Analysis Of The Novel ' American Psycho ' By Bret Easton Ellis

Billy Pilgrim is the person that the book is written around. We follow him, perhaps not in a straight order, from his youth joining the military to his abduction on the alien planet of Tralmalfadore, to his older age at his 1960s home in Illum. It is his experiences and journeys that we follow, and his actions we read about. However, Billy had a specific lack of character for a main one. He is not heroic, he has very little personality traits, let alone an immersive and complex character. Most of the story is written around his experiences that seem more like symptoms of Post-Traumatic Stress Disorder from his World War Two days, combined with hallucinations after a brain injury in a near-fatal plane

Alfred Hitchcock (1899 – 1980), the “Master of Suspense”, was a English film director, who was well known for his use of suspense and psychological elements to shock and surprise his audience. Hitchcock was known for his use of recurring themes, motifs and plot devices, such as the use of birds, hand motifs, the audience as a voyeur, mothers, blonde women, and sexuality. He was also very technical in his editing, using filming techniques such as deep focus, point of view, close up and wide, tracking shots. Montage was also a technique he used frequently in his films. He believed that by using visuals, he could convey thoughts and emotions just as well as dialogue could.

In this book written by Ken Kesey, the main character is a man named R.P. McMurphy who tricks people into thinking that he is a psychopath. To McMurphy, the asylum is a get out of jail free card, which quickly turns out to be something else entirely. However, one vital aspect of this book is the way in which it addresses and provides insight upon several contemporary issues relating to the American healthcare system, by illustrating the ways in which our modern healthcare system has improved and grown in the last five decades. This includes the following areas of healthcare: the need for a healthcare reform, the lack of healthy doctor-patient relationships, and the murky definition of mental illness.

Tobias Wolff uses imagery in his short story “Bullet in the Brain” provides a visual portrait that captures attention. He clarifies in an interview with Sanford University what short stories require, “You want large results from it, and you 're compelled by its very shortness to using all your resources of language, form and understanding” (Schrieberg 1998). He uses language in the story offering instances of imagery to describe the media critic. Anders is portrayed as weary, and elegantly savage in his reviews. In each scene of the story Anders observes and uses biting words to offer his approval or distaste. He uses words to critique events while waiting with the customers at the bank, with the thieves and with the shot starting his recollections. There is a deeper vision into his brain not only with the speeding bullet but incite to words. The use of imagery in the short story provides a distorted image of the character Anders, not the real image of a man with the passion for words and the happiness they create.

It is expected for arguments to arise when writing about controversial topics. Many times the meaning of a book is not as obvious as the author intended, which may lead to problems. Other times, books are challenged because they contain sexual or inappropriate material. When Kurt Vonnegut released Slaughterhouse-Five critics were quick to judge his peculiar way of writing. Although Kurt Vonnegut’s book Slaughterhouse-Five was oftentimes misunderstood, interpreted as inappropriate, and judged for the peculiar point of view, critics seem to appreciate and accept one aspect of it: the structure of the book.

In the novel The Catcher in the Rye, the protagonist Holden Caulfield has peculiar behavioral tendencies. The author’s cynical narration presents the story of an emotionally damaged teenager whose cynicism and personal oddities prevent him from conforming to a post-World War II society full of phonies to whom he cannot relate. It becomes increasingly evident that Holden, far from being pragmatic, has clouded judgement as he rides an emotional rollercoaster of mood fluctuations. Thus, it is clear that his wide array of personal flaws including his cynical, depressive, and unreasonable attitudes and thoughts are rooted in underlying emotional problems. Holden Caulfield has extensive psychological problems that are revealed through his depressive

In the short story Bullet in the Brain, Tobias Wolff creates a sarcastically doughty character by the name of Anders. However, it becomes transparent that beneath this stone-cold portrayal of a man resides a troubled past. Throughout the story, Ander’s life struggles slowly begin to show through the cracks, giving the reader insight into what has turned him into such a hateful man. Another interesting character in the story is the man who takes charge of the robbery. He remains unnamed for the entirety of the happenings, and, although he is not alone in committing this crime, plays an important role in framing the theme of Wolff’s work. Wolff uses literary strategies such as imagery and extreme detail to pull the reader into the story, lock in their attention, and relate the symbolism and emotion of what’s happening. These devices have a great effect on the story.

This film presents a worldview of business that drips with materialism. The late 80’s was a fairly prosperous time for America. For the characters represented in the film, success was measured by how nice your apartment was, what types of suits you wore, and where you had dinner reservations for the evening. According to literary critic Jeffrey W. Hunter (2000), American Psycho is largely a critique of the "shallow and vicious aspects of capitalism. The characters are predominantly concerned with material gain and superficial appearances, traits indicative of a postmodern world in which the 'surface ' reigns supreme.”

Again, the audience is not presented with a perfect copy of such a personality in the character of Norma Desmond; her “appeal” is arguable, considering her hefty age of fifty, and her deception is not exclusive to her victim, but has cast a much heavier net upon herself. However, Norma is still manipulative in the sense that she uses the appeal of her wealth to keep Joe under her control. In this way, she strips him of his pride and manhood by taking him on as her dependent, and eventually into her “boy toy” (for lack of a better term) by inducing his guilt with her suicidal threats. Whether or not she deserves the audience’s pity is no matter—Norma fits her role as the femme fatale since she uses Joe entirely for her own purposes, and eventually brings him to his very literal demise.

In the novel, One Flew Over the Cuckoo’s Nest, Ken Kesey uses machine imagery to develop the theme that society forces people to conform. The novel is able to portray machine imagery and conformity by using the Patients, Combine, and Bromden’s Dream.

In this world, there are two sides to everything. Whether it may be a message, a film or a novel, each platform of literature has two different windows. The first being the depiction of the author and the second being the interpretation of the audience. This concept is evident within both works this essay seeks to explore. In Ken Kesey’s One Flew Over a Cuckoo’s Nest, a charismatic criminal, Randle P. McMurphy is admitted to a state asylum due to his will of serving out of prison sentence in a mental hospital rather than the penitentiary. McMurphy brings in the outside world to the admitted patients after being legally declared insane through a condensed interview with a psychiatrist. He symbolizes freedom, life and the power of an

J.D. Salinger’s The Catcher in the Rye is regarded as a seminal work of fiction with many psychological and social themes, particularly those related to personal development and the transition out of childhood. In this paper, The Catcher in the Rye will be analyzed from the basis of an Adlerian psychoanalytic perspective with a particular emphasis on personality development and the influence of siblings and birth order. This analysis will center around the main character of Salinger’s story, ‘Holden’, who appears to have developed an inferiority complex in his early life which he attempts to make up for with antisocial and dishonest de-identification behaviour. The Adlerian model of psychoanalysis is ideally suited for the character of Holden and provides a number of insights into the influences upon Holden, the state of his mind and the motivations that make up his unique character.

Bateman is in a way sickened by the everyday all-American life he leads, while the reader is sickened by the flip side of Patrick Bateman.

Phony is defined as a fake or an ingenuine person, this word was used most often by no other than Holden Caulfield, the most recognizable teenager in American literature. To truly understand who Holden Caulfield is, we must take a trip back in time to the 50s. The 1950s was a decade of prosperity and conformity, life in the 50s was simply peaceful. However, in the summer of 1951, J.D Salinger published a book entitled “The Catcher in the Rye”, the main protagonist of the novel, Holden Caulfield, described the 1950s as a disgusting and phony era. Holden himself is depicted as a teenager disillusioned by the adult world. Holden finds the hypocrisy of the adult world to be almost intolerable, with this mindset, he alienates himself from the society and he soon realized that he wants to become a “catcher in the rye”, which is to be a guardian of children, protecting them from the ugliness of adulthood and the process of maturity. The fuel that drove Holden to become who he is today was that of his childhood sibling loss, after the tragedy, Holden became desperate and infuriated. Almost 70 years later, Holden Caulfield still resonates in American culture, this leaves reviews questioning, why was the novel so meaningful and popular? Salinger’s universal idea of alienation and phoniness gave rise to the novel, never has anyone seen such a controversial book, but no one realized that Salinger’s message is pointed toward the faults of the American society.

Drug dealer, suicidal, cynical, and promiscuous. These are some of the adjectives that can describe the recurring character Sean in the book Rules of Attraction written by Bret Easton Ellis. Keeping in mind Sean’s characteristics, readers can firmly assure that Sean develops an attraction to Lauren, one of the other main characters in the novel. However, over the course of the novel, Sean tells some remarks about having sex with women. From his own narration of the story, the reader cannot imagine that he also dates men. Paul, one of the other main narrators, brings in question Sean’s heterosexuality by stating that he is involved in a sexual relationship with Sean. Sean does not regard those encounters whatsoever, which may lead the readers to believe his mental silence about sex with Paul reveal a hidden area in Sean’s life. Sean describes his sexual encounters with women, but he omits his encounters with Sean. Instead of telling his version of the story, he recalls past experiences with other women. Additionally, he seems to be obsessed about sexually pleasing women, and despite his assertion of loving Laura, certain attitudes show the opposite. Therefore, Sean’s omission of his sex encounters with Paul, his remarks of about sex with women, and his false love for Lauren reveal that this character is denying his real identity.