Arthur Machen and H.G. Wells were one of the most influential writers in the history of the English language. Through their works, both Machen and Wells illustrated the themes of sexuality and horror by exploring the idea of the supernatural. However, Machen’s gothic novella The Great God Pan (1894) and H.G. Wells’ sci-fi novel The Island of Dr. Moreau (1896) further exemplified the theme of humankind’s relationship to God. In the late Victorian period, the influence of religious mythology fell upon writers in England, and stories of the “unseen” became popular and abundant. This era was a time when the public started to seriously question their religious lives. Nevertheless, The Great God Pan was denounced by the public upon its publication for its focus on God as a powerful symbol for horror and sexuality. On the other hand, Wells’ The Island of Dr. Moreau was written as a satire, mocking Christianity and other forms of religion. In this short essay, I will expand on religious symbolism and point out the influence of Christianity using Arthur Machen’s The Great God Pan and H.G. Wells’ The Island of Dr. Moreau.
Arthur Machen’s The Great God Pan chiefly explores the themes of horror through the characteristics of the Greek god Pan. As a classic of horror, the novella is filled with religious allusion, powerful symbolism, and sexual content. Moreover, it can be interpreted as a parody of the Bible. The novella portrays Helen, a woman born to a Pan-possessed mother named
Flannery O’Connor has long been criticized for her blatant incorporation of religious symbols into sinister, dark stories. In the short story “A Good Man Is Hard To Find,” the dark and apathetic Misfit is said to portray, in an allegorical sense, a Christ-like figure. However, through the interpretation of the inversions of divine characteristics, his repulsion of Christ’s very existence, and the denial of any powers beyond the observable realm, we find that the Misfit is actually representative of the Anti-Christ.
Throughout history, one of the most prominent facets of any society is religion. It influences every aspect of civilization, from culture to government and from social rules to music. Literature, too, cannot escape the grasp religion holds on society. Works like Paradise Lost and The Divine Comedy show the awesome power religion inspires within people; contrastively, works like Huckleberry Finn and The Visit show the rampant cynicism religion inspires within people. Written by Swiss author Friedrich Dürrenmatt, The Visit is filled with religious symbols and references to Christianity. Instead of honoring the religion, though, the references only ridicules it.
Early American literature is filled with an obvious expression of religion and its redeeming power as well as an acknowledgment of its strength to help human beings bear adversity and triumph in difficult situations. The power of religion, as expressed in early American literature deals more with a sense of
Throughout history, literature has served as a prominent tool in the examination of social values, ideas, and dreams. In addition, literature has provided a vital connection between historical, social, and political events. Through the incorporation of religious principles and philosophies, writers have discovered a way to portray different time periods, characters, feelings, and most importantly God.
In the 1600’s the Puritans were the main religious group of that time period and they had very strong ideals on how religion and government should go together. Jonathan Edwards, who shared many of their ideals, preached a sermon called, “ Sinners in the Hands of an Angry God” and it had a very big impact on the congregation. Nathaniel Hawthorne, although he was a writer in the 1800’s, he was fascinated with the Puritans and their lifestyles and wrote a short story called, “ The Minister’s Black Veil.” Both authors use specific details, tone, and imagery to convey their meaning and style, Edwards harsh and accusatory style was more effective than Hawthorne’s melancholy and mysterious style because Edwards helps the reader understand the effects sin can have in one’s life.
Throughout “The Scarlet Letter” by Nathaniel Hawthorne and “The Devil and Tom Walker” by Washington Irving, the topics of sin and religion are addressed. Both stories share the similar idea of how sin and religion are present in their Puritan societies. Throughout The Scarlet Letter we interpret the ideas of sin and how it relates to to the concept of religion surrounding the community. In The Devil and Tom Walker we are left to analyze the actions and beliefs of a complex character, and how it relates to sin and religion. Overall, both stories are comprable because of their topics of sin and religion and how they relate to specific characters beliefs, actions, and behavior.
Jonathan Edward’s use of imagery, metaphors, and symbolism in his sermon “Sinners in the Hands of an Angry God” in order to instill fear in his congregation and reveal the message that, aside from faith and
Throughout Southern literature, the authors of Southern text use religion to convey emotion through grotesque-life changing events and concepts. An article titled “Flannery O’Connor’s Rage of Vision”, by Claire Katz discusses how O’Connor’s literature feature religion and Christianity to throughout the literature. The author states, “Since O’Connor had identified her theme as Christian, it is no surprise to find critics discussing this prototypical pattern in religious terms; the protagonist is humiliated in order to recognize his state of sin, and is thus open to grace and redemption.”(55) Therefore, this essay will examine and explain the abstract Christian components illustrated among multiple texts written by Flannery O’Connor and provide textual evidence to support the abstract findings from within the texts.
Religio-historical objects are things of crafted pieces of writing that reveal the realities of religious subjects through the perspective visions of their author (C.J Bleeker). Compared to an artist who has a muse, writers also have a “muse” something that influences their writing. Whether it is a personal experience, religious belief, or common morals writers derive the context within their writing from many different aspects of life. One thing most authors derive their ideas from is their religion or just any religion that interest them. Authors like Nathaniel Hawthorne and Flannery O’Connor, writings often include many allegories and symbols to religious faiths.
In “Sinners in the Hands of an Angry God”, Jonathan Edwards uses literacy devices, especially metaphors and similes in order to convey God’s wrath on sinners. These metaphors and similes are imperative for driving emotion onto the readers and listeners. Edwards wants to strike fear onto the listeners by sending his message from God.
Religion also plays an important function in allowing the authors to comment on society and faith’s role in it. For example, both authors seem to be suggesting that our religion is only compatible in society as we know it, that is to say that it is not compatible with other situations. In The Children of Men a major disruption to the working of society, mass infertility, has led to a total destruction of the Christian faith. In Brave New World, an unstoppable surge of machinery and technology has led to the disregard of religious moral and the introduction of a new set of hedonist attitudes, both scenarios being deplored by the reader. This could also be seen as the authors’ asserting that a civilized society desperately needs stable religion and morals, given that the utter breakdown in The Children of Men is arguably as shocking as the superficial worship of machinery and pleasure in Brave New World.
Author Anthony Di Renzo notes the effectiveness of O’Connor’s use of thematic revelation.Rather than opposing one another, good and evil instead exist as “equally odd, equally absurd, and equally shocking” (122).The good and evil ironically converge to relay the message of grace, common throughout her works. O’Connor wanted her stories “to reach the unbelieving reader,” and the shocking aspect of the grotesque was the most effective way to reach him/her (Hawkins 28-29).
This story again reinforces the severity of defying the supernatural, and the strong belief the puritans held in the actuality of a figurative God and Devil. This story repercussions the idea that there is nowhere to hide from these supernatural powers.
From Sinners in the Hands of an Angry God by Jonathan Edwards “Application”, it is self-evident from the beginning that it is on a religious subject. “The use of this awful subject may be for awakening unconverted persons in this congregation … The wrath of God is like great waters that are dammed for the present” Edwards’s purpose? To scare unconverted people that have ‘fallen out of Christ’. Either way, the sole subject of his work being religion and or relations of God. This characteristic also used in Anne Bradstreet’s literature when she mentions an afterlife in heaven with her husband. “Then while we live, in love let’s so persevere that when we live no more, we may live ever”. Religion was a very common motif in Puritan
As, perhaps arguably, his most famous novel, from his most famous book series, The Chronicles of Narnia, there has been much debate as to his motives for the implementation of religion in his works, and even some question as to whether religion is an actual existing aspect of the work. This essay will not only outline the unmistakable presence of religious allegory, but also focus on the purpose of it being there. Thus being, that C.S Lewis uses religious allegory to effectively introduce and develop core themes of the novel in a fashion both comprehensible and relatable for a universal audience.