Analysis Of The Novel 'Flapper' By F. Scott Fitzgerald

One in twenty-five people suffer from borderline personality disorder, a condition where a pervasive pattern of instability in interpersonal relations and self-image form at the beginning of early adulthood and continue on. Jay Gatsby pathologically has an excessive and erotic interest in himself and his physical attributes and appearance, which makes him classify as a narcissist. Narcissism and borderline personality disorder can combine together to make a unique set of symptoms, such as a need for admiration, a pervasive pattern of grandiosity, a grandiose sense of self-importance, being interpersonally exploitative, preoccupation with excessive fantasies of success and ideal love, and frantic efforts to avoid real or imagined abandonment. In cases that exhibit a grandiose sense of self-importance, a person may exaggerate personal achievements and expect to be superior and be recognized for said achievements. Gatsby has a myriad of these symptoms and behaviors; and, like in most cases, his condition led to a death because of his unfathomable obsession with Daisy, trying to earn her love and compassion, and attempts at altering the past. In the novel The Great Gatsby by F. Scott Fitzgerald, Gatsby exemplifies symptoms and mental attributes associated with narcissistic borderline personality disorder.

F. Scott Fitzgerald is in many ways one of the most notable writers of the twentieth century. His prodigious literary voice and style provides remarkable insight into the lifestyles of the rich and famous, as well as himself. Exploring themes such as disillusionment, coming of age, and the corruption of the American Dream, Fitzgerald based most of his subject matter on his own despicable, tragic life experiences. Although he was thought to be the trumpeter of the Jazz Age, he never directly identified himself with it and was adverse to many of its manifestations.

The flapper was the harbinger of a radical change in American culture. She was a product of social and political forces that assembled after the First World War. Modernization adjusted the American life. Flapper: A Madcap Story of Sex, Style, Celebrity, and the Women Who Made America Modern by Joshua Zeitz analyzes the people who created the image of the flapper. This work is an incorporation of narrative, statistics, and scholarly work that provide a distinct insight on the “New Woman.” Joshua Zeitz asserts the flapper was not a dramatic change from traditional American values but reflected the “modern” decade under mass media, celebrity, and consumerism.

The 1920s was a very special time for woman. Women started standing for up for themselves and making points to men that women can do just the same as them, and that women should be equal to men and have the same rights. That’s where flappers came from. Flappers were basically woman who stood out and did what they wanted. Women's rights were changed drastically because of flappers, now women are more equal to men. Flappers had a large impact on the American culture going from woman’s right, music and their fashion.

In selection #15 by Sara M. Evans, “Flappers, Freudians, and All That Jazz” Evans strikes a recurring theme that increased personal freedoms assumed by women in the 1920s came at the price both of conformity to consumerism and of the loss of female solidarity (or sisterhood, as she called it). According to this article, how were the young women of the 1920s different from their Progressive Era, reform-minded Mothers? To answer this question, focus both on the new pressures placed on women to marry and get a husband (pressures enhanced by American consumerism) and on the differences between the goals of the League of Women Voters and the National Woman’s Party (hint—one was concerned with equal rights for women the other with traditional female

Both “A Flapper’s Appeal to Parents” by Ellen Welles Page and “Thunder” by Imagine Dragons, express and embody a specific generation and address their elders, which are the parents and grandparents of these individuals. Although, the two pieces use a different variety of appeals and rhetorical strategies in order to achieve their purpose. These items both have their common similarities, they also contain aspects that set them apart.

TS: Fitzgerald uses many different techniques throughout the novel to show that women are a product of their men and are objectified by society.

From coast to coast people were reading the exploits of a new type of woman called flapper. Prior to World War 1 Victorian ideals still dictated the behavior of American women and girls. Frederick Lewis Allen describes the traditional role of women. Women were the guardians of morality. They were made of finer stuff than men. They were expected to act accordingly. Young girls must look forward in innocence to a romantic love match which would lead them to the altar and to living happily ever after. Until the right man came

Flapper by Joshua Zeitz is a book that tells an epic story about the American women during the time of the 1920’s. For a better understanding, a flapper would typically be a young girl who blurred the gender roles by taking on a more masculine lifestyle. They wore their hair short, drank and smoked frequently, and explored their sexuality. With this behavior, it didn’t destroy their femininity; it just simply provided the society’s perception of what a woman should and should not be.

Moral reformers had hoped to curb rebellious behavior, but a reverse effect resulted from the semi-private nature of speakeasies. Saloons had been exclusively for men beforehand, but prohibition marked a new era and speakeasies were heavily frequented by women. The new generation of young cosmopolitan women, dubbed “flappers,” brazenly flaunted their newfound

Frederick Lewis Allen, in his famous chronicle of the 1920s Only Yesterday, contended that women’s “growing independence” had accelerated a “revolution in manners and morals” in American society (95). The 1920s did bring significant changes to the lives of American women. World War I, industrialization, suffrage, urbanization, and birth control increased women’s economic, political, and sexual freedom. However, with these advances came pressure to conform to powerful but contradictory archetypes. Women were expected to be both flapper and wife, sex object and mother. Furthermore, Hollywood and the emerging “science” of advertising increasingly tied conceptions of femininity to

War is often followed by change; World War I is no exception. World War I is often labeled the cause for the rise of a feminine revolution-“the flapper”. Before the term “flapper” began to describe the “young independently-minded woman of the early Twenties” (Mowry 173), the definition that is most prominent today, it had a 300-year long history. The young woman of the 1920’s was new and rebellious. In her appearance and demeanor, she broke the social constructs of her society.

In Scott Fitzgerald 's short story, "The Offshore Pirate", he introduces the reader to the "larger than life" persona of Ms. Ardita Farnam. From turning a lemon into an object more risqué than a burlesque dancer at a speakeasy to heaving a novel at her uncle for urging her to conform to traditional Victorian mannerisms, Ms. Farnam, or should I say Ardita, appears to be a perfect example of what I define as an aristocratic product of rebellion in the 1920s, but I am not convinced that Ardita is what a historicist would refer to as a flapper. By definition, a flapper was a woman that openly rejected traditional societal norms in the 1920 's to grasp more from life than what was offered to their Victorian predecessors. From my understanding, flappers were women that fought against traditional expectations to destroy the hypocritical double-standard placed on women by the male dominated society. These women strived to attain equality through challenging the social norms that separated the rights of males and females.

Regardless, Dana loved to tell others that Page Starr went to private school she is the smartest girl in America. Still close to his older brothers Shane and Eric - the Starr’s were living the good life until the car accident a few years ago that killed both Eric and Shane’s wives. Otherwise the families got together on anniversaries, weddings, and the holidays. Sometimes they vacationed in Rovella Starr’s home town of Oklahoma, where Ray loved visiting his mother’s and Joe Bullet’s graves. One evening Ray’s brother couldn’t hide it anymore and he pulled Ray aside:

The Roaring Twenties was a time renowned for partying, drinking, and a time without war. F. Scott Fitzgerald is just one of the many writers during this time to write about such times. Fitzgerald, however, is an author that defined this era also known as the Jazz Age. Known for novels such as The Great Gatsby, This Side of Paradise, and The Beautiful and the Damned, and many short stories, Fitzgerald is described by famousauthors.org as “one of the greatest writers American soil has produced in the 20th century. F. Scott Fitzgerald is one of the most influential writers of the twentieth century. He had an amazing writing career driven by an interesting personal life. His death and legacy cut his career short and we still celebrate him now.