjust male constructed citadels of power that hinder their progress- are the highlighted issues. The point of comparison between the two novels focused on here is the journey of Rahel in The God of Small Things and Sai in The Inheritance from a lonely childhood to a tragic adulthood passing through a struggle with the complex forces of patriarchal society. Both the novels portray the imaginativeness, inventiveness, independence, rebelliousness, wide-eyed wonder and innocence associated with these young girls.
Men, like in many ancient and modern societies, had a higher importance than women and were considered more useful as they were stronger to handle manual labour. The Hindu scriptures dictate that while men and women have different responsibilities and roles within the community, they should both be treated with equal respect. However in reality, this was not always the case. Sea of Poppies addresses this issue with Deeti, the wife of a veteran and the mother of a daughter, Kabutri. Deeti is raped by her brother in law, Chandan, on her wedding night due to her husband’s infertility and is continuously harassed by him. With the quote “You need a son, to give you a helping hand. You're not barren, after all . . . “ (Ghosh, pg. 11), his prejudice against women as well as his pervasive tendencies towards women emphasise the attitudes of people in mid 19th century India, especially men, that tended to denigrate the role of women. Although Sea of Poppies and Their Eyes were Watching God are set in different cultures, they both portray the privation of women and the damaging effects it can have on an individual. Through the incorporation of accurate historical context, the audience is able to evaluate the treatment of women and men in the modern
“I think a hero is an ordinary individual who finds strength to persevere and endure in spite of overwhelming obstacles” noted famous actor-turned- quadriplegic Christopher Reeves. In an interview he said “I set impossible goals for myself because when I succeed or even surpass, I know I can challenge myself even more.” This is one example of how challenges define can show our true characteristics, such as Reeve’s courage and perseverance. However, challenges can test our love for one another. Dana Reeves, the wife of Christopher was faced with the challenge of taking care of her now quadriplegic husband, and instead of abandoning him, supported him. The Reeves are just one example of how coping with challenges can not only show our true
This upheaval of identity can be seen in way the colonial trauma pervades the social, political, and cultural environment depicted in The God of Small Things. The social, political, and cultural environments in turn invade the lives of the characters of the novel. The Indian caste system and the love laws, for instance, are driving forces in one of the main conflicts of the novel. The caste system, which was existed in its present form in the novel due to the British colonists favoring certain castes above others, categorized groups of people within Indian society and classified some as superior to others, with the Untouchables being the lowest classification of the human. The love laws determined “who should be loved, and how. And how much” (Roy 33). These histories work in tandem to create the tragedy of Ammu, the twins’ mother, and Velutha’s, an Untouchable and friend to the twins, doomed relationship. Because of these socially constructed class structures, Ammu and Velutha’s relationship was forbidden and when Velutha’s father, Vellya, informs Mamacchi and Baby Kochamma of their relationship, they are completely horrified. Vellya’s relationship with the Ipe Family also somewhat parallels the colonized people’s relationship with the colonizer. Vellya, as an Untouchable, occupies a lower social position than the Ipe Family and sees them as superior. By informing the Mamacchi about her daughter and his son’s relationship, he maintains the social class structures and the
This essay focuses on the theme of forbidden love, The God of Small Things written by Arundhati Roy. This novel explores love and how love can’t be ignored when confronted with social boundaries. The novel examines how conventional society seeks to destroy true love as this novel is constantly connected to loss, death and sadness. This essay will explore the theme of forbidden love, by discussing and analysing Ammu and Velutha's love that is forbidden because of the ‘Love Laws’ in relation to the caste system which results in Velutha’s death. It is evident that forbidden love negatively impacts and influences other characters, such as Estha and Rahel, which results in Estha and Rahel’s incestuous encounter.
In The God of Small Things, Roy explores the idea of breaking boundaries by personifying the setting, focusing on everyday events, and manipulating the characters within society. The most predominant boundary in the novel remains the rigid social classes known as the caste system in Indian society. Roy gives each character a specific role to bring out the importance of the Love Laws, which set behavioral margins within the society.
The God of Small Things (TGOST) by Arundhati Roy and Tiny Sunbirds Far Away by Christie Watson are two novels set in societies where females are significantly of lesser value and oppressed by male figures. TGOST is an Indian novel following the Ipe family and their interactions during adverse situations. Tiny Sunbirds Far Away shows the struggles that Blessing and her family endure when moving from their wealthy apartment in Lagos to a complex in countryside Nigeria. Through their respective novels, Roy and Watson explore the detrimental effects the dominance males have over women both in family and society have on a female’s identity. Such effects are revealed through spousal issues between the older generation, the dependency that women have on men and the unequal treatment of children in a family.
In the story “The God of Small Things," the term family can be defined as persons that an individual cares about. The obligations of the family members appear to be influenced by the bold ties. Despite the disputes among some family members, the blood ties obligate them to express care and love towards one another. Just like in real life situations, the novel explains that family relations can be frustrating, complicated, and confusing. In most cases, it is apparent that most individuals are forced by the family ties to stick together. The failure to express care towards one another is seen as one of the factors that prompt families to fall apart.
In the novel The God of Small Things by Arundhati Roy, the reader notices the differences between the modern American view of politics and society between the politics and society in the novel. This novel takes place in the southwestern part of India in a town called Kerala and is focused on the wealthy family of the Syrian Christian Ipe family of Ayemenem. Within this family, many of them have problems in their lives and as a result, go to the house once their problems have taken a turn for the worse. A major theme of this story is the society of India and the caste system that is in place. Some characters that were majorly affected by the caste system are a woman named Ammu and her two children, Estha and Rahel along with an Untouchable named Velutha. Besides the caste system Ammu and her children must worry about the social system and the outcomes of actions that are not socially acceptable. Another recurring theme of this novel is the change in political stances in the country of India and how it affects the characters. Since the Ipe family is wealthy, they own a factory called “Paradise Pickles and Preserves” and some character struggles revolves around the fact that there is a motion for a change in politics. Although the novel can be understood on its own, it makes it more understandable if the reader learns about the political history of India and an understanding of the caste system. Besides the political history and caste system the view on gender in the country of
Although desire presents itself in many charged forms in The God of Small Things, we can view the plot of the narrative as a series of disrupted yet connected events that are propelled by, or a product of, individual resistance fuelled by a Desire to Transgress. This plot of individual resistance is represented through the female protagonist Ammu and her daughter Rahel, as a foil of her mother, and is most explicit in the ending of the novel, when they both commit sexual acts that violate the conditions imposed upon them by the power of their patriarchal society. Although developed somewhat subliminally, through language and symbolism, the fragmented conventions of this plot of desire to transgress (not to be confused with a plot of