Analysis Of The Poem ' The Sided Love ' By Patrick Bennett

Good authors can create wonderful stories, but it all starts with the setting. Without the setting, the story will have no plot and the characters will have no reason to be there because the setting is a crucial element. Barry Callaghan, the author of “Our Thirteenth Summer” can effectively use setting as an important part of a story. The setting of “Our Thirteenth Summer” is in Toronto’s Annex District during the 1840’s, when the Holocaust was occurring. The setting influences the behaviour of the characters and reflects the society in which the characters live.

2. Where does the story take place? Provide specific information about the place, time, and social context of the book. How is the setting important?

ugliness, yet doesn’t see true beauty nor feel a connection for love. Isabelle-Marie is like

“Love Poem” by John Frederick Nims is an excellent of example of an author using many types of literary terms to emphasize his theme of a love that is imperfect yet filled with acceptance. In, this poem Nims uses assonance, metaphor, and imagery to support his theme of “Imperfect, yet realistic love”.

Where: The story takes place in Harlem, New York. The settings are at the subway, the school, the brother’s childhood home, Isabel’s home, the narrator’s home, and the nightclub.

The pre 20th century poems ‘Cousin Kate’ and ‘A woman to her lover’ written by Christina Rossetti and Christina Walsh, both explore the presentation of women. Similarly, both poems are unique due to it being written in the 1800’s, as women were controlled and dominated by men in that society.

While people are often able to identify when they feel the emotion love, love itself seems to defy definition.  In her polemic “Against Love”, Laura Kipnis argues that love cannot exist as traditional expressions of love such as marriage, monogamy, and mutuality.  However, in her argument, she defines love incorrectly by equating love to expressions of love. This definition lacks a component essential to understanding the abstract concept of love: emotion. Recognizing love as emotion helps us realize that, contrary to Kipnis’ argument love by nature transcends all expressions of love. Love is subjective and exists in any and all forms. In her argument that love cannot survive as conventional expressions of love, Kipnis ignores the nature of love as emotion in favor of equating love to different expressions of love. Love is a force which exists above expressions of love; a true understanding of love can only come from an assessment of how individuals, not societies, respond to the emotion.

Setting explores the main idea of disempowerment and isolation and aptly allows the audience to contrast it with the life of the main character. From the story, we are told that the setting is in a newsagency shop in a country town near a harbour. We are also told that the country town has a smelly harbour breeze. By using the country town as the setting, the author has placed us as readers to imagine isolation and places being far away, making it easier to convey ideas of the story. The isolation of the country town illustrates the life of the main character. She is isolated and stuck in the shop and town where she has no power to leave due to her parents. For example, “Once a day the big Greyhound rolled past going north to the city” and “Sometimes she would bicycle out to the edge of town and look along the highways”. Using the word city, the author is creating an atmosphere of adventure and the highway creates a sense of belonging. Through setting, the author is able to covey the main idea of isolation and disempowerment effectively and letting us as readers connect the relationship between the setting and the main character’s life.

Max Shulman’s piece, “Love is a fallacy” expresses many arguments expressed during every day social interactions. In the piece, the author comes into contact with his roommate, Petey Bellows and a possible love interest, Polly Espy. The author makes many unjustified guess pertaining to their wisdom and intelligence, and these false pretenses contribute to his interactions with the two, and he aims to take advantage of the opportunity of manipulating the two into achieving his own selfish desires. His plan backfires, and he is forced to reconsider his actions. In the process, Max Shulman reveals that his piece is both anti-women, anti-men, and Shulman underestimates the intuitive and emotional aspects of love.

Although the world can be a cruel place, it is an extremely fortunate thing, which might have come with evolution, that we are still able to find ways as human beings to love ourselves no matter what. In the tragic short story, “Lusus Naturae”, which translates to “Freak of Nature”, written by Margaret Atwood, describes the event of a young, ill-fated girl, who is forced by society and its extreme pressure to mature all by herself while progressively turning into more of a monster figure day by day. Eventually, it escalates to her family wanting her dead in order to save the rest of the family’s future. Although the little girl is continuously being put down for her appearance along with constant chatters discussing about her death, she is still able to find ways to love herself. Throughout the story, Atwood uses powerful statement with contradicting diction, such as a bribing a priest while appealing to his sense of compassion, to form a claim that we, as human beings, will always have this flawless image of ourselves that we have kept within our heart. The image that we have formed will also never go away no matter how hard life gets, as “Lusus Naturae” leaves its readers to discover as the story unfold.

When the narrator first encounters the girl, his friend's older sister, he can only see her silhouette in the “light from the half-opened door”. This is the beginning of his infatuation with the girl. After his discovery, he is plagued by thoughts of the girl which make his daily obligations seem like “ugly, monotonous, child's play”. He has become blinded by the light. The narrator not only fails to learn the name of his “girl”, he does not realize that his infatuation with a woman considerably older than himself is not appropriate. He relishes in his infatuation, feeling “thankful [he] could see so little” while he thinks of the distant “lamp or lighted window” that represents his girl. The narrator is engulfed by the false light that is his futile love.

Letitia Elizabeth Landon is recognized as the most read British poet of the early nineteenth century. Landon is regarded as a renaissance woman—among the first wave of women to gain individual recognition, financial independence, prestigious literary acclaim, and supporters of her unique style of poetry. Landon published an enormous amount of literature from 1820-1838; generating seven book of poetry, creating literary annuals, authoring three novels, several children’s stories, publishing translations, a number of short stories, and providing literary reviews/criticism. The quality of Landon’s work speaks for itself and is consistently reviewed in the literary society. For this paper I intended to compare and contrast the textual similarities and differences of Letitia Elizabeth Landon and George Gordon, Lord Byron—using literary devices and subject matter.

It not only threatens, but also breaks through. Betrayed by love once in her life, she nevertheless seeks it in the effort to fill the lonely void; thus, her promiscuity. But to adhere to her tradition and her sense of herself as a lady, she cannot face this sensual part of herself. She associates it with the animalism of Stanley's lovemaking and terms it “brutal desire”. She feels guilt and a sense of sin when she does surrender to it, and yet she does, out of intense loneliness. By viewing sensuality as brutal desire she is able to disassociate it from what she feels is her true self, but only at the price of an intense inner conflict. Since she cannot integrate these conflicting elements of desire and gentility, she tries to reject the one, desire, and live solely by the other. Desperately seeking a haven she looks increasingly to fantasy. Taking refuge in tinsel, fine clothes, and rhinestones, and the illusion that a beau is available whenever she wants him, she seeks tenderness and beauty in a world of her own making.

In Anton Chekhov’s short story, The Lady with the pet Dog, Dmitry Dmitrich Gurov and Anna Sergeyevna are bound together, not by love, but by their psychological needs. Both need to believe in a phenomenon deeper and more meaningful than each of their despised lives and for this reason; they think the intimacy between them, fueled by desperation, is love. . In reality, the relationship between Gurov and Anna is characterized by lies, boredom with reality, and a desire for self-satisfaction. Physiologically, neither Gurov nor Anna posses the qualities needed to genuinely love another person. In order to do so, one must love themselves, an attribute neither one

At the mere age of seventeen, Pablo Neruda wrote ’Twenty Love Poems and a Song of Despair’ and it has since become one of his most famous collection of poems. Once, in an interview, Neruda stated that he could not understand “why this book, a book of love-sadness, of love-pain, continues to be read by so many people, by so many young people” (Guibert, 2015). He also mentioned that “Perhaps this book represents the youthful posing of many enigmas; perhaps it represents the answers to those enigmas.” (Guibert, 2015). Neruda was one of the first poets to explore sexual imagery and eroticism in his work and become accepted for it. Many Latin-American poets had attempted the same, but failed to become popular with their critics. He merges his own experiences and memories with that of the picturesque Chilean scenery to present a beautifully poetic sense of love and sexual desire. The collection hosts quite a controversial opinion, however, amongst critics and readers alike, with the risqué themes running throughout the poems. Eroticism being one of the most evident and reoccurring themes.